Yojimbo Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In 1860, during the final years of the Tokugawa shogunate, a r?nin (masterless samurai) wanders through a desolate Japanese countryside. While stopping at a farmhouse, he overhears an elderly couple lamenting that their only son has given up farm labouring in order to run off and join the rogues who have descended on a nearby town that has become divided by a gang war. The stranger heads to the town where he meets Gonji, the owner of a small izakaya who advises him to leave. He tells the r?nin that the two warring clans are led by Ushitora and Seibei. Ushitora was the right-hand man of Seibei, but rebelled when Seibei decided to hand over the reins to his son Yoichiro, a useless youth. The mayor of town and silk merchant, Tazaemon, had long been in Seibei's pocket, and Ushitora aligned himself with the sake brewer, Tokuemon, proclaiming him the new mayor. After sizing up the situation, the stranger says he intends to stay as the town would be better off with both sides dead.

He first convinces the weaker Seibei to hire him as a swordsman by effortlessly killing three of Ushitora's men. When asked his name, he sees a mulberry field and states his name is Kuwabatake Sanjuro (?????), where ?? Kuwabatake = "mulberry field" and where ??? Sanjuro ("thirty-years-old") is implied to be a reference to his age, as he slyly quips: "Though I'm closer to forty, actually".

Seibei decides that with the ronin's swordsmanship (a service acquired with a large payment in ry?) the time is right to fight Ushitora. But Sanjuro eavesdrops on Seibei's wife who orders her son to kill him after the upcoming raid so that they will not have to pay his fee. Sanjuro leads his faction to attack the other but then "resigns" leaving Seibei to his fate. But before the two sides clash, the untimely arrival of a bugy? (an Edo-period government official) forces both sides to make a bloodless retreat.

Eventually the bugy? is called away because a government official was murdered in another town. Sanjuro soon learns it was two assassins hired by Ushitora who committed the murder to get the official to leave. With this knowledge, Sanjuro captures the pair of killers and sells them to Seibei. But he then tells Ushitora that it was Seibei's men who caught them. An alarmed Ushitora rewards him for his help. Ushitora then orders the kidnapping of Seibei's son who he offers in exchange for the two prisoners. However, Ushitora double crosses Seibei at the swap when his brother, Unosuke, shoots the assassins with a pistol. But Seibei anticipated this so he kidnapped Ushitora's woman. The next morning she is swapped with Seibei's son.

Sanjuro learns that the woman, Nui, is the wife of a local farmer who lost her to Ushitora over a gambling debt, who then gave her away as chattel to the influential sake brewer, Tokuemon in order to gain his support. Sanjuro tricks Ushitora into revealing the place where Nui is hidden, then kills the guards and reunites the woman with her husband and son and tells them to leave town immediately. Pretending to be on Ushitora's side, Sanjuro is able to convince Ushitora that the woman was kidnapped by Seibei's men. A new spike in violence occurs in the gang war, Tazaemon's silk warehouse is burned down by Ushitora, and Tokuemon's sake brewery is trashed by Seibei in retaliation. After some time, Unosuke becomes suspicious of Sanjuro and the circumstances surrounding Nui's escape. Eventually Sanjuro is severely beaten and imprisoned by Ushitora's thugs after Unosuke discovers evidence of his double cross.

Sanjuro manages to escape when Ushitora decides to eliminate Seibei once and for all. As he is being carried out of town in a coffin by Gonji, the izakaya owner, he witnesses the brutal end to Seibei, his family and his clan. Sanjuro recuperates in a small temple near a cemetery. However, when he learns that the man who helped him has been taken by Ushitora, he returns to the town. Sanjuro manages to kill Ushitora and his men as well as Unosuke, even though he was armed with a pistol. He only spares one terrified young man who he encountered on his way into town. As Sanjuro surveys the damage, Tazaemon comes out of his home, in samurai outfit and beating a prayer drum. Tazaemon circles around town and then goes after and kills Tokuemon. Sanjuro frees Gonji and then departs knowing that his task has been accomplished.

Writing

Kurosawa stated that a major source for the plot was the 1942 film noir classic The Glass Key, an adaptation of Dashiell Hammett's 1931 novel The Glass Key. It has been noted that the overall plot of Yojimbo is closer to that of another Hammett novel, Red Harvest (1929). Kurosawa scholar David Desser, and film critic Manny Farber claim that Red Harvest was the inspiration for the film; however, Donald Richie and other scholars believe the similarities are coincidental.

When asked his name, the samurai calls himself "Kuwabatake Sanjuro", which he seems to make up while looking at a mulberry field by the town. Thus, the character can be viewed as an early example of the "Man with No Name" (other examples of which appear in a number of earlier novels, including Dashiell Hammett's Red Harvest).

Casting

Many of the actors in Yojimbo worked with Kurosawa before and after, especially Toshiro Mifune, Takashi Shimura and Tatsuya Nakadai.

Filming

After Kurosawa scolded Mifune for arriving late to the set one morning, Mifune made it a point to be ready on set at 6:00 AM every day in full makeup and costume for the rest of the film's shooting schedule.

This was the second film where director Akira Kurosawa worked with cinematographer Kazuo Miyagawa. The sword instruction and choreography for the film were done by Yoshio Sugino of the Tenshin Sh?den Katori Shint?-ry? and Ry? Kuze.

Music

The soundtrack for the film has received positive reviews. Michael Wood writing for the London Review of Books found the film's soundtrack by Masaru Sato as effective in its 'jaunty and jangling' approach stating:

The film is full of music, for instance, a loud, witty soundtrack by Masaru Sato, who said his main influence was Henry Mancini. It doesn’t sound like Breakfast at Tiffany’s, though, or Days of Wine and Roses. The blaring Latin sound of Touch of Evil comes closer, but actually you wouldn’t think of Mancini if you hadn’t been told. Sato’s effect has lots of drums, mixes traditional Japanese flutes and other instruments with American big band noises, and feels jaunty and jangling throughout, discreetly off, as if half the band was playing in the wrong key. It’s distracting at first, then you realise it’s not decoration, it’s commentary. It’s a companion to Sanjuro, the sound of his mind, discordant and undefeated and unserious, even when he’s grubby and silent and apparently solemn.

Yojimbo was released in Japan on 25 April 1961. The film was released by Seneca International in both a subtitled and dubbed format in the United States on September 1961.

Yojimbo ranked at #95 in Empire magazine's list of the 500 Greatest Films of All Time. A 1968 screening in the planned community of Columbia, Maryland was considered too violent for viewers, causing the hosts to hide in the bathroom to avoid the audience. The film was nominated for the Academy Award for Best Costume Design at the 34th Academy Awards. Toshiro Mifune won the Volpi Cup for Best Actor at the 22nd Venice Film Festival.

Michael Wood writing for the London Review of Books found the film to span several genres and compared it to films such as Seven Samurai, A Fistful of Dollars, High Noon, The Outlaw Josey Wales, and Rashomon stating, "(The film contains) comedy, satire, folk tale, action movie, Western, samurai film, and something like a musical without songs. As everyone says, this work is not as deep as Rashomon or as immediately memorable as Seven Samurai. But it is funnier than any Western from either side of the world, and its only competition, in a bleaker mode, would be Clint Eastwood’s The Outlaw Josey Wales (1976)".

In 1962, Kurosawa dire