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Year of the Dragon is a 1985 American neo-noir crime film directed by Michael Cimino, starring Mickey Rourke, Ariane Koizumi and John Lone. The screenplay was written by Cimino and Oliver Stone and adapted from the novel by Robert Daley.

Year of the Dragon
Theatrical poster
Directed byMichael Cimino
Produced byDino De Laurentiis
Screenplay byOliver Stone
Michael Cimino
Based onYear of the Dragon
by Robert Daley
Starring
  • Mickey Rourke
  • John Lone
  • Ariane
Music byDavid Mansfield
CinematographyAlex Thomson
Edited byFrançoise Bonnot
Production
company
Dino De Laurentiis Company
Metro-Goldwyn-Mayer
Distributed byMGM/UA Entertainment Company
Cannon Films
(International)
Release date
  • August 16, 1985 (1985-08-16) (United States)
Running time
134 minutes
CountryUnited States
LanguageEnglish
Mandarin
Cantonese
Polish
BudgetUS$24,000,000 or $22 million
Box office$18,707,466 (US)

This was Cimino's first film after the infamous failure of Heaven's Gate (1980). Year of the Dragon is a New York crime drama and an exploration of gangs, the illegal drug trade, ethnicity, racism, and stereotypes. Despite mixed reviews and poor box office returns, it has gained a cult following in the years since its release.

Screenplay

Stanley White (Rourke) is a decorated police captain and Vietnam War veteran assigned to New York City's Chinatown, where he makes it a personal mission to crack down on Chinese organized crime.

White comes into conflict with Joey Tai (Lone), a young man who ruthlessly rises to become the head of the Chinese triad societies, and as a result of his ambition, creates a high profile for himself and the triads' activities. Together, they end the uneasy truce that has existed between the triads and the police precinct, even as they conduct a personal war between themselves.

The married captain also becomes romantically involved with Tracy Tzu (Ariane), a television reporter, who comes under brutal attack from the criminals, as does White's long-suffering wife. This makes him even more determined to destroy the triads, and especially Joey Tai.

White also hires an up-and-coming Chinese rookie cop, Herbert, to go undercover as one of Tai's restaurant workers. Herbert manages to get inside information on a drug shipment but is betrayed by corrupt cop Alan Perez and loses his life when Tai is informed by Perez that Herbert's a cop. Now that Tai has raped Tracy, killed his wife and Herbert, White wastes no time in confronting Tai just as the shipment comes in.

At the harbor, Tai and his bodyguard are on their way to the shipment when White attempts to arrest them. Perez drives by yelling abuse, White shoots and kills Perez but Tai draws a gun and shoots White in the hand accidentally killing his bodyguard. Tai flees on a train bridge. That leads to a showdown where White and Tai run at each other while shooting bullets recklessly. White shoots Tai leaving him wounded. Rather than suffer, Tai asks for White's gun to die in front of him.

  • Mickey Rourke as Capt. Stanley White
  • John Lone as Joey Tai
  • Ariane Koizumi as Tracy Tzu (as Ariane)
  • Dennis Dun as Herbert Kwong
  • Raymond J. Barry as Lou Bukowski (as Ray Barry)
  • Leonard Termo as Angelo Rizzo
  • Caroline Kava as Connie White
  • Eddie Jones as William McKenna
  • Victor Wong as Harry Yung
  • Roza Ng as "the daughter"

Pre-production

Michael Cimino was approached many times to helm an adaptation of Robert Daley's novel, but consistently turned the opportunity down. When he finally agreed, Cimino realized he was unable to write and direct in the time allotted; The producers already had an approximate start date for the film. He brought in Oliver Stone, whom Cimino met through his producer and friend Joann Carelli, to help him write the script.

Cimino was prompted to seek out Stone after reading, and being impressed by, Stone's (at the time) unproduced Platoon screenplay. Cimino asked Stone to work on Year of the Dragon for a lower-than-normal wage as part of a quid pro quo deal, namely, that Year of the Dragon producer Dino De Laurentiis would provide the funding for Stone to make Platoon. Stone agreed to this deal, although De Laurentiis later reneged on it, forcing Stone to obtain funding for Platoon elsewhere.

"With Michael, it's a 24-hour day", said Stone. "He doesn't really sleep … he's truly an obsessive personality. He's the most Napoleonic director I ever worked with". Cimino did a year and a half of research on the project.

While Dino De Laurentiis gave director Cimino final cut in his contract, De Laurentiis also sent Cimino a side letter that said, notwithstanding the contract, he would not have final cut. This information was revealed when the producers of The Sicilian sued Cimino over the length of that film.

Casting

Because the production was moving so fast, casting began before the script was completed. Originally, Stone and Cimino had either Nick Nolte or Jeff Bridges in mind for the role of Stanley White, but after seeing Mickey Rourke in The Pope of Greenwich Village and working with him on Heaven's Gate, Cimino changed his mind. According to Rourke, the difficulty with playing White was making himself appear 15 years older to suit the character. Cimino drew heavily on the real-life boxing prowess of Rourke. At first, Rourke did not take his physical training seriously, so Cimino hired a Hells Angel to be Rourke's instructor. Rourke has often quoted in many interviews that he loved working with Cimino despite the disapproved reputation he earned himself over the years since his previous box office failures, quoting, "He was a ball of fire. I hadn't seen anyone quite like him".

Rourke was paid $1 million.

Shooting

As with Streets of Fire, most of the film was shot not on location but on soundstages in Wilmington, North Carolina, after meticulous research of various locales which could be passed off as Little China and/or the Orient. The sets proved realistic enough to fool even Stanley Kubrick, who attended the movie's premiere. Cimino actually had to convince the Bronx-born Kubrick that the film's exteriors were shot on the DEG backlot, and not on location.

Other cities used in filming included New York City, Toronto, Vancouver, Victoria, Thailand, Bangkok and Shangirey. Cimino said he often liked to shoot in different cities, with interiors in one city and exteriors in another. In one scene, Joey Tai and his lawyer walk through a Chinese textile mill, past a guard-rail and into a shoddy apartment building to meet up with two of his assassins. The textile mill was in Bangkok, the guard-rail was in New York and the apartment building was in Wilmington. When one of the script supervisors commented that the scene "wouldn't cut" (edit seamlessly together), Cimino bet her $1,000 that it would. Upon seeing the cut, the script supervisor conceded and Cimino won the bet but refused to take the $1,000.

Unlike Heaven's Gate, Cimino was able to bring the film in on time and on budget.

Post-production

At the end of the film, White's final line is "You were right and I was wrong. I'd like to be a nice guy. But I just don't know how to be nice". According to Cimino, the final line of White was supposed to be "Well, I guess if you fight a war long enough, you end up marrying the enemy". The studio vetoed the original line, written by Stone. Cimino feels that either the studio or the producers thought the original line was politically incorrect.

The film opened at #5 on the box office charts, grossing $4,039,079 in 982 theaters on its opening weekend of August 16, 1985. It opened to decent business in major American cities including Washington, D.C., Detroit, and Pittsburgh, but the draw soon dropped, which was perceived to be the result of protest against it from Asian American groups (see below). Year of the Dragon was a box office flop, costing $24 million but grossing only $18 million through its run.

Box office charts
Date Rank Weekend Gross Theaters Gross-to-date
August 16–18 5 $4,093,079 982 $4,093,079
August 23–25 5 $2,864,487 970 $8,938,692
August 30–September 2 7 $2,597,573 834 $12,881,875
September 6–8 7 $1,461,768 796 $14,898,009
September 13–15 7 $958,830 711 $16,385,510

Year of the Dragon received polarized reviews upon its release in 1985. Vincent Canby wrote for The New York Times: "Year of the Dragon is light years away from being a classic, but then it makes no pretense at being anything more than what it is — an elaborately produced gangster film that isn't boring for a minute, composed of excesses in behavior, language and visual effects that, eventually, exert their own hypnotic effect." Janet Maslin, in contrast, also writing for The New York Times, deplored a lack of "feeling, reason and narrative continuity", under which the actors fared "particularly badly", especially Ariane Koizumi whose role in the movie was "ineffectual".

Rex Reed of the New York Post gave Dragon one of its most ecstatic reviews: "Exciting, explosive, daring and adventurous stuff." In his review of Cimino's later film The Sicilian, Roger Ebert of the Chicago Sun-Times wrote that Year of the Dragon was "strongly plotted and moved along with power and efficiency." Leonard Maltin gave the film two and a half stars, calling it a "Highly charged, arresting melodrama ... but nearly drowns in a sea of excess and self-importance." Pauline Kael of The New Yorker dismissed the film as "hysterical, rabble rousing pulp, the kind that goes over well with subliterate audiences."

The film has a 59% "rotten" rating on Rotten Tomatoes from 17 reviews.

Top Ten lists

3rd (in 1985) - Cahiers du cinéma

Legacy

Quentin Tarantino has praised this film as one of his favorites, naming its climactic train tracks shoot-out as one of his favorite "Killer Movie Moments" in 2004, remarking, "You forget to breathe during it!".

Melanie Chisholm from the Spice Girls is shown in the music video for their 1997 single "Too Much" singing in a Chinatown, dressed in a red cheongsam; this scene is based upon the film.

There is a Carpenter Brut song titled "Looking For Tracy Tzu", in an apparent reference to the character of the same name.

Members of the Chinese American and Asian American communities protested the film, criticizing the film for its racial stereotyping, widespread xenophobia (especially the use of the derogatory terms "chinks", "slant-eyed", and "yellow niggers"), and sexism. Some groups worried that the film would make Chinatown unsafe and cause an economic downturn in the community. As a result of the controv

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