Westworld Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In the then-future year of 1983, a high-tech, highly realistic adult amusement park called Delos features three themed "worlds"—Westworld (the American Old West), Medievalworld (medieval Europe), and Romanworld (the ancient Roman city of Pompeii). The resort's three "worlds" are populated with lifelike androids that are practically indistinguishable from human beings, each programmed in character for their assigned historical environment. For $1,000 per day, guests may indulge in any adventure with the android population of the park, including sexual encounters and a simulated fight to the death. Delos's tagline in its advertising promises, "Boy, have we got a vacation for you!"

Peter Martin, a first-time Delos visitor, and his friend John Blane, on a repeat visit, go to Westworld. One of the attractions is the Gunslinger, a robot programmed to instigate gunfights. The firearms issued to the park guests have temperature sensors that prevent them from shooting anything with a high body temperature, such as humans, but allow them to 'kill' the cold-blooded androids. The Gunslinger's programming allows guests to draw their guns and kill it, with the robot always returning the next day for another duel.

The technicians running Delos notice problems beginning to spread like an infection among the androids: the robots in Romanworld and Medievalworld begin experiencing an increasing number of breakdowns and systemic failures, which are said to have spread to Westworld. When one of the supervising computer scientists scoffs at the "analogy of an infectious disease," he is told by the chief supervisor, "We aren't dealing with ordinary machines here. These are highly complicated pieces of equipment, almost as complicated as living organisms. In some cases, they've been designed by other computers. We don't know exactly how they work."

The malfunctions become more serious when a robotic rattlesnake bites Blane in Westworld, and, against its programming, an android refuses a guest's advances in Medieval World. The failures escalate until Medieval World's Black Knight robot kills a guest in a swordfight. The resort's supervisors try to regain control by shutting down power to the entire park. However, the shutdown traps them in central control when the doors automatically lock, unable to turn the power back on and escape. Meanwhile, the robots in all three worlds run amok, operating on reserve power.

Martin and Blane, recovering from a drunken bar-room brawl, wake up in Westworld's bordello, unaware of the park's massive breakdown. When the Gunslinger challenges the men to a showdown, Blane treats the confrontation as an amusement until the robot outdraws and shoots, killing him. Martin runs for his life and the robot implacably follows.

Martin flees to the other areas of the park, but finds only dead guests, damaged robots, and a panicked technician attempting to escape Delos who is shortly thereafter shot by the Gunslinger. Martin climbs down through a manhole in Roman World into the underground control complex and discovers that the resort's computer technicians suffocated in the control room when the ventilation system shut down. The Gunslinger stalks him through the underground corridors so he runs away until he enters a robot-repair lab. When the Gunslinger comes into the room, Martin pretends to be a robot, throws acid into its face, and flees, returning to the surface inside the Medieval World castle.

With its optical inputs damaged by the acid, the Gunslinger is unable to track him visually and tries to find Martin using its infrared scanners. Martin stands beneath the flaming torches of the Great Hall to mask his presence from the robot, before setting it on fire with one of the torches. The burned shell of the Gunslinger attacks him on the dungeon steps before succumbing to its damage. Martin sits on the dungeon steps in a state of near-exhaustion and shock, as the irony of Delos's slogan resonates: "Boy, have we got a vacation for you!"

Screenplay

Crichton said he did not wish to make his feature directorial debut (after one TV film) with science fiction but, "That's the only way I could get the studio to let me direct. People think I'm good at it I guess."

Crichton's agent introduced him to producer Paul N. Lazarus III; they became friends and decided to make a film together. The script was written in August 1972. Lazarus says he asked Crichton why he did not tell the story as a book; Crichton said he felt the story was visual, and would not really work as a book.

The script was offered to all the major studios. They all turned down the project except for Metro-Goldwyn-Mayer, then under head of production Dan Melnick and president James T. Aubrey. Crichton:

MGM had a bad reputation among filmmakers; in recent years, directors as diverse as Robert Altman, Blake Edwards, Stanley Kubrick, Fred Zinneman and Sam Peckinpah had complained bitterly about their treatment there. There were too many stories of unreasonable pressure, arbitrary script changes, inadequate post production, and cavalier recutting of the final film. Nobody who had a choice made a picture at Metro, but then we didn't have a choice. Dan Melnick... assured ... that we would not be subjected to the usual MGM treatment. In large part, he made good on that promise.

Crichton said pre-production was difficult. MGM demanded script changes up to the first day of shooting and the leads were not signed until 48 hours before shooting began. Crichton said he had no control over casting and MGM originally would only make the film for under a million dollars but later increased this amount by $250,000. Crichton said that $250,000 of the budget was paid to the cast, $400,000 to the crew and the remainder on everything else (including $75,000 for sets).

Principal photography

Westworld was filmed in several locations, including the Mojave Desert, the gardens of the Harold Lloyd Estate, several MGM sound stages and on the MGM backlot, one of the final films to be shot there. It was filmed with Panavision anamorphic lenses by Gene Polito, A.S.C.

Richard Benjamin later said he loved making the film:

It probably was the only way I was ever going to get into a Western, and certainly into a science-fiction Western. It's that old thing when actors come out here from New York. They say, "Can you ride a horse?" And you say, "Oh, sure," and then they've got to go out quick and learn how to ride a horse. But I did know how to ride a horse! So you get to do stuff that's like you're 12 years old. All of the reasons you went to the movies in the first place. You’re out there firing a six-shooter, riding a horse, being chased by a gunman, and all of that. It's the best!

The Gunslinger's appearance is based on Chris Adams, Brynner's character from The Magnificent Seven. The two characters' costumes are nearly identical. According to Lazarus, Yul Brynner agreed to play the role for only $75,000 because he needed the money.

In the scene when Richard Benjamin's character splashes the Gunslinger in the face with acid, Brynner's face was covered with an oil-based makeup mixed with ground Alka-Seltzer. A splash of water then produced the fizzing effect.

The score for Westworld was composed by American composer Fred Karlin. It combines ersatz western scoring, source cues, and electronic music.

Crichton later wrote that since "most of the situations in the film are cliches; they are incidents out of hundreds of old movies" that the scenes "should be shot as cliches. This dictated a conventional treatment in the choice of lenses and the staging."

The movie was shot in thirty days. In order to save time, Crichton tried to shoot only what was needed.

The original script and original ending of the movie ended in a fight between Martin and the gunslinger which resulted in the gunslinger being torn apart by a rack. Crichton said he "had liked the idea of a complex machine being destroyed by a simple machine" but when attempting it, "it seemed stagey and foolish" so the idea was dropped. He also wanted to open the film with shots of a hovercraft travelling over the desert, but was unable to get the effect he wanted so this was dropped as well.

Post-production

In the novelization, Crichton explained how he re-edited the first cut of the movie because he was depressed by how long and boring it was. Scenes which were deleted from rough cut include a bank robbery and sales room sequences; an opening with a hovercraft flying above the desert; additional and longer dialogue scenes; more scenes with robots attacking and killing guests, including a scene where one guest is tied down to a rack and is killed when his arms are pulled out; a longer chase scene with the Gunslinger chasing Peter; and one where the Gunslinger cleans his face with water after Peter throws acid on him. Crichton's assembly cut featured a different ending which included a fight between Gunslinger and Peter, and an alternate death scene in which the Gunslinger was killed on a rack.

A Yul Brynner biography mentions that 10 minutes of "adult material" was cut because of the censors (probably for PG rating), but no details about footage that was cut for rating issues were mentioned in Brynner's biography or anywhere else.

Once the film was completed, MGM authorized the shooting of some extra footage. A TV commercial to open the film was added; because there was a writers' strike in Hollywood at the time, this was written by Steven Frankfurt, a New York advertising executive.

Digital image processing

Westworld was the first feature film to use digital image processing. Crichton originally went to the Jet Propulsion Laboratory in Pasadena, but after learning that two minutes of animation would take nine months and cost $200,000, he contacted John Whitney Sr., who in turn recommended his son John Whitney Jr. The latter went to Information International, Inc., where they could work at night and complete the animation both faster and much more cheaply. John Whitney, Jr. digitally processed motion picture photography at Information International, Inc. to appear pixelized in order to portray the Gunslinger android's point of view. The approximately 2 minutes and 31 seconds worth of cinegraphic block portraiture was accomplished by color-separating (three basic color separations plus black mask) each frame of source 70 mm film images, scanning each of these elements to convert into rectangular blocks, then adding basic color according to the tone values developed. The resulting coarse pixel matrix was output back to film. The process was covered in the American Cinematographer article "Behind the scenes of Westworld" and in a 2013 New Yorker online article.