Waterworld full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Long after the melting of the polar ice caps in the 21st century, the sea levels have covered every continent on Earth. The remains of human civilization live on ramshackle floating communities known as atolls, having long forgotten about living on land. People believe that there should be a mythological "Dryland" somewhere in the endless ocean.

The Mariner (Kevin Costner), a lone drifter, arrives on his trimaran to trade dirt, a rare commodity, for other supplies. The atoll's residents see that the Mariner is a mutant with gills and webbed feet and decide to drown him in the atoll's recycling pit—a kind of liquid compost facility. Just then, the atoll is attacked by the Smokers, a gang of pirates seeking a girl named Enola (Tina Majorino) who, according to their leader the Deacon (Dennis Hopper), has a map to Dryland tattooed on her back. Enola's guardian, Helen (Jeanne Tripplehorn), attempts to escape with Enola on a gas balloon with Gregor (Michael Jeter), an inventor, but the balloon is released too early. Helen instead rescues the Mariner and insists that he take the two of them with him.

The three escape to open sea aboard the trimaran. They are pursued by the Smokers, and, though they escape, Helen's naïve actions result in damage to the Mariner's boat and he angrily cuts her hair, followed by Enola's hair for repeatedly taking his crayons. Helen explains that she believes humans once lived on land and demands to know where the Mariner collected his dirt. He provides her with a diving bell and dives with her underwater, showing the remains of a city and the dirt on the ocean's floor, affirming Helen's belief. When they surface, they find that the Smokers have caught up to them, threatening to kill them if they do not reveal Enola, who is hiding aboard the boat. The Smokers abduct Enola and try to kill Helen and the Mariner. The Mariner takes Helen, and they dive underwater to avoid capture, with the gilled Mariner helping Helen to breathe. When they surface, they find that his boat has been destroyed. Gregor manages to catch up to and rescue them, taking them to a new makeshift atoll inhabited by the survivors of the first attack.

The Mariner takes a captured Smoker's jet ski to chase down the Deacon aboard the hulk of the Exxon Valdez. With most of the Smokers below deck to row the tanker, the Mariner confronts the Deacon, threatening to ignite the reserves of oil still on the tanker unless he returns Enola. The Deacon calls the Mariner's bluff, knowing that would destroy the ship, but, to his surprise, the Mariner drops a flare into the oil. The lower decks of the ship are engulfed in flame, and the ship starts to sink. The Mariner rescues Enola and escapes via a rope from Gregor's balloon with Helen and the Atoll Enforcer aboard. As the Mariner brings Enola to Helen, the Deacon manages to grab the rope to escape the sinking ship. He fires upon the balloon, shaking Enola from the balloon and falling back into the ocean where he quickly rejoins his men on jet skis to capture her. The Mariner makes an impromptu bungee jump from the balloon to grab Enola right before the Deacon and his men collide and die in the explosion.

Sometime later, Gregor has been able to identify the tattoo on Enola's back as coordinates with reversed directions. Following the map, Gregor, the Mariner, the Atoll Enforcer, Helen, and Enola discover Dryland, the top of Mount Everest, filled with vegetation and wildlife. They also find a crude hut with the remains of Enola's parents. Realizing he does not belong on Dryland, the Mariner decides that he cannot stay as the sea calls to him. He finds a new wooden sailboat and departs as Helen and Enola bid their goodbyes to him.

The film marked the fourth collaboration between Costner and Reynolds, who had previously worked together on Fandango (1985), Robin Hood: Prince of Thieves (1991), and Rapa Nui (1994), the latter of which Costner co-produced but did not star in. Waterworld was co-written by David Twohy, who cited Mad Max 2: The Road Warrior as a major inspiration. Both films employed Dean Semler as director of photography.

During production, the film was plagued by a series of cost overruns and production setbacks. Universal initially authorized a budget of $100 million, but production costs eventually ran to an estimated $175 million, a record sum for a film production at the time. Filming took place in a large artificial seawater enclosure similar to that used in the film Titanic two years later; it was located in the Pacific Ocean off the coast of Hawaii. The final scene was filmed in Waipio Valley on the Big Island, also referred to as The Valley of Kings. The production was hampered by the collapse of the multimillion-dollar set during a hurricane. Additional filming took place in Los Angeles, Huntington Beach, and Santa Catalina Island, and the Channel Islands of California.

The production featured different types of personal watercraft (PWC), especially Kawasaki jet skis. Kevin Costner was on the set for 157 days, working 6 days a week. At one point, he nearly died when he got caught in a squall while tied to the mast of his trimaran. Professional surfer Laird Hamilton was Kevin Costner's stunt double for many water scenes. Hamilton commuted to the set via jet ski.

Mark Isham's score, which was not recorded and only demos were completed for approximately 25% of the film, was reportedly rejected by Costner because it was "too ethnic and bleak", contrasting the film's futuristic and adventurous tone; Isham offered to try again but was not given the chance. James Newton Howard was brought in to write the new score. Joss Whedon flew out to the set to do last minute script rewrites and later described it as "seven weeks of hell"; the work boiled down to editing in Costner's ideas without alteration.

The state of Hawaii had more than $35 million added to its economy as a result of the colossal film production. Despite their reported clashes, the director and star reunited almost two decades later for the History Channel miniseries Hatfields & McCoys.

Inspired by racing trimarans built by Jeanneau Advanced Technologies' multi-hull division Lagoon; a custom 60 foot (18 m) yacht was designed by Marc Van Peteghem and Vincent Lauriot-Prevost and built in France by Lagoon. Two versions were built, a relatively standard racing trimaran for distance shots, and an effects-laden transforming trimaran for closeup shots. The first trimaran was launched on 2 April 1994, and surpassed 30 knots (56 km/h; 35 mph) in September of that year. The transforming version was first seen in the film as a sort of raft with a three-bladed egg-beater windmill. When needed, levers could be triggered that would flatten the windmill blades while raising a hidden mast to full racing height. A boom emerged, previously hidden in the hull, and the two sails were automatically unfurled. Once the transformation was complete this version could actually sail, although not as well as the dedicated racer. The transforming version is in private hands in San Diego, California. For many years, the racing version was kept in a lake at Universal Studios Florida, before being restored for use as a racing trimaran named Loe Real, which was (as of 2012) being offered for sale in San Diego.

Kevin Reynolds received full credit as director, but he did leave the project as star Kevin Costner was constantly plaguing him with unwanted "back-seat driver director" mentality in nearly every single scene, to the point that Reynolds left the project and Costner himself continued it.

Box office

Due to the runaway costs of the production and its expensive price tag, some critics dubbed it "Fishtar" and "Kevin's Gate", alluding to the flops Ishtar and Heaven's Gate, although the film debuted at the box office at #1. With a budget of $172 million (and a total outlay of $235 million once marketing and distribution costs are factored in), the film grossed $88 million at the North American box office. The film did better overseas, with $176 million at the foreign box office, for a worldwide total of $264 million. However, even though this figure surpasses the total costs spent by the studio, it does not take into account the percentage of box office gross that theaters retain, which is generally up to half; but after factoring in home video sales and TV broadcast rights among other revenue streams, Waterworld eventually became profitable.

Critical reception

Contemporary reviews for the film were mostly mixed. Roger Ebert gave Waterworld 2.5 stars out of 4 and said: "The cost controversy aside, Waterworld is a decent futuristic action picture with some great sets, some intriguing ideas, and a few images that will stay with me. It could have been more, it could have been be