War Of The Worlds 2005 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

An opening narration based on the opening of Wells' novel explains that humans were unaware that a race of extraterrestrials was making plans to occupy Earth.

Ray Ferrier is a charming but self-absorbed crane operator longshoreman who works at a dock in Brooklyn, New York and lives in Bayonne, New Jersey. Ray is estranged from his children. His ex-wife, Mary Ann, later drops off the children, 10-year-old daughter Rachel and teenage son Robbie, at Ray's house on her way to visit her parents in Boston. Unexplained changes in the weather occur, with lightning that strikes multiple times in the middle of an intersection and disrupts all electricity.

Ray joins the crowd at the scene of the lightning strikes, where a massive "Tripod" war machine emerges from the ground and uses powerful weaponry to destroy the area, disintegrating most of the witnesses into a grey dust and leaving only their empty clothes behind. Ray collects his children, steals a car that had just been repaired, and drives to Mary Ann's empty home in suburban New Jersey to take refuge. The next morning, he finds that a Boeing 747 has crashed in the street. A news team scavenging for food and surveying the wreckage explain that there are multiple Tripods that have attacked major cities including New York City, Paris, Washington, D.C., and London, and have force shields to protect them from human weapons. They also explain the Tripods' pilots traveled to Earth within the lightning as a way to enter their war machines, which had been buried here millions of years before. Ray decides to take the kids to Boston to be with their mother. The three are forced to abandon their car after a mob sees that it's working and swarms the vehicle. They later survive a Tripod attack which causes a Hudson River ferry to sink. During a desperate battle between U.S. Marines and the aliens, Ray is forced to choose between being separated from Rachel and preventing Robbie from joining the fight: he lets Robbie go with the Marines, to what appears to be certain death. While escaping, Ray and Rachel are offered shelter in the basement of a farmhouse by a man named Harlan Ogilvy.

The three remain undetected for two days, even as a probe and a group of aliens themselves explore the basement. They discover that the aliens are cultivating a strange red-colored growth (known as "Red weed") across the landscape and it is quickly spreading, covering trees and making its way into the basement: the group deduces the aliens are modifying Earth to make it more like their home planet. The next morning, Ogilvy suffers a mental breakdown after witnessing a Tripod harvesting human blood and tissue to fertilize the alien vegetation. Convinced that Ogilvy's mad shouting will alert the Martians to their location, Ray reluctantly kills him. The basement hideout is eventually exposed when a second probe catches the Ferriers sleeping. Rachel is abducted by a nearby Tripod and Ray allows himself to be abducted as well, after picking up a belt of grenades from an abandoned military vehicle. Ray and a number of other abductees use the grenades to destroy the Tripod from within, freeing them all.

Ray and Rachel arrive in a devastated Boston, where they discover the alien vegetation is shriveling up and most of the Tripods have collapsed. When an active Tripod appears, Ray notices birds landing on it, indicating that its shields are offline. Ray alerts the soldiers escorting the fleeing crowd, and they shoot it down with anti-tank missiles. As the soldiers advance on the downed Tripod, a hatch opens and a sickly alien struggles halfway out before dying. Ray and Rachel reach Mary Ann's parents' house, where they are reunited with Mary Ann and Robbie, who is alive after all.

A closing narration explains that the aliens' immune systems could not handle the countless billions of microbes that inhabit the Earth, and that humanity has "earned" the right to the planet by virtue of naturally coexisting with the rest of its biosphere.

Development

After collaborating in 2002's Minority Report, Steven Spielberg and Tom Cruise were interested in working together again. Spielberg stated about Cruise, "He's such an intelligent, creative partner, and brings such great ideas to the set that we just spark each other. I love working with Tom Cruise." Cruise met with Spielberg during the filming of Spielberg's Catch Me If You Can (2002) and gave three options of films to create together, one of them being an adaptation of The War of the Worlds. Spielberg chose The War of the Worlds and stated, "We looked at each other and the lights went on. As soon as I heard it, I said 'Oh my God! War of the Worlds – absolutely.' That was it."

The film is Spielberg's third on the subject of alien visitation, along with Close Encounters of the Third Kind and E.T. the Extra-Terrestrial. Producer and longtime collaborator Kathleen Kennedy notes that with War of the Worlds, Spielberg had the opportunity to explore the antithesis of the characters brought to life in E.T. and Close Encounters of the Third Kind. "When we first started developing E.T., it was a much edgier, darker story and it actually evolved into something that was more benign. I think that the edgier, darker story has always been somewhere inside him. Now, he's telling that story." Spielberg stated that he just thought it would be fun to make a "really scary film with really scary aliens", something which he had never done before. Spielberg was intent on telling a contemporary story, with Kennedy stating the story was created as a fantasy, but depicted in a hyper-realistic way.

J. J. Abrams was asked by Spielberg and Cruise to write the script but had to turn down the film as he was working on the pilot for his television series Lost. Josh Friedman delivered a screenplay, which was then rewritten by David Koepp. After re-reading the novel, Koepp decided to do the script following a single narrator, "a very limited point of view, from someone on the very periphery of events rather than someone involved in events", and created a list of elements he would not use due to being "cliché", such as the destruction of landmark buildings. Some aspects of the book were heavily adapted and condensed: Tim Robbins' character was an amalgam of two characters in the book, with the name borrowed from a third. While changing the setting from 19th century to present day, Koepp also tried to "take the modern world back to the 1800s", with the characters being devoid of electricity and modern techniques of communication.

Spielberg accepted the script after finding it had several similarities to his personal life, including the divorce of his parents (Ray and Mary Ann's divorce), and because the plight of the fictional survivors reflects his own uncertainty after the devastation of the September 11 attacks. For Spielberg, the characters' stories of survival needed to be the main focus, as they featured the American mindset of never giving up. Spielberg described War of the Worlds as "a polar opposite" to Close Encounters, with that movie featuring a man leaving family to travel with aliens, while War of the Worlds focused on keeping the family together. At the same time, the aliens and their motivations would not be much explored, as "we just experience the results of these nefarious plans to replace us with themselves".

Although accepting the script, Spielberg asked for several changes. Spielberg had been against the idea of the aliens arriving in spaceships, since every alien invasion movie used such a vehicle. The original Martian cylinders were discarded, where Spielberg replaced the origins of the Tripods with stating they were buried underground in the Earth long ago.

Spielberg had Miranda Otto in mind for the part of Mary Ann, but at the time he called her she was pregnant and thought the opportunity would be missed. Spielberg then decided to incorporate Otto's pregnancy into the film, changing the part for her.

Lawrence Brown wrote: "Spielberg's decision to present the invaders' fighting machines as having been there all along, buried deep under the Earth, raises questions which did not exist in the original Wells book. In Spielberg's version, these invaders had been here before, long ago, in prehistoric times. They had set up their machines deep underground, and departed. Why? Wh