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Wanted is a 2008 action thriller film directed by Timur Bekmambetov and written by Michael Brandt, Derek Haas, and Chris Morgan, based on the comic book miniseries by Mark Millar and J. G. Jones. The film stars James McAvoy, Morgan Freeman, Terence Stamp, Thomas Kretschmann, Common, and Angelina Jolie. Its plot revolves around Wesley Gibson (McAvoy), a frustrated account manager who discovers that he is the son of a professional assassin and decides to join the Fraternity, a secret society in which his father worked.

Wanted
Theatrical release poster
Directed byTimur Bekmambetov
Produced by
  • Marc Platt
  • Jim Lemley
  • Jason Netter
  • Iain Smith
Screenplay by
  • Michael Brandt
  • Derek Haas
  • Chris Morgan
Story by
  • Michael Brandt
  • Derek Haas
Based onWanted
by Mark Millar
J. G. Jones
Starring
  • James McAvoy
  • Morgan Freeman
  • Terence Stamp
  • Thomas Kretschmann
  • Common
  • Angelina Jolie
Music byDanny Elfman
CinematographyMitchell Amundsen
Edited by
  • David Brenner
  • Dallas Puett (add)
  • Samuel Craven (add)
Production
companies
  • Marc Platt Productions
  • Kickstart Productions
Distributed by
  • Universal Pictures
    (United States)
  • Spyglass Entertainment
    (International)
Release date
  • June 12, 2008 (2008-06-12) (London)
  • June 27, 2008 (2008-06-27) (United States)
Running time
110 minutes
Country
  • United States
  • Germany
  • Russia
LanguageEnglish
Budget$75 million
Box office$341.4 million

Universal Pictures acquired the adaptation rights from Millar in 2004, and while the eventual script drifted from the comic book supervillain mythos in the original miniseries, he was content to see most of the comic's darker content retained. Production began in April 2007, with filming in the Czech Republic, Budapest, and the story's main setting, Chicago. Bekmambetov's production company, Bazelevs Production, provided the majority of the film's visual effects. Danny Elfman scored the film, employing a guitar-based musical score.

Wanted opened on June 27, 2008 to generally favorable reviews and box office success. It grossed $341 million worldwide and reviews praised its fast pacing and stylized action scenes. A sequel was planned the same year as the film's release, but ultimately stalled in development.

Screenplay

Wesley Gibson works at a dead-end desk job with an overbearing boss, takes medication for panic attacks, and has a live-in girlfriend who cheats on him with his work friend, Barry. One evening, Wesley is told by a woman named Fox that his recently murdered father was an assassin, and the killer, named Cross, is now hunting him. When Cross and Fox engage in a shootout, Wesley panics and is pursued by Cross. Fox flips Wesley into her car and then executes an escape.

Wesley awakens in a factory surrounded by Fox and other assassins. The group's leader, Sloan, forces Wesley at gunpoint through the Gunsmith to shoot the wings off of several flies, which he does, much to Wesley's shock. Sloan explains that Wesley's panic attacks are actually a rare ability that allows him to distribute massive amounts of adrenaline to his brain, slowing his perception of his surroundings and granting him superhuman strength and speed. He reveals that Wesley's father, as well as Cross, were members of the Fraternity, a society of assassins that maintains balance in the world. Sloan wants to train him so that he may help kill Cross.

A panicked Wesley leaves the building and awakens the next morning in his apartment. He discovers that his bank account now contains $3.6 million. Filled with new confidence, he insults his boss in front of the whole office and hits Barry in the face with a keyboard. Fox, waiting for Wesley, chauffeurs him to the Fraternity headquarters, a repurposed cotton mill.

Wesley trains under Fox's cruel tutelage, learning endurance, knife fighting, and hand-to-hand combat. He also learns to control and use his abilities for firearm marksmanship, such as curving bullets around targets. Frustrated by his lack of progress and the brutality of the training, Wesley insists he is ready, but Sloan disagrees. Wesley refocuses on his training and starts to excel. Sloan then shows him the Loom of Fate, which has served for 1,000 years in giving coded names of Fraternity targets through errors in the fabric. The Loom identifies those who will create evil and chaos in the future, with Sloan responsible for interpreting the code.

After several successful missions, and dumping his girlfriend with the help of Fox, Wesley has an unexpected shootout with Cross, wherein he accidentally kills the Exterminator, a Fraternity member he had befriended. Cross shoots Wesley in the shoulder. Sloan grants Wesley's wish to avenge his father and sends him after Cross—but then secretly gives Fox a mission to kill Wesley, saying that his name has come up in the Loom.

Analyzing the bullet from his shoulder, Wesley realizes that Cross had used a traceable bullet for the first time (as his previous kills were all untraceable). Wesley traces it to a man named Pekwarsky. He and Fox capture Pekwarsky, who arranges a meeting with Cross. When Wesley faces Cross alone on a moving train, Fox crashes a car into the train, causing a derailment. While Cross saves Wesley from falling, Wesley fatally shoots him. Before dying, Cross reveals that he is Wesley's real father. Fox confirms this, and explains that Wesley was recruited because he was the only person Cross would not kill. As Fox prepares to shoot Wesley, he shoots the train window below him and Cross, causing the men to free fall into the river.

Wesley is retrieved by Pekwarsky, who takes him to Cross' apartment (which is located just opposite Wesley's) and explains that Sloan started manufacturing targets for profit after discovering that he was targeted by the Loom. Cross discovered the truth, went rogue, and started killing Fraternity members to keep them away from his son. Pekwarsky departs, stating that Cross wished Wesley a life free of violence. Wesley, however, decides to kill Sloan after discovering his father's secret room, containing schematics to the Fraternity base.

Wesley attacks the base using explosive rats (a tactic he learned from the Exterminator), killing surviving Fraternity assassins in a massive shootout. Entering Sloan's office, he is surrounded by Fox, Gunsmith and the remaining assassins. Wesley discloses Sloan's deception, to which Sloan reveals that the names of those present had legitimately come up in the Loom, and that he had acted to protect them. He gives the members a choice: kill themselves, per the code, or kill Wesley and use their skills to control the world. As the others choose to kill him, Fox curves a bullet around the room, choosing to follow the code and kill everyone, including herself, but not before throwing her gun to Wesley. Sloan escapes in the mayhem.

Wesley, penniless again due to his bank account being wiped out by Sloan, returns to his desk job. Sloan arrives to kill Wesley, but is shocked when the person turns around and is revealed to be a decoy. Wesley shoots Sloan with a sniper rifle from Cross' apartment miles away. Wesley states that he is taking back control of his life before turning to the audience and asking, "What the fuck have you done lately?"

  • James McAvoy as Wesley Gibson, a meek 24-year-old who works in a cubicle, but learns he is heir to a career as an assassin.
  • Morgan Freeman as Sloan, leader of the Fraternity and partner of Wesley's deceased father.
  • Angelina Jolie as Fox, an accomplished member of the Fraternity who mentors Wesley.
  • Thomas Kretschmann as Cross, a rogue assassin who has left the Fraternity.
  • Common as Earl Spellman, a professional gunman who trains others to use weapons.
  • Konstantin Khabensky as The Exterminator, an expert in explosives who makes bombs and attaches them to rats. One of Wesley's only friends in the Fraternity.
  • Marc Warren as The Repairman, an assassin who says he "breaks bad habits" by violently beating people. Trains Wesley in hand-to-hand combat and endurance.
  • Dato Bakhtadze as The Butcher, a knife-expert. Trains Wesley in knife fighting.
  • Terence Stamp as Pekwarsky, a master in the science of killing. Pekwarsky operates as a rogue agent outside of The Fraternity. He is also a craftsman who is able to build bullets both untraceable and capable of traversing long distances. One of Cross's compatriots.
  • David O'Hara as Mr. X, the first Fraternity member. Said to be the greatest assassin, and believed to be Wesley's father. His murder is the catalyst for Wesley's introduction into the Fraternity. He is killed by Cross.
  • Chris Pratt as Barry, Wesley's co-worker and best friend, who is having an affair with Wesley's girlfriend.
  • Kristen Hager as Cathy, Wesley's unfaithful and bickering girlfriend.
  • Sophiya Haque as Puja
  • Lorna Scott as Janice, Wesley's overbearing boss.
 
Director Timur Bekmambetov was approached for his distinctive visual style, and agreed to direct Wanted based on the project's mixture of film genres.

Development and pre-production

The comic book miniseries Wanted (2003–04), by Mark Millar and J. G. Jones, came to the attention of Universal Pictures through executive Jeff Kirschenbaum, a comic book fan who sought a film adaptation that would be considered a "hard-R" and encouraged the studio to pick up the rights to the miniseries. By 2004, producer Marc Platt had gotten the film rights, and lobbied the studio to get Russian-Kazakh director Timur Bekmambetov, as Platt considered that the visual style and sensibility Bekmambetov showed in Night Watch (2004) and its sequel Day Watch (2006) fit Wanted in the sense that "the comic is dark and edgy but it also has an ironic, comedic tone beneath its violent action." In December 2005, Bekmambetov was hired to direct, his first English-language film, and writers Derek Haas and Michael Brandt were assigned the script. Bekmambetov described the original comic as "risky and very provocative", with "a twist and good characters", and declared that the thing that attracted him the most in Wanted was how it went through various film genres in its plot: "It's a comedy, a tragedy, a drama, a melodrama. Every scene, we change genres and that’s why our movie is different."

Universal was initially reluctant on giving a potentially lucrative action film to a filmmaker who had never made an English-language film, but Platt convinced the studio that he could "create an environment that would allow Timur to be himself as a filmmaker and exercise his creative muscles."

Millar was unhappy with the first draft of the screenplay, considering the approach to be "too tame" and "a little bit Americanized" given he wanted "basically be the opposite of the Spider-Man movie, the idea of someone getting powers and realizing they can do what they want, then choosing the dark path." The author only started to support the direction the project was taking once Bekmambetov "came in with his Eastern European madness" and the intention of coming closer to the spirit of the book. Bekmambetov said that he would take liberty in adapting the comic book's world: "It's difficult for me to just follow. It's interesting for me to create. I feel a little bit different how this world has to be executed." In July 2006, screenwriter Chris Morgan was hired to revise the third act of Haas and Brandt's script. Haas and Brandt returned to refine the character of Wesley Gibson, which they had established in their first draft.

Millar saw previsualized footage of the film and said that it exceeded his expectations for the adaptation. He described its first half as being close to the source comic, and added the ending was similar though it was relocated elsewhere from the comic's original setting. The superhero costumes in the series were also removed, with the exception of the leather attire worn by Wesley and Fox. Incidentally, this had been Millar's intent when writing the graphic novel, but he and artist J. G. Jones had forgotten to. Millar said, "I wanted them to have those powers and then just wear those costumes for the initiation, but just for one panel. And then I forgot." Millar also stated that he would have liked to keep the supervillain mythos that dictates the original comic

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