Waltz With Bashir full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In 1982, Ari Folman was a 19-year-old IDF infantry soldier. In 2006, he meets with a friend from that period, who tells him of the nightmares he's having connected to his experiences from the Lebanon War. Folman is surprised to find that he recalls nothing from that period. Later that night he has a vision from the night of the Sabra and Shatila massacre, the reality of which he is unable to clearly recall. In his memory, he and his soldier comrades are bathing at night by the seaside in Beirut under the light of flares descending over the city.

Folman rushes off to meet a childhood friend, who advises him to seek out others who were in Beirut at the same time, to understand what happened there and to revive his own memories. Folman converses with friends and other soldiers who served in the war, among others a psychologist, and Israeli TV reporter Ron Ben-Yishai, who covered Beirut at the time. Folman eventually realizes that he "was in the second or third ring" of soldiers surrounding the Palestinian refugee camp where the carnage was perpetrated, and that he was among those soldiers firing flares into the sky to illuminate the refugee camp for the Lebanese Christian Phalange militia perpetrating the massacre inside. He concludes that his amnesia stemmed from his feeling as a teenage soldier that he was as guilty of the massacre as those who actually carried it out. The film ends with animation dissolving into actual footage of the aftermath of the massacre.

The film contains both fictional composites of real-life figures and actual living people.

• Ari Folman, an Israeli film-maker who recently finished his military reserve service. Some twenty years before, he served in the IDF during the Lebanon War.
• Miki Leon as Boaz Rein-Buskila, an accountant and Israeli Lebanon War veteran suffering from nightmares.
• Ori Sivan, an Israeli filmmaker who previously co-directed two films with Folman and is his long-time friend.
• Yehezkel Lazarov as Carmi Can'an, an Israeli Lebanon War veteran who once was Folman's friend and now lives in the Netherlands.
• Ronny Dayag, an Israeli Lebanon War veteran and high food engineer. During the war, he was a Merkava tank crewman.
• Shmuel Frenkel, an Israeli Lebanon War veteran. During this war he was the commander of an infantry unit.
• Zahava Solomon, an Israeli psychologist and researcher in the field of psychological trauma.
• Ron Ben-Yishai, an Israeli journalist who was the first to cover the massacre.
• Dror Harazi, an Israeli Lebanon War veteran. During the war, he commanded a tank stationed outside the Shatila refugee camp.

The film takes its title from a scene in which Shmuel Frenkel, one of the interviewees and the commander of Folman's infantry unit at the time of the film's events, grabs a general purpose machine gun and "dances an insane waltz" (to the tune of Chopin's Waltz in C-sharp minor) amid heavy enemy fire on a Beirut street festooned with huge posters of Bashir Gemayel. Thematically, the film's title is a symbolic description of the "Waltz", which is a dance for a couple, that Folman is "dancing" with his memories from the war in Lebanon. The title also refers to Israel's short-lived political waltz with Bashir Gemayel as president of Lebanon. Others have speculated that the title is a reference to Kurt Vonnegut's satirical novel Slaughterhouse-Five, or The Children's Crusade: A Duty-Dance with Death.

The film took four years to complete. It is unusual in it being a feature-length documentary made almost entirely by the means of animation. It combines classical music, 1980s music, realistic graphics, and surrealistic scenes together with illustrations similar to comics. The entire film is animated, excluding one short segment of news archive footage.

The animation, with its dark hues representing the overall feel of the film, uses a unique style invented by Yoni Goodman at the Bridgit Folman Film Gang studio in Israel. The technique is often confused with rotoscoping, an animation style that uses drawings over live footage, but is actually a combination of Adobe Flash cutouts and classic animation. Each drawing was sliced into hundreds of pieces which were moved in relation to one another, thus creating the illusion of movement. The film was first shot in a sound studio as a 90-minute video and then transferred to a storyboard. From there 2,300 original illustrations were drawn based on the storyboard, which together formed the actual film scenes using Flash animation, classic animation, and 3D technologies.

The original soundtrack was composed by minimalist electronic musician Max Richter while the featured songs are by OMD ("Enola Gay"), PiL ("This is Not a Love Song"), Navadey Haukaf (????? ????? )("Good Morning Lebanon", written for the film), Haclique ("Incubator"), and Zeev Tene (a remake of the Cake song "I Bombed Korea", retitled "Beirut"). Some reviewers have viewed the music as playing an active role as commentator on events instead of simple accompaniment.

The comics medium, in particular Joe Sacco, the novels Catch-22, The Adventures of Wesley Jackson, and Slaughterhouse-Five, and painter Otto Dix were mentioned by Folman and art director David Polonsky as influences on the film. The film itself was adapted into a graphic novel in 2009.

Waltz with Bashir opened in the United States on 25 December 2008 in a mere five theaters, where it grossed $50,021 in the first weekend. By the end of its run on 14 May 2009, the film had grossed $2,283,849 in the domestic box office. Overseas, Waltz earned $8,842,000 for a worldwide total of $11,125,849.

Reception of the film

As of March 2017, the film holds a 96% "fresh" rating on review aggregator website Rotten Tomatoes based on 149 critics for an average of 8.4/10; the general consensus states: "A wholly innovative, original, and vital history lesson, with pioneering animation, Waltz With Bashir delivers its message about the Middle East in a mesmerizing fashion." On Metacritic, the film holds a 91/100 based on 33 critics, indicating “universal acclaim”.

indieWire named the film the tenth best of the year, based on the site's annual survey of 100 film critics. Xan Brooks of The Guardian called it "an extraordinary, harrowing, provocative picture." The film was praised for "inventing a new cinematographic language" at the Tokyo Filmex festival. The World Socialist Web Site's David Walsh described it as a "painfully honest" anti-war film and "one of the most extraordinary and haunting films at the Toronto film festival." Despite the positive critical reception, the film was only moderately commercially successful in Israel itself.

Lebanon screening

The film is banned in some Arab countries (including Lebanon), with the most harsh critics in Lebanon, as the film depicts a vague and violent time in Lebanon's history. A movement of bloggers, among them the Lebanese Inner Circle, +961 and others have rebelled against the Lebanese government's ban of the film, and have managed to get the film seen by local Lebanese critics, in defiance of their government's request on banning it. The film was privately screened in January 2009 in Beirut in front of 90 people. Since then many screenings have taken place. Unofficial copies are also available in the country. Folman saw the screening as a source of great pride: "I was overwhelmed and excited. I wish I could have been there. I wish one day I'll be able to present the film myself in Beirut. For me, it will be the happiest day of my life."

Top ten lists

The film appeared on many critics' top ten lists of the best films of 2008.

It was also ranked #34 in Empire magazine's "The 100 Best Films Of World Cinema" in 2010,