Volcano is a 1997 American disaster film directed by Mick Jackson and produced by Andrew Z. Davis, Neal H. Moritz and Lauren Shuler Donner. The storyline was conceived from a screenplay written by Jerome Armstrong and Billy Ray. The film features Tommy Lee Jones, Anne Heche, and Don Cheadle. Jones is cast as the head of the Los Angeles County Office of Emergency Management (LAC OEM) which has complete authority in the event of an emergency or natural disaster. His character attempts to divert the path of a dangerous lava flow through the streets of Los Angeles following the formation of a volcano at the La Brea Tar Pits.
Volcano | |
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Theatrical release poster | |
Directed by | Mick Jackson |
Produced by | Andrew Z. Davis Neal H. Moritz Lauren Shuler Donner |
Written by | Jerome Armstrong Billy Ray |
Starring |
|
Music by | Alan Silvestri |
Cinematography | Theo van de Sande |
Edited by | Don Brochu Michael Tronick |
Production company | Moritz Original Shuler Donner/Donner Productions |
Distributed by | 20th Century Fox |
Release date |
|
Running time | 104 minutes |
Country | United States |
Language | English |
Budget | $90 million |
Box office | $122.8 million |
A joint collective effort to commit to the film's production was made by the film studios of 20th Century Fox, Moritz Original and Shuler Donner/Donner Productions. It was commercially distributed by 20th Century Fox. Volcano explores civil viewpoints, such as awareness, evacuation and crisis prevention. Although the film used extensive special effects, it failed to receive any award nominations from mainstream motion picture organizations for its production merits.
Volcano premiered in theaters nationwide in the United States on April 25, 1997 grossing $49,323,468 in domestic ticket receipts, on a $90 million budget. It earned an additional $73.5 million in business through international release to top out at a combined $122,823,468 in gross revenue. Despite its release and recognition, Dante's Peak (which was released 2 months before) gained more commercial success than Volcano. It was also met with mixed critical reviews before its initial screening in cinemas. The Region 1 code widescreen edition of the film featuring special features was released on DVD in the United States on March 9, 1999.
Screenplay
In downtown Los Angeles, an earthquake strikes. Michael 'Mike' Roark, the head of the city's Office of Emergency Management or OEM, insists on coming to work to help out with the crisis, although he has been on vacation with his daughter Kelly. His associate, Emmit Reese, notes that the quake caused no major damage, but seven utility workers are later burned to death in a storm drain at MacArthur Park. One escapes and survives, but is severely burned on one side of his face. As a precaution, Roark tries to halt the subway lines which run parallel to where the deaths took place, but Los Angeles MTA Chairman Stan Olber mulishly opposes, feeling that there is no threat to the trains. Against regulations, Roark and his coworker Gator Harris venture down the storm sewer in the park to investigate. They are nearly burned alive and barely escape with their lives when hot gases suddenly spew out of a crack in the concrete lining and flood the tunnel. Geologist Dr. Amy Barnes believes that a volcano may be forming beneath the city with magma flowing underground. Unfortunately, she has insufficient evidence to make Roark take action.
The next morning, at around 5:15 A.M., Barnes, and her assistant Rachel, venture in the storm sewer to investigate the scene of the incident. They discover the crack in the ground that released the gases earlier. While taking samples, a more powerful earthquake strikes, and Rachel is killed when she falls into the crack that is later engulfed by a rush of the hot gases. Minutes later, in the La Brea Tar Pits, volcanic smoke and ash billows out, followed by high velocity lava bombs that burst out of the tar pits, which ignites several buildings. Steam explodes from the sewer system, while a subway train derails underground.
Roark helps injured firefighters out of the area. Moments later, a newly formed volcano erupts from the tar pits, and lava begins to flow freely down Wilshire Boulevard, incinerating everything in its path, including Roark's GMC Suburban, and an LAFD fire truck downed by a lava bomb, killing two firefighters who are trapped inside. Roark and his daughter become separated as she is injured when a nearby lava bomb sputters and burns her leg, and she is taken to Cedars-Sinai Medical Center by Dr. Jaye Calder.
A few minutes later, while in the Red line metro tunnel, the passengers in the derailed subway train are exposed to severe heat and toxic gases, which causes them all to eventually lose consciousness. The conductor however tries but fails to open the doors along the length of the train, until reaching the rear where he sees the incoming lava flow in the tunnel hundreds of meters away. Meanwhile, Olber leads his team through the tunnel to the derailed train, searching for survivors. They manage to save everyone, but Olber notices that the train driver is still missing and goes back; he finds the driver alive but unconscious, just as the lava reaches the train and begins to flow underneath it. Knowing that the train is melting, Olber sacrifices his life to save the driver by jumping into the lava flow, throwing the driver to safety. Roark, Barnes, and police lieutenant Ed Fox devise a plan to stack concrete barriers at the intersection of Wilshire Boulevard and Fairfax Avenue, creating a cul-de-sac to pool the lava as helicopters dump water on it to form a crust, making the operation a success. Barnes later theorizes that the magma is still flowing underground through the Red Line subway extension, and calculates that the main eruption will occur at the end of the line at the Beverly Center near Cedars-Sinai. To prove this, Barnes and Roark lower a video camera into the tunnel to watch it, only for the camera to be incinerated by a fast-moving flow of lava. They calculate the speed and realize that they have 30 minutes until the lava hits the end of the Red Line.
Through Roark's direction, explosives are used to create channels in the street to divert the flow of lava into Ballona Creek, which will later flow into the Pacific Ocean, but Barnes realizes that the street is sloping in the opposite direction and instead the lava would flow directly towards the injured patients, much to the displeasure of Roark and Fox. Roark devises another plan to demolish a 22 story condominium building to block the lava's path from flowing towards the medical area and the rest of the Los Angeles West Side. Gator refuses to abandon an LAPD SWAT cop, who has gotten trapped under a core column while slotting explosive charges. At that point the lava reaches the dead end of the Subway tunnel extension, and explodes out of the ground in a massive geyser. Gator and the officer sacrifices their lives to detonate the final explosive charge. Roark then spots Kelly nearby, trying to retrieve a small boy who wandered off, putting them in the direct path of the collapsing building. Roark barely manages to save both of them from being crushed as the building collapses. The plan is successful, and the lava flows directly to the ocean. Roark escapes from the wreckage with Kelly and the young child still alive. The death toll is nearly a hundred people, thousands injured, and damages in billions. It starts to rain, with surviving civilians having a sigh a relief. Reese shows up with the family dog Max, along with a call from the Chief of the Los Angeles Police Department on how to rebuild the city. Roark tells Reese that he is on vacation after all, and to tell the chief that too, as he goes home with Kelly while Reese takes over to handle the situation.
The film ends with an epilogue displaying a graphic stating that the volcano, named "Mount Wilshire", is still in an active state.
- Tommy Lee Jones as Mike Roark
- Anne Heche as Dr. Amy Barnes
- Gaby Hoffmann as Kelly Roark
- Don Cheadle as Emmit Reese
- Jacqueline Kim as Dr. Jaye Calder
- Keith David as Lieutenant Ed Fox
- John Corbett as Norman Calder
- Michael Rispoli as Gator Harris
- John Carroll Lynch as Stan Olber
- Dayton Callie as Roger Lapher
- Richard Schiff as Haskins
- Valente Rodriguez as Train Driver
- Marcello Thedford as Kevin
- Bert Kramer as LA Fire Chief
- Bo Eason as Bud McVie
Filming
Filming was shot primarily on location in Los Angeles, California. Various filming sites included MacArthur Park, Cedars-Sinai Medical Center and the La Brea Tar Pits. Extensive special effects surrounding certain aspects of the film such as the lava flow, were created by ten separate digital effects companies including VIFX, Digital Magic Company, Light Matters Inc., Pixel Envy and Anatomorphex. An 80% full-size replica of Wilshire Boulevard, which was one of the largest sets ever constructed in the U.S., was assembled in Torrance, California. The computer-generated imagery was coordinated and supervised by Dale Ettema and Mat Beck. Between visuals, miniatures, and animation, over 300 technicians were involved in the production aspects of the special effects.
Music
The score for the film was originally composed and orchestrated by musical conductor Alan Silvestri. Recording artists James Newton Howard and Dillinger among others, contributed songs to the music listing. The audio soundtrack in Compact Disc format featuring 8 tracks, was officially released by the American recording label Varèse Sarabande on April 22, 1997. The sound effects in the film were supervised by Christopher Boyes. The mixing of the sound elements were orchestrated by Jim Tanenbaum and Dennis Sands.
Among mainstream critics in the US, the film received generally mixed reviews. Rotten Tomatoes reports that 48% of 42 sampled critics gave the film a positive review, with an average score of 5.1 out of 10. The website's critical consensus reads, "Volcano's prodigious pyrotechnics and Tommy Lee Jones' crotchety sneers at lava aren't quite enough to save this routine disaster film." At Metacritic, which assigns a weighted average using critical reviews, the film received a score of 55 out of 100 based on 22 reviews, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale. In 1997, the film was nominated for a Golden Raspberry Award in the category of "Worst Reckless Disregard for Human Life and Public Property", but lost to Con Air.
"The ads say The Coast Is Toast, but maybe they should say The Volcano Is Drano. This is a surprisingly cheesy disaster epic. It's said that Volcano cost a lot more than Dante's Peak, a competing volcano movie released two months ago, but it doesn't look it. Dante's Peak had better special effects, a more entertaining story, and a real mountain." |
—Roger Ebert, writing in the Chicago Sun-Times |
Janet Maslin, writing in The New York Times, said, "Volcano begins so excitably and hurtles so quickly into fiery pandemonium," but noted that "in the disaster realm, it's not easy to have it all. A film this technically clever can't get away with patronizing and familiar genre cliches." Roger Ebert in the Chicago Sun-Times called it a "surprisingly cheesy disaster epic" while musing, "The lava keeps flowing for much of the movie, never looking convincing. I loved it when the firemen aimed their hoses way offscreen into the middle of the lava flow, instead of maybe aiming them at the leading edge of the lava—which they couldn't do, because the lava was a visual effect, and not really there." In the San Francisco Chronicle, Mick LaSalle wrote that "Things go bad after Volcano plays its last card — the lava — and from there it has nothing to show but more of the same. A host of characters is introduced in the opening scenes, but Volcano doesn't know what to do with them. It can't make us care." Owen Gleiberman of Entertainment Weekly said, "Volcano is cheese, all right, but it's tangy cheese. I'm not sure I've ever seen a disaster movie in which special effects this realistic and accomplished were put to the service of a premise this outlandish." He declared: "Volcano is jittery in a clinical, self-important way." Walter Addiego of the San Francisco Examiner, felt "Volcano offers a bit of humor, a minimum of plot distraction and the joys of watching molten rock ooze down Wilshire Boulevard." Left equally impressed was James Berardinelli of ReelViews. Commenting on the character significance of Mike Roark, played by Jones, he said it was "a wonderfully heroic figure — a man of action who never has time to rest. The fate of the city rests on his shoulders, and he knows it. Jones' fierce, unflagging portrayal helps us accept Roark not only as the man to sa
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