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Vanilla Sky is a 2001 American science fiction psychological thriller film directed, written, and co-produced by Cameron Crowe. It is an English-language adaptation of Alejandro Amenábar's 1997 Spanish film Open Your Eyes, which was written by Amenábar and Mateo Gil, with Penélope Cruz reprising her role from the original film. The film has been described as "an odd mixture of science fiction, romance and reality warp".

Vanilla Sky
Theatrical release poster
Directed byCameron Crowe
Produced by
  • Tom Cruise
  • Paula Wagner
  • Cameron Crowe
Screenplay byCameron Crowe
Based on
Abre los Ojos
by
  • Alejandro Amenábar
  • Mateo Gil
Starring
  • Tom Cruise
  • Penélope Cruz
  • Kurt Russell
  • Jason Lee
  • Noah Taylor
  • Cameron Diaz
Music byNancy Wilson
CinematographyJohn Toll
Edited by
  • Joe Hutshing
  • Mark Livolsi
Production
company
  • Cruise/Wagner Productions
  • Vinyl Films
  • Summit Entertainment
Distributed byParamount Pictures
Release date
  • December 14, 2001 (2001-12-14)
Running time
137 minutes
CountryUnited States
LanguageEnglish
Budget$68 million
Box office$203.4 million

The film stars Tom Cruise, Penélope Cruz, and Cameron Diaz with Jason Lee and Kurt Russell appearing in supporting roles. It received an Academy Award nomination for Best Original Song, as well as Screen Actors Guild and Golden Globe Award nominations for Cameron Diaz's performance. Vanilla Sky was released on Blu-ray on June 30, 2015 in North America.

Screenplay

From a prison cell where he has been charged with murder, David Aames, in a prosthetic mask, tells his life story to court psychologist, Dr. Curtis McCabe.

In flashback, David is shown to be the wealthy owner of a large publishing firm in New York City which he inherited from his father, leaving its regular duties to his father's trusted associates. David is introduced to Sofia Serrano by his best friend, author Brian Shelby at a party. David and Sofia spend a night together talking and fall in love. David's lover at the time, Julie Gianni, is sitting in her car when David leaves Sofia's flat. David eventually gets into Julianna's car, and she attempts to kill herself and David in a car crash. Julie dies but David survives, his face grotesquely disfigured, leading him to wear a mask to hide the injuries. With no hope of repairing the damage through plastic surgery, David cannot come to grips with the idea of wearing the mask for the rest of his life. On a night out with Sofia and Brian, David gets hopelessly drunk and Sofia and Brian leave him to wallow in the street outside.

David is awakened the next day in the street by Sofia, who apologizes for deserting him the night before, and takes him home. The two continue to see each other, and David successfully has his face surgically repaired despite being told before that it was originally impossible. Though his life seems perfectly content, David finds oddities, such as brief visions of his distorted face, and a man at a bar that tells him David could control the world and everyone in it, if he wanted to. One day, waking up in Sofia's bed, he finds Julie there instead; all of the previous mementos of Sofia now show Julie's face. Angry and confused by alternating visions of Julie and Sophia, David suffocates Julie (who is revealed by the image of dark hair to be Sofia). He is subsequently arrested and placed in a mental institution, finding his face has reverted to its previously disfigured state.

David completes telling his story to Curtis, who visits David further for more sessions to try to help him recuperate. During one interview Curtis tells David the staff reported him calling out "Ellie" in a bad dream, and asks who she is. David later sees a nearby TV advertisement for Life Extension, a company that specializes in cryonic suspension, and realises he'd actually called out the letters "L" and "E". Under Curtis' and a police officer's guard, David is taken to the Life Extension offices, where salesclerk Rebecca explains they freeze people just after the point of death until a cure for their ailment is available in the future, with an optional feature of keeping their brain active by placing them in a lucid dream state. David becomes anxious and breaks free of Curtis, realizing he is in his own lucid dream that has gone wrong, and calls for tech support.

David finds himself in the empty lobby of the offices, and the man he saw earlier at the bar appears, claiming to be David's tech support from Life Extension, which is now known as the Oasis Project. They ride up in an elevator to the top of an impossibly tall building, the height triggering David's severe acrophobia. The man explains that David has been in cryonic sleep for 150 years. David had opted for Life Extension's services after struggling with his breakup with Sofia and his disfigurement, and after securing the publishing company to its associates, proceeded to kill himself with a drug overdose. Life Extension preserved his body and, as David directed, put him into his lucid dream starting from the drunken night when Sofia left him, a dream complete with the "vanilla sky" from a Claude Monet painting, The Seine at Argenteuil, that David owned. However, during his sleep, the dream went horribly wrong and attempted to incorporate elements from his subconscious, such as substituting Julie for Sofia and creating a father-figure in Curtis. As they arrive at the top of the building, the man offers David a choice: either to be reinserted into the corrected lucid dream, or return to the real world by taking a literal leap of faith off the roof that will wake him from his sleep. David decides to wake up, ignoring the vision of Curtis that his subconscious has brought to life to talk him out of it. David envisions Sofia and Brian to say his goodbyes. Conquering his final fear, David jumps off the building, his life flashing before his eyes, and whites out immediately before hitting the ground. A female voice commands him to "open your eyes", and David opens his eyes.

Alternative ending version

The 2015 Blu-ray release offers the option to watch the film with an alternative ending. This ending expands on the details at the end of the film. While it all leads to the same conclusion, there are additional scenes, alternative takes, and alternative dialogue.

After Rebecca describes the lucid dream, David rushes out of the room but does not immediately dash towards the elevator. He meets McCabe in the restroom who tries to convince him that this is all a hoax and a con and that his case is going to trial. David tells him that he's only in his imagination. Much like in the theatrical cut, the Beach Boys' "Good Vibrations" plays, but this version makes it clear that David hears the music and that he chose it; meanwhile McCabe tries to convince him there is no music.

At this point, David dashes out of the restroom for the elevator the way he does in the theatrical cut, but the scene in the lobby is expanded – David shoots the police officer who is firing at him and is then surrounded by a SWAT team whom McCabe tries to talk down, but the SWAT team fires at both of them. They black out and wake up in the emptied lobby where McCabe continues to applaud what he believes is a performance while David gets into the elevator with Ventura and tells him what happened at the end of his real life.

Once they reach the roof, McCabe re-enters again and his pleas to David not to believe Ventura become more and more desperate until he collapses onto the ground in despair. David's interaction with Sofia is extended as he tells her he loves her but can't settle for a dream. He then jumps off the building and screams that he wants to wake up as images from his life flash before his eyes. He wakes up in bed and a voice tells him "Open your eyes. You're going to be fine."

  • Tom Cruise as David Aames
  • Penélope Cruz as Sofia Serrano
  • Cameron Diaz as Julianna "Julie" Gianni
  • Kurt Russell as Dr. Curtis McCabe
  • Jason Lee as Brian Shelby
  • Noah Taylor as Edmund Ventura/Tech Support
  • Timothy Spall as Thomas Tipp
  • Tilda Swinton as Rebecca Dearborn
  • Michael Shannon as Aaron
  • Ken Leung as Art Editor
  • Shalom Harlow as Colleen
  • Oona Hart as Lynette
  • Ivana Mili?evi? as Emma
  • Johnny Galecki as Peter Brown
  • Alicia Witt as Libby
  • Laura Fraser as The Future

Development

"In the days after completing Almost Famous, the opportunity to keep our film-making team together was too attractive to pass up. I'd always written my own original screenplays, but Open Your Eyes, with its open-ended and impressionistic themes, felt like a great song for our 'band' to cover."

—Cameron Crowe, explaining his reason for directing Vanilla Sky.

After the American debut of Alejandro Amenábar's 1997 Spanish film Abre los ojos (Open Your Eyes) at the 1998 Sundance Film Festival, Tom Cruise and his producing partner Paula Wagner optioned the remake rights. Hoping to entice director Cameron Crowe, who previously collaborated with Cruise on Jerry Maguire, Cruise invited Crowe over to his house to view the film. Cruise has stated:

I've been offered a lot of films to buy and remake, and I never have because I felt it was too connected with the culture of that place, whatever country it was from. But this was a universal story that was still open-ended, that still felt like it needed another chapter to be told.

 
The title Vanilla Sky refers to the sky as painted by Claude Monet, specifically as in The Seine at Argenteuil (1873) which is featured in the film.

The title of the film is a reference to depictions of skies in certain paintings by Claude Monet. In addition to Monet's impressionistic artwork, the film's tone was derived from the acoustic ballad "By Way of Sorrow" by Julie Miller and a line from an early interview of Elvis Presley in which he said, "I feel lonely, even in a crowded room."

Filming

Principal photography for Vanilla Sky began in late 2000 and lasted six weeks. On November 12, 2000, shooting for the scene of the deserted Times Square in New York took place in the early hours of the day. A large section of traffic was blocked off around Times Square while the scene was shot. "There was a limit on how long the city would let us lock everything up even on an early Sunday morning when much of NYC would be slow getting up," said Steadicam operator, Larry McConkey. "Several times we rehearsed with Steadicam and Crane including a mockup of an unmovable guardrail that we had to work the crane arm around. participated in these rehearsals as well so we shared a clear understanding of what my limitations and requirements would be."

Filming lasted for six weeks around the New York City-area, which included scenes shot in Central Park, Upper West Side, SoHo, and Brooklyn. One prominent location in the area was the Condé Nast Building that served as Aames Publishing and David’s office. After filming finished in New York, production moved to Los Angeles, where the remainder of interior shots were completed at Paramount Studios. Crowe intentionally left in shots of the World Trade Center after the September 11 attacks in 2001 as a tribute.

Despite the film's distorted aspects of reality, the style of cinematography remains grounded for much of the film. "I didn't do anything that was overtly obvious, because the story revolves around the main character not knowing whether he's in a state of reality, a dream or a nightmare, s

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