Vampyr (German: Vampyr – Der Traum des Allan Gray, lit. 'Vampyr: The Dream of Allan Gray') is a 1932 horror film directed by Danish director Carl Theodor Dreyer. The film was written by Dreyer and Christen Jul based on elements from J. Sheridan Le Fanu's collection of supernatural stories In a Glass Darkly. Vampyr was funded by Nicolas de Gunzburg who starred in the film under the name of Julian West among a mostly non-professional cast. Gunzburg plays the role of Allan Gray, a student of the occult who enters the village of Courtempierre, which is under the curse of a vampire.
Vampyr | |
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Promotional image for Vampyr by Erik Aaes. | |
Directed by | Carl Theodor Dreyer |
Produced by | Carl Theodor Dreyer Julian West |
Screenplay by | Christen Jul Carl Theodor Dreyer |
Based on | In a Glass Darkly by Sheridan Le Fanu |
Starring | Julian West Maurice Schutz Rena Mandel Jan Hieronimko Sybille Schmitz Henriette Gerard |
Music by | Wolfgang Zeller |
Cinematography | Rudolph Maté |
Edited by | Tonka Taldy Carl Theodor Dreyer |
Production company |
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Distributed by | Germany: Vereinigte Star-Film GmbH |
Release date | 6 May 1932 (Germany) September 1932 (Paris) |
Running time | 73 minutes |
Country |
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Language | German intertitles |
Vampyr was challenging for Dreyer to make as it was his first sound film and had to be recorded in three languages. To overcome this, very little dialogue was used in the film and much of the story is told with silent film-styled title cards. The film was shot entirely on location and to enhance the atmospheric content, Dreyer opted for a washed out, soft focus photographic technique. The audio editing was done in Berlin where the character's voices, sound effects, and score were added to the film.
Vampyr had a delayed release in Germany and opened to a generally negative reception from audiences and critics. Dreyer edited the film after its German premiere and it opened to more mixed opinions at its French debut. The film was long considered a low point in Dreyer's career, but modern critical reception to the film has become much more favorable with critics praising the film's disorienting visual effects and atmosphere.
Screenplay
On a late evening, Allan Gray arrives at an inn close to the village of Courtempierre and he rents a room to sleep. Gray is awakened suddenly by an old man, who enters the room and leaves a square packet on Gray's table; "To be opened upon my death" is written on the wrapping paper. Gray takes the package and walks outside. Shadows guide him to an old castle, where he sees the shadows dancing and wandering on their own. Gray also sees an elderly woman (later identified as Marguerite Chopin) and encounters another old man (later identified as the village doctor). Gray leaves the castle and walks to a manor. Looking through one of the windows, Gray sees the Lord of the manor, the same man who gave him the package earlier. The man is suddenly murdered by gunshot. Gray is let into the house by servants, who rush to the aid of the fallen man but it is too late to save him. The servants ask Gray to stay the night. Gisèle, the younger daughter of the now deceased Lord of the manor, takes Gray to the library and tells him that her sister, Léone, is gravely ill. Just then they see Léone walking outside. They follow her, and find her unconscious on the ground with fresh bite wounds. They have her carried inside. Gray remembers the parcel and opens it. Inside is a book about horrific demons called Vampyrs.
By reading the book, Gray learns that Léone is a victim of a Vampyr. Vampyrs can force humans into submission. The village doctor visits Léone at the manor, and Gray recognizes him as the old man he saw in the castle. The doctor tells Gray that a blood transfusion is needed and Gray offers his blood to save Léone. Exhausted from blood loss, Gray sleeps. He wakes sensing danger and rushes to Léone, where he surprises the doctor as he is attempting to poison the girl. The doctor flees the manor, and Gray finds that Gisèle is gone. Gray follows the doctor back to the castle, where Gray has a vision of himself being buried alive. After the vision subsides, he rescues Gisèle but the doctor escapes. The old servant of the manor finds Gray's Vampyr book and discovers that a Vampyr can be defeated by driving an iron bar through its heart. The servant meets Gray at Marguerite Chopin's grave behind the village Chapel. They open the grave and find the old woman perfectly preserved. They hammer a large metal bar through her heart, killing her. The village doctor is hiding in an old mill, but finds himself locked in a chamber where flour sacks are filled. The old servant arrives and activates the mill's machinery, filling the chamber with flour and suffocating the doctor. The curse of the Vampyr is lifted and Léone suddenly recovers. Gisèle and Gray cross a foggy river by boat and find themselves in a bright clearing.
- Nicolas de Gunzburg as Allan Gray, a young wanderer whose studies of occult matters have made him a dreamer. Gray's view of the world in the film is described as a blur of the real and unreal.
- Rena Mandel as Giséle, Léone's younger sister and the daughter of the Lord of the Manor. Giséle is kidnapped by the Village Doctor late in the film.
- Sybille Schmitz as Léone, Giséle's older sister, who is in thrall to the vampire and finds her strength dwindling day by day.
- Jan Hieronimko as the Village Doctor, a pawn of the vampire, Marguerite Chopin, who seems to sleep in a coffin, hinting that he too may be a vampire. The village doctor kidnaps Giséle late in the film.
- Henriette Gérard as Marguerite Chopin, the vampire, an elderly woman whose hold extends beyond her immediate victims. Many villagers, including the village doctor, are her minions.
- Maurice Schutz as the Lord of the Manor, Giséle and Léone's father who offers Gray a book about vampirism to help Gray save his daughters. After his murder, he returns briefly as a spirit and takes revenge on the village doctor and a soldier who had helped Marguerite Chopin.
- Albert Bras as an Old Servant, a servant at the manor house. After the death of his master, he finds Gray's book on vampirism and, aided by Gray, ends the vampire's reign of terror.
- N. Babanini as Seine Frau (His Wife)
- Jane Mora as a Nurse
- Georges Boidin as the Limping Soldier
Development
Director Carl Theodor Dreyer began planning Vampyr in late 1929, a year after the release of his previous film The Passion of Joan of Arc. The production company behind Dreyer's previous film had plans for Dreyer to make another film, but the project was dropped which led to Dreyer deciding to go outside the studio system to make his next film. Being Dreyer's first sound film, it was made under difficult circumstances as the arrival of sound put the European film industry in turmoil. In France, film studios lagged behind technologically with the first French sound films being shot on sound stages in England. Dreyer went to England to study sound film, where he got together with Danish writer Christen Jul who was living in London at the time. Dreyer decided to create a story based on the supernatural and read over thirty mystery stories and found a number of re-occurring elements including doors opening mysteriously and door handles moving with no one knowing why. Dreyer decided that "We can jolly well make this stuff too". In London and New York, the stage version of Dracula had been a large hit in 1927. Dreyer and Jul created a story based on vampires which Dreyer considered to be "fashionable things at the time". Vampyr is based on elements from J. Sheridan Le Fanu's In a Glass Darkly, a collection of five stories first published in 1872. Dreyer draws from two of the stories for Vampyr, one being Carmilla, a vampire story with a lesbian subtext and the other being The Room in the Dragon Volant about a live burial. Dreyer found it difficult to decide on a title for the film. It may have initially been titled Destiny and then Shadows of Hell. When the film was presented in the film journal Close Up it was titled The Strange Adventure of David Gray.
Pre-production
Dreyer returned to France to begin casting and location scouting. At the time in France, there was a small movement of artistic independently financed films, including Luis Buñuel's L'Âge d'Or and Jean Cocteau's The Blood of a Poet which were both released in 1930. Through Valentine Hugo, Dreyer met Nicolas de Gunzburg, an aristocrat who agreed to finance Dreyer's next film in return for playing the lead role in it. Gunzberg had arguments with his family about becoming an actor, so he created the pseudonym Julian West, a name that would be the same in all three languages that the film was going to be shot in.
Most of the cast in Vampyr were not professional actors. Jan Hieronimko, who plays the village doctor, was found on a late night metro train in Paris. When approached to act in the film, Hieronimko stared blankly and did not reply. Hieronimko later contacted Dreyer's crew and agreed to join the film. Many of the other non-professional actors in the film were found in similar fashion in shops and cafes. The only professional actors in the film were Maurice Schutz, who plays the Lord of the Manor, and Sybille Schmitz, who plays his daughter Léone. Many crew members of Vampyr had worked with Dreyer on his previous film The Passion of Joan of Arc. Returning crew members included cinematographer Rudolph Maté and art director Hermann Warm.
The entire film was shot on location with many scenes shot in Courtempierre, France. Dreyer and his cinematographer Rudolph Maté took part in scouting for locations for Vampyr. Dreyer left most of his scouting to an assistant, who Dreyer instructed to find "a factory in ruins, a chopped up phantom, worthy of the imagination of Edgar Allan Poe. Somewhere in Paris. We can't travel far." In the original script, the village doctor was supposed to flee the village and get trapped in a swamp. On looking for a suitable mire, the crew found a mill where they saw white shadows around the windows and doors. After seeing this place, they changed the film's ending to take place at this mill where the doctor dies by suffocating under the milled flour.
Filming
Vampyr was filmed between 1930 and 1931. Everything being shot on location, as Dreyer believed it would be beneficial by lending the dream-like ghost world of the film as well as allowing them to save money by not having to rent studio space. Dreyer originally wanted Vampyr to be a silent film, as it uses many elements of the silent era such as title cards to explain the story. Dialogue in the film was kept to a minimum. For the scenes with dialogue, the actors mouthed their lines in French, German and English so their lip movements would correspond to the voices that were going to be recorded in post-production. There is no record of the English version being completed. The scenes in the chateau were shot in April and May 1930. The chateau also acted as housing for the cast and crew during the filming. Life in the chateau was unpleasant for them as it was cold and infested with rats. The church yard scenes were shot in August 1930. The church was not an actual church, but a barn with a number of tombstones placed around it. This set was designed by the art director Hermann Warm.
Critic and writer Kim Newman described Vampyr's style as closer to the expe
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