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Valley of the Dolls is a 1967 American drama film based on the 1966 novel of the same name by Jacqueline Susann. It was directed by Mark Robson, produced by Robson and David Weisbart, and stars Barbara Parkins, Patty Duke, Sharon Tate, and Susan Hayward.

Valley of the Dolls
Theatrical release poster
Directed byMark Robson
Produced byDavid Weisbart
Screenplay byHelen Deutsch
Dorothy Kingsley
Harlan Ellison (uncredited)
Based onValley of the Dolls
by Jacqueline Susann
StarringBarbara Parkins
Patty Duke
Sharon Tate
Susan Hayward
Paul Burke
Lee Grant
Music byAndré Previn & Dory Previn (songs)
John Williams
CinematographyWilliam H. Daniels
Edited byDorothy Spencer
Distributed by20th Century Fox
Release date
  • December 15, 1967 (1967-12-15) (United States)
Running time
123 minutes
CountryUnited States
LanguageEnglish
Budget$4,690,000
Box office$44,432,255 (US)
$50,000,000 (Worldwide)
$20,000,000 (US/ Canada rentals)

Screenplay

Three young women meet when they embark on their careers. Neely O'Hara (Duke) is a plucky kid with undeniable talent who sings in a Broadway show, of which legendary actress Helen Lawson (Hayward) is the arrogant star, while Jennifer North (Tate), a beauty with limited talent, is in the chorus.

Anne Welles (Parkins) is a New England ingenue who has arrived in New York City and works as a secretary for a theatrical agency that represents Lawson. She proves her worth to her boss, Henry Bellamy (Robert H. Harris) and Miss Steinberg (Naomi Stevens) and she excels in her job.

Neely, Jennifer, and Anne become fast friends, sharing the bonds of ambition and the tendency to fall in love with the wrong men.

Neely is fired from the show as Lawson considers her a threat to her top billing in the play. Assisted by Lyon Burke (Paul Burke), an attorney from Anne's theatrical agency, Neely makes an appearance on a telethon and is hired as a nightclub act. She becomes an overnight success and moves to Hollywood to pursue a lucrative film career.

After achieving stardom, however, Neely not only displays the egotistical behavior of Lawson, she also falls victim to the eponymous "dolls" (prescription drugs, particularly barbiturates Seconal and Nembutal and various stimulants). She betrays her husband, Mel Anderson (Martin Milner), by having an affair with fashion designer Ted Casablanca (Alexander Davion). Her career is shattered by her erratic behavior due to drug abuse, and she is committed to a sanitarium for drug rehabilitation.

Jennifer follows Neely's path to Hollywood, where she marries nightclub singer Tony Polar (Tony Scotti) and becomes pregnant. When she learns that he has the hereditary condition Huntington's chorea—a fact his domineering half-sister and manager Miriam (Lee Grant) had been concealing—Jennifer has an abortion. As Tony's mental and physical health declines, Jennifer and Miriam check him into the same sanitarium as Neely. Faced with Tony's mounting medical expenses, Jennifer finds herself working in French "art films" (soft-core pornography) to pay the bills.

Anne's natural beauty lands her a lucrative job promoting a line of cosmetics in TV commercials and print ads, with Henry managing her. The company is owned by one Kevin Gillmore (Charles Drake), who also falls in love with her. However, they amicably break it off.

She also falls under the allure of drugs to escape her doomed relationship with cad Lyon (Burke), who has an affair with her erstwhile friend, Neely.

Neely, committed to the same institution as Tony to recover from her addictions, meets him there, and they sing a duet at one of the sanitarium's weekly parties. Neely is released and given a chance to rebuild her career, but the lure of drugs and alcohol proves too strong and she spirals into a hellish decline.

Brazenly ignoring Lyon's orders (he was her manager), she goes to a press party for her long-time arch-rival, Helen Lawson. They proceed to get into a catfight in the ladies room, when Neely throws her wig into the commode. Later on, Neely becomes even more arrogant, throwing weight around that she doesn't have, and then viciously insulting Lyon which leads him to resign as her agent. She gets strung out on dolls and alcohol and is removed from the show for her understudy. She goes to a bar across the street and proceeds to get even more high.

Finally, she is seen screaming outside of the stage door of her theater as she hits completely rock-bottom and screams into the empty alley where nobody hears her or helps her.

Meanwhile, Jennifer is diagnosed with breast cancer and needs a mastectomy. She phones her mother, seeking moral support; but her mother is only concerned with the reaction from her friends to Jennifer's "art films". Jennifer then succumbs to depression and commits suicide by drug overdose. (One of the reporters covering the suicide was played by the novel's author, Jacqueline Susann).

Anne abandons drugs (By throwing them across the room) and her unfaithful lover and takes a train returning to New England, where her aunt Amy (Judith Lowry in an uncredited role) lives, and she finds she is truly happier. She moves back in with her aunt and with the money she accrued over the years, helps her with the house and finances.

Lyon ends his affair with Neely (when he quits as her manager) and travels to New England to ask Anne to marry him. She decides to move on with her life (remaining in New England) and declines his offer.

  • Barbara Parkins as Anne Welles
  • Patty Duke as Neely O'Hara
  • Paul Burke as Lyon Burke
  • Sharon Tate as Jennifer North
  • Tony Scotti as Tony Polar
  • Susan Hayward as Helen Lawson
  • Martin Milner as Mel Anderson
  • Charles Drake as Kevin Gillmore
  • Alexander Davion as Ted Casablanca
  • Richard Angarola as Claude Chardot
  • Lee Grant as Miriam Polar
  • Naomi Stevens as Miss Steinberg
  • Robert H. Harris as Henry Bellamy
  • Jacqueline Susann as Reporter #1 at Jennifer's suicide
  • Richard Dreyfuss as Assistant Stage Manager (uncredited)
  • Gil Peterson as Neely's Leading Man (uncredited)
  • Darlene Conley as Sanitarium nurse (uncredited)
  • Marvin Hamlisch as pianist (uncredited)
  • Judith Lowry as Aunt Amy (uncredited)
  • Thelma Pelish as Theater hall receptionist (uncredited)
  • Peggy Rea as Neely's voice coach (uncredited)
  • Darryl Wells as Willie, Anne's boyfriend in Lawrenceville (uncredited)
  • Margot Stevenson as Anne's mother (uncredited)
  • Gertrude Flynn as Ladies Room attendant during Neely/Helen catfight (uncredited)

The ending to the film was changed dramatically from the novel. In the film, Anne and Lyon never marry and do not have a child together. Rather, she leaves Lyon and returns to Lawrenceville, which is described as the one place she found real happiness. Lyon later visits her to propose but she refuses. These last-minute changes in the script, so out of keeping with Anne's established character (well known to millions of readers), prompted original screenwriter Harlan Ellison, who wanted to keep the original downbeat ending, to remove his name and credit from the film.

Another important difference is that the film is clearly set in the mid-to-late 1960s, whereas in the book the story started in 1945 and developed throughout two decades, much unlike in the film, where the events unfolded over the course of a few years.

Judy Garland was originally cast as Helen Lawson, but was fired when she (reputedly) came to work drunk; Susan Hayward replaced her in the role after production had already begun. On July 20, 2009, Patty Duke appeared at the Castro Theater in San Francisco for a benefit screening of the film, and said that director Mark Robson made Garland wait from 8am to 4pm before filming her scenes for the day, knowing that Garland would be upset and drunk by that time. Hayward reportedly had a difficult relationship with the cast and crew, and her clashes with Duke became part of the dramatic tension between their characters.

20th Century Fox wanted contract star Raquel Welch to play Jennifer but she refused, not wanting to play a "sexpot" role. She asked to play Neely but the studio refused.

Beyond the Valley of the Dolls, a 1970 satirical pastiche, was filmed by Twentieth Century-Fox while the studio was being sued by Jacqueline Susann, according to Irving Mansfield's book Life With Jackie. Susann created the title for a Jean Holloway-scripted sequel that was rejected by the studio, which allowed Russ Meyer to film a radically different movie with the same title. The suit went to court after Susann's death in 1974; the estate won damages of $2 million against Fox.

The Criterion Collection released Valley of the Dolls along with its parody Beyond the Valley of the Dolls on September 2016 on DVD and Blu-ray. While the former film had previously been released by Arrow Films in the United Kingdom in the same year, this was the latter film's first Blu-ray release.

The film at the time of release received generally negative reviews. It currently holds a 35% positive rating on Rotten Tomatoes based on 31 reviews, but with average rating 0% from four designated top critics. The box office is, however, rather impressive, with $50 million worldwide gross against $5 million budget.

  • Academy Award for Best Music (Scoring of Music - Adaptation or Treatment) (John Williams)
  • Golden Globe Award for Most Promising Newcomer – Female (Sharon Tate)
  • Grammy Award for Best Original Score from a Motion Picture or Television Show (André Previn)
Valley of the Dolls (Soundtrack)
 
Studio album by Various artists
Released1967 (1967)
Recorded1967
GenrePop
Label20th Century Fox Records

The soundtrack was released in 1967. Dionne Warwick sang the title track; however, her version is not on the soundtrack album, only on the actual film soundtrack. According to Susann, she wrote her own lyric for the film's title track as she felt that Dory Previn's lyric did not establish the story's background. Warwick was signed to Scepter Records at the time and could not contractually appear on the soundtrack album. Therefore, a re-recorded version appears on the LP Dionne Warwick in Valley of the Dolls. The film contains two versions of the theme song with different lyrics: one version plays over the opening credits, and the other, with the same lyrics as Warwick's recorded version, is heard towards the end of the film.

Margaret Whiting recorded "I'll Plant My Own Tree" for the film, while Eileen Wilson recorded it for the soundtrack album. The song is dubbed for Susan Hayward, while "It's Impossible" and "Give a Little More" are both dubbed by Gaille Heidemann for Patty Duke. Heidemann and Wilson are uncredited on the soundtrack label.

Track listing

The original version of "I'll Plant My Own Tree" (recorded by Judy Garland before she was fired from the film) was finally released in 1976 on a compilation LP, Cut! Out-takes from Hollywood's Greatest Musicals.

Lovely Me: The Life of Jacqueline Susann (1987) by Barbara Seaman states that Ruth Batchelor, who wrote lyrics for Elvis Presley, wrote the lyrics for a title song for the movie. Batchelor's song was rejected by the studio as the Previns had already written the soundtrack. It was recorded by The Arbors and used as the opening theme to the 1967 documentary "Jacqueline Susann and the Valley of the Dolls".

  • List of American films of 1967

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