Unheimliche Geschichten 1932 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Unheimliche Geschichten
Directed by	Richard Oswald
Produced by	Richard Oswald; G. Pasqual;
Screenplay by	Heinz Goldberg; Eugen Szatmári;
Starring	Paul Wegener; Harald Paulsen; Roma Bahn; Mary Parker; Gerhald Bienert;
Music by	Bert Reisfeld; Rolf Marbot;
Cinematography	Heinrich Gärtner
Edited by	Max Brenner; Friedel Buckow;
Production; companies	Roto-Film; G.P. Films;
Release date	September 7, 1932; ; ; ; ;
Country	Germany

Unheimliche Geschichten (Uncanny Stories) is a 1932 German horror/comedy film directed by the prolific Austrian film director Richard Oswald, starring Paul Wegener, and produced by Gabriel Pascal.

The story is a merging of three separate short stories, Edgar Allan Poe's The Black Cat, The System of Doctor Tarr and Professor Fether and Robert Louis Stevenson's The Suicide Club, set within a story frame of a reporter's hunt for a crazy scientist. It is a black comedy revisiting many of the classic themes of the horror genre. It was Paul Wegener's first talking movie.

Screenplay

A crazed scientist, Morder (Paul Wegener), driven even crazier by his nagging wife, murders her and walls her up in a basement, a la Poe's The Black Cat. He then flees as the police and a reporter, Frank Briggs (Harald Paulsen), set out to track him down. Morder eventually escapes, by pretending to be insane, into an asylum. Though here the patients has managed to free themselves, lock up the guards, and take charge (inspired by Poe's The System of Doctor Tarr and Professor Fether). After Morder's final escape, he turns up as president of a secret Suicide Club (based on the short story by Stevenson).

Paul Wegener
Maria Koppenhöfer
Blandine Ebinger
Eugen Klöpfer
Harald Paulsen
Roma Bahn
Mary Parker
Paul Henckels
Gerhard Bienert
John Gottowt
Erwin Kalser
Franz Stein
Gretel Berndt
Ilse Fürstenberg
Carl Heinz Charrell

Unheimliche Geschichten was released in Germany on 7 September 1932.

In contemporary reviews, Variety declared in 1932 that Oswald had "succeeded in creating an effectively gruesome picture", specifically praising the sound, acting and photography as "excellent". In 1940, Bosley Crowther reviewed the film under the title The Living Dead for the New York Times, declaring it "a nightmare reminder of the old pre-Nazi macabre school of German films, which did all right by such things as M, but apparently had its bad moments, too."