Under The Skin 2013 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In Glasgow, a motorcyclist (Jeremy McWilliams) retrieves an inert young woman (Lynsey Taylor Mackay) from the roadside and places her in the back of a van, where a naked woman (Scarlett Johansson) dons her clothes. After buying clothes and make-up at a shopping centre, the woman drives the van around Scotland, picking up men. She lures a man (Joe Szula) into a dilapidated house. As he undresses, following the woman into a void, he is submerged in a liquid abyss.

At a beach, the woman attempts to pick up a swimmer (Kryštof Hádek), but is interrupted by the cries of a drowning couple. The swimmer rescues the husband, but the husband rushes back into the water to save his wife and both drown. As the swimmer lies exhausted on the beach, the woman strikes his head with a rock, drags him to the van, and drives away, ignoring the couple's distraught baby. Later that night, the motorcyclist retrieves the swimmer's belongings, ignoring the baby, who is still on the beach. The next day, the woman listens to a radio report about the missing family.

The woman visits a nightclub and picks up another man (Paul Brannigan). At the house, he follows her into the void and is submerged in the liquid. Suspended beneath the surface, he sees the swimmer floating naked beside him, alive but bloated and almost immobile. When he reaches to touch him, the swimmer's body collapses and a red mass empties through a trough.

The woman seduces a lonely man with facial disfigurement (Adam Pearson) but lets him leave after examining herself in a mirror. The motorcyclist intercepts the man and bundles him into a car, then sets out in pursuit of the woman with three other motorcyclists.

In the Scottish Highlands, the woman abandons the van in the fog. She walks to a restaurant and attempts to eat cake, but retches and spits it out. At a bus stop, she meets a man (Michael Moreland) who offers to help her. At his house, he prepares a meal for her and they watch television. Alone in her room, she examines her body in a mirror. They visit a ruined castle, where the man carries her over a puddle and helps her down some steps. At his house, they kiss and begin to have sex, but the woman stops and examines her genitals.

Wandering in a forest, the woman meets a commercial logger (Dave Acton) and shelters in a bothy. She awakes to find the logger molesting her. She runs into the wilderness but he catches and attempts to rape her; he tears her skin, revealing a black, featureless body. As the woman extricates herself from her skin, the man douses her in fuel and burns her alive.

Pre-production

Director Jonathan Glazer decided to adapt Michel Faber's novel Under the Skin (2000) after finishing his debut film Sexy Beast (2000), but work did not begin until he had finished his second film, Birth (2004). Glazer's producer Jim Wilson sent him a script that closely adapted the novel; Glazer admired the script but had no interest in filming it, saying: "I knew then that I absolutely didn't want to film the book. But I still wanted to make the book a film."

Glazer and cowriter Milo Addica, later replaced by Walter Campbell, spent several years writing and rewriting the story. They conceived an elaborate high-budget film, and produced a script about two aliens disguised as husband-and-wife farmers. Brad Pitt was cast as the husband, but progress was slow. Glazer eventually decided to make a film that represented an alien perspective of the human world and focused only on the female character. He and Campbell deleted every scene in their script that did not involve her and deleted the elaborate special effects sequences, a process Glazer likened to "a big, extravagant rock band turning into PJ Harvey". The film also removes the character names. Whereas the novel is explicit that the main character is an alien processing humans for meat, the film is more ambiguous.

Glazer shot commercials while the film was in preproduction, which he used to "sketch" ideas and test equipment. Under the Skin was jointly financed by Film4 Productions, the British Film Institute, Scottish Screen, Silver Reel, and FilmNation Entertainment. Glazer secured final backing after cutting the elaborate special effects scenes from the script.

Casting

Gemma Arterton, Eva Green, January Jones, Abbie Cornish and Olivia Wilde were considered for the lead. In 2015, Arterton stated that she had been Glazer's first choice but the film had needed a bigger star to get funding. The role went to Scarlett Johansson, who remained committed to the project for four years before it reached completion. Johansson was well known for her roles in blockbuster films such as the Marvel Cinematic Universe franchise. Glazer said: "It made a great deal of sense to cast somebody very well known out of context. I remember seeing her walking along the street in a pink jumper on a long lens and she looks like an exotic insect on the wrong continent." Despite her fame, Johansson was rarely recognised, as members of the public did not believe it could be her. For the role she learnt to drive a van and mimic an English accent.

Championship motorcycle road racer Jeremy McWilliams was cast as the motorcyclist, as the film required a "world-class" motorcyclist who could ride through the Scottish Highlands at high speeds in bad weather. The logger was played by the owner of a location researched for the film. For the man with disfigurement, Glazer did not want to use prosthetics. To cast the role, the production team contacted the charity Changing Faces, which supports people with facial disfigurements. The role went to Adam Pearson, who has neurofibromatosis and had worked in television productions. Pearson's suggestions about how Johansson's character could lure his character were used in the script.

Filming

As Glazer wanted the film to feel realistic, most characters were played by non-actors. Many scenes, such as those set in the nightclub and shopping centre, and the scenes in which Johansson's character picks up men in the van, were unscripted sequences filmed with hidden cameras. The production team would inform the subjects they had been filmed and ask permission to use the footage. Glazer said the men were "talked through what extremes they would have to go to if they agreed to take part in the film once they understood what we were doing".

The crew built their own cameras to shoot some scenes. Johansson drove the van with the crew inside, and towed a trailer containing a generator for their equipment. To create the black room in which the character traps men, the crew built a bespoke set with a reflective floor, blackout, and custom lighting. The actors were filmed walking into a pool whose floor sank as they walked, submerging them. The scenes were finished with computer graphics.

Under the Skin's soundtrack was composed by Mica Levi and produced by Peter Raeburn. Raeburn suggested Levi to Glazer, who contacted her after hearing Chopped and Screwed, her collaboration with the London Sinfonietta. Glazer wanted the music to express the protagonist's feelings as she experienced things like food and sex for the first time, and directed Levi with prompts such as "What does it sound like to be on fire?" or "Imagine when you tell somebody a joke and it’s not very good and their reaction’s a bit stilted". Later scenes use less music, to emphasise the sounds of the natural world that Johansson's character experiences.

Levi used mainly a viola to write and record over ten months, taking inspiration from Giacinto Scelsi, Iannis Xenakis, John Cage and music played in strip clubs. She looked for the natural and "identifiably human" sounds in the instrument, then altered the pitch or tempo of her recordings to "make it feel uncomfortable". In an article for the Guardian, Levi wrote: "Some parts are intended to be quite difficult. If your life force is being distilled by an alien, it's not necessarily going to sound very nice. It's supposed to be physical, alarming, hot."

According to Pitchfork, "the strings sometimes resemble nails going down a universe-sized chalkboard, screaming with a Ligeti-like sense of horror; elsewhere, they endlessly drone in a gaping vortex, like Vangelis' iconic Blade Runner score dipped in turpentine." The Guardian wrote that Levi's "score brings together strings, percussion, distortions in speed and clashing microphones to create sounds that are seductive, perverted and compassionate." The soundtrack was released on March 17th, 2014.

Box office

Under the Skin premiered on 29 August 2013 at the Telluride Film Festival. It wa