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Thunderbirds Are Go is a 1966 British science-fiction adventure film based on Thunderbirds, a 1960s television series starring marionette puppets and featuring scale model effects in a filming process dubbed "Supermarionation". Written by Thunderbirds creators Gerry and Sylvia Anderson, directed by David Lane and produced by AP Films, Thunderbirds Are Go focuses on the futuristic spacecraft Zero-X and its manned mission to Mars. When Zero-X suffers a mechanical failure during re-entry, it is up to International Rescue, with the aid of the Thunderbird machines, to save the astronauts on board before the spacecraft is obliterated in a crash landing.

Thunderbirds Are Go
UK film poster
Directed byDavid Lane
Produced bySylvia Anderson
Screenplay byGerry and Sylvia Anderson
Based onThunderbirds
by Gerry and Sylvia Anderson
Starring
  • Sylvia Anderson
  • Ray Barrett
  • Alexander Davion
  • Peter Dyneley
  • Christine Finn
  • David Graham
  • Paul Maxwell
  • Neil McCallum
  • Bob Monkhouse
  • Shane Rimmer
  • Charles Tingwell
  • Jeremy Wilkin
  • Matt Zimmerman
Music byBarry Gray
Songs:
  • Cliff Richard
  • The Shadows
Cinematography
  • Paddy Seale
  • John Read
Edited byLen Walter
Production
company
Century 21 Cinema Productions
Associated Television
Distributed byUnited Artists
Release date
12 December 1966
Running time
93 minutes
CountryUnited Kingdom
LanguageEnglish
Budget£250,000

Filmed from March to June 1966 and premiering in December, Thunderbirds Are Go includes, in a first for an AP Films production, cameo appearances from puppets of real-life celebrities Cliff Richard and The Shadows, who also contributed to the score. It is also the first motion picture to have been filmed with an early form of video assist technology known as "Add-a-Vision", and incorporated landscape footage that was shot on location in Portugal. Special effects pieces, produced under the supervision of Derek Meddings and including rocket launch sequences, space shots and a miniature representation of the Martian surface, required six months to complete.

Despite positive initial reviews, which praised the film as a well-made cinematic transfer of the Thunderbirds television series, Thunderbirds Are Go soon proved to be a box office failure for the Andersons. The disappointment of this outcome was intensified by the knowledge that Series Two of Thunderbirds would be cut down to six episodes and that AP Films' upcoming television project would be a brand-new series, which would later be titled Captain Scarlet and the Mysterons and screened from 1967. To add to the lukewarm public response, negative critical reception of Thunderbirds Are Go has targeted, besides other aspects, the characterisation of the puppet cast, which has been seen as too minimal to sustain a feature-length production, the running time dedicated to model and effects shots, and the fantasy dream sequence starring Cliff Richard and The Shadows, which has been described as a poor scriptwriting idea on the part of the Andersons.

Surprised by the underperformance of Thunderbirds Are Go and convinced that the franchise still had cinematic potential, United Artists authorised the production of a sequel. However, Thunderbird 6 received a similarly unenthusiastic response on its release in 1968, and the Thunderbirds franchise was abandoned until the appearance of a reboot, starring live actors, in 2004. Meanwhile, the Zero-X astronauts were featured in their own comic strip in the Anderson-related publication TV Century 21 until 1969, and the MEV portion of the spacecraft appeared in the first episode of Captain Scarlet and the Mysterons.

Screenplay

In 2065, the Zero-X spacecraft launches from Glenn Field as the first attempt at a manned mission to Mars. Unknown to Captain Paul Travers and his crew of two astronauts and two scientists, criminal mastermind the Hood has infiltrated the ship to photograph Zero-X's wing mechanism. When his foot becomes trapped in the hydraulics, the Hood causes a systems failure and Zero-X loses control. While the villain manages to extract his bloodied foot and parachute from the undercarriage, Travers and his crew eject in an escape pod and Zero-X crashes into the ocean before leaving Earth's atmosphere.

In 2067, at the conclusion of an investigation into the loss of Zero-X, the Inquiry Board of the Space Exploration Center reaches a verdict of sabotage. In the meantime, a second Mars mission has been planned. Days before the launch of the new Zero-X, International Rescue agrees to a request to organise security in view of the possibility of another sabotage threat. Jeff Tracy dispatches Scott to Glenn Field in Thunderbird 1, while Virgil in Thunderbird 2 and Alan in Thunderbird 3 are assigned to escort Zero-X as it leaves the atmosphere. Posing as a reporter at the pre-launch press conference, Lady Penelope ensures that Travers and the other four crewmembers are delivered homing devices disguised as St. Christopher brooches. The next day, a search for Dr Grant's brooch checks negative. Scott unmasks the man waiting for lift-off on board Zero-X as the Hood in another of his disguises. The saboteur flees Glenn Field in a car, which Penelope and Parker pursue in FAB 1. The Hood transfers to a speedboat, and then a helicopter piloted by an accomplice; Parker shoots the aircraft down with the Rolls-Royce's built-in machine gun and the Hood is seemingly killed. Meanwhile, the real Grant is returned to Zero-X and the spacecraft launches without further incident.

Mission accomplished, Penelope invites Scott and Virgil to join her at "The Swinging Star", a fashionable nightclub. Landing back on Tracy Island after escorting Zero-X, Alan feels unappreciated when Jeff insists that he remain on standby at base while his brothers spend the night partying. In bed, Alan experiences a surreal dream in which Parker "flies" him and Penelope in FAB1 to a version of The Swinging Star located in space. Present at the interstellar nightclub are Cliff Richard Jr and The Shadows, who perform a song titled "Shooting Star" and an instrumental, "Lady Penelope". The dream sequence ends abruptly when Alan plummets from The Swinging Star back to Earth and awakes to discover he has fallen out of bed.

After a six-week flight, the Zero-X Martian Exploration Vehicle lands on Mars on 22 July. While investigating the barren surface, the crew are puzzled to encounter strange rock formations arranged into coils. Space Captain Greg Martin blasts one of the structures with the MEV gun and Dr Pierce prepares to leave the vehicle to collect samples. However, the other formations stir into motion and reveal themselves to be one-eyed "Rock Snakes". Under attack from the extraterrestrials, which are able to shoot fireballs from their "mouths", the Zero-X explorers are forced to effect a premature departure from the Martian surface. Docking with the orbiting command module piloted by Space Navigator Brad Newman, the astronauts start the flight back to Earth.

As Zero-X re-enters Earth's atmosphere on 2 September, a lifting body launched to assist the controlled descent fails to interface, damaging the escape unit circuit (EUC). With Zero-X locked in descent and set to impact Craigsville, Florida, Jeff sends out Scott and Brains in Thunderbird 1 and Virgil, Alan and Gordon in Thunderbird 2. Winched into Zero-X's undercarriage, Alan must risk being trapped on board the spacecraft as Brains advises him on re-routing the damaged escape circuit. With Craigsville evacuated, Alan is left seconds to detach his cable. Travers and the others eject just in time, before Zero-X crashes spectacularly into Craigsville. Collected by Penelope and Parker in FAB1, Alan is driven to the real Swinging Star and Penelope, joined by the Tracy family, Brains and Tin-Tin, all disguised to conceal their identities, propose a toast to Alan as the "hero of the day".

Believability was always my aim, no matter how outrageous or bizarre things got. I tried to keep the stories believable, if only for that particular moment. Of all the planets, the only one that might possibly sustain life was Mars, so, with everybody in science fiction wanting to talk about aliens or another race, Mars was the only planet that made any sense. Right up until the Americans landed the probe on Mars, there was speculation that there might be life there.

— Gerry Anderson on the film's premise

When shooting on Series One of Thunderbirds wrapped in late 1965, Gerry Anderson and his ITC financier, Lew Grade, agreed that a feature film adaptation, to be shot at the same time as the prospective Series Two, would be the next logical step in the expansion of the AP Films Thunderbirds franchise. With United Artists contracted to distribute the film and the Rank Organisation to exhibit, a budget of £250,000 was set and Anderson and his wife, Sylvia, commenced work on the script at a Portuguese villa rented to them by Grade. The couple decided to base the plot on the American-Soviet "Space Race", in particular the 1960s contest to land astronauts on the Moon, but adapt this story for the futuristic Thunderbirds universe by changing the destination of the mission to Mars.

In the pre-production stages of their next puppet series, Captain Scarlet and the Mysterons, the Andersons would opt to script a second appearance of the Zero-X spacecraft to link the continuities of Thunderbirds and its sequel, which is supposed to be set in the same fictional universe. Captain Scarlet would also prove to be a progression from Thunderbirds Are Go in terms of its depiction of extraterrestrial life on Mars, although the Mysteron antagonists of this series would be more ambitious than the Rock Snakes of the film by actively seeking to attack Earth. The final rescue of the crippled Zero-X emulates that of the airliner Fireflash in the Thunderbirds episode "Operation Crash-Dive".

The role of director fell to David Lane, who had filled this position for several of the Series One episodes and also had editing and special effects experience at AP Films. Aged 24, with this appointment Lane became the youngest film direct

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