They Live full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Drifter "John Nada" finds construction work in Los Angeles and befriends fellow construction worker Frank Armitage, who leads him to a shanty town soup kitchen. A disruptive television signal and a preacher both warn of conspiracies, and Nada discovers a nearby church is a front for scientific equipment. After the church is raided and the shantytown bulldozed, Nada retrieves a box of sunglasses from the church's wall, wearing one pair and hiding the rest in an alley dumpster. The sunglasses reveal a hidden reality: media and advertising hide omnipresent subliminal stimuli to obey, consume, reproduce, and conform, while many of the elite are actually grotesque aliens.

When Nada confronts an alien woman, she alerts others via a wristwatch communicator. Two alien police confront Nada, but he kills them and goes on a shooting spree with their guns, killing aliens in a nearby bank while one uses its wristwatch to vanish; Nada spares a human police officer. Nada escapes, taking Cable 54 assistant director Holly Thompson hostage. She rejects his claims and knocks him through the window of her luxurious hill-top home before calling the police; Nada escapes, but loses his sunglasses in the fall.

Now a fugitive, Nada returns to the alley and retrieves the box of sunglasses from a garbage truck. Frank meets Nada to give him his paycheck. Frank also disbelieves Nada, but Nada forces a pair of sunglasses onto his face after an extended street fight. Accepting what he has now seen, Frank goes into hiding with Nada. They learn of a secret meeting for anti-alien activists, where they are given contact lenses to replace the sunglasses. The aliens control Earth as they have other planets in the past; they deplete each planet's resources and destroy its environment before moving on to others. If the source of the aliens' broadcast signal can be destroyed, all of humanity will see the hidden reality. Holly arrives to join the cause, apologizing to Nada. The meeting is raided by police, who kill several anti-alien activists; Nada and Frank use a stolen alien wristwatch to escape through a portal, entering the aliens' secret command center.

Nada and Frank discover a banquet celebration of aliens and human collaborators, one of whom gives them a tour of the facility, assuming they are also collaborators. Nada and Frank exit into the basement of Cable 54, the source of the signal. They fight their way through the building to the roof where the alien transmitter is disguised as a satellite dish. They encounter Holly, who joins them but then murders Frank; she is a collaborator. Nada kills Holly and destroys the transmitter, but is fatally wounded by aliens in a helicopter. With the signal destroyed, humans all over the world discover the aliens in their midst.

Development

The idea for They Live came from a short story called "Eight O'Clock in the Morning" by Ray Nelson, originally published in The Magazine of Fantasy & Science Fiction in November 1963, involving an alien invasion in the tradition of Invasion of the Body Snatchers, which Nelson, along with artist Bill Wray, adapted into a story called "Nada", published in the Alien Encounters comics anthology in April 1986. John Carpenter describes Nelson's story as "... a D.O.A.-type of story, in which a man is put in a trance by a stage hypnotist. When he awakens, he realizes that the entire human race has been hypnotized, and that alien creatures are controlling humanity. He has only until eight o'clock in the morning to solve the problem." Carpenter acquired the film rights to both the comic book and short story and wrote the screenplay, using Nelson's story as a basis for the film's structure.

The more political elements of the film are derived from Carpenter's growing distaste with the ever-increasing commercialization of 1980s popular culture and politics, particularly the influence of Reaganomics, the economic policies promoted by U.S. President Ronald Reagan. He remarked, "I began watching TV again. I quickly realized that everything we see is designed to sell us something... It's all about wanting us to buy something. The only thing they want to do is take our money." To this end, Carpenter thought of sunglasses as being the tool to seeing the truth, which "is seen in black and white. It's as if the aliens have colorized us. That means, of course, that Ted Turner is really a monster from outer space." (Turner had received some bad press in the 1980s for colorizing classic black-and-white movies.) The director commented on the alien threat in an interview: "They want to own all our businesses. A Universal executive asked me, 'Where's the threat in that? We all sell out every day.' I ended up using that line in the film." The aliens were deliberately made to look like ghouls, according to Carpenter, who said, "The creatures are corrupting us, so they, themselves, are corruptions of human beings."

Because the screenplay was the product of so many sources—a short story, a comic book, and input from cast and crew—Carpenter decided to use the pseudonym "Frank Armitage", an allusion to one of the filmmaker's favorite writers, H. P. Lovecraft (Henry Armitage is a character in Lovecraft's The Dunwich Horror). Carpenter has always felt a close kinship with Lovecraft's worldview and according to the director, "Lovecraft wrote about the hidden world, the 'world underneath'. His stories were about gods who are repressed, who were once on Earth and are now coming back. The world underneath has a great deal to do with They Live."

Casting

For the crucial role of Nada the filmmaker cast professional wrestler Roddy Piper, whom he met at WrestleMania III earlier in 1987. For Carpenter it was an easy choice: "Unlike most Hollywood actors, Roddy has life written all over him." Carpenter was impressed with Keith David's performance in The Thing and needed someone "who wouldn't be a traditional sidekick, but could hold his own." To this end, Carpenter wrote the role of Frank specifically for Keith David.

Filming

They Live was shot in eight weeks during March and April 1988, principally on location in downtown L.A., with a budget only slightly greater than $3 million. One of the highlights of the film is a five-and-a-half minute alley fight between David and Piper over a pair of the special sunglasses. Carpenter recalls that the fight took three weeks to rehearse: "It was an incredibly brutal and funny fight, along the lines of the slugfest between John Wayne and Victor McLaglen in The Quiet Man."

The film opened on November 4, 1988, and debuted at #1 at the North American box office grossing $4.8 million during its opening weekend. The film spent two weeks in the top ten. The film had a total domestic gross of $13,008,928. Carpenter is on record as attributing the film's initial commercial failure to the hypothesis that those "who go to the movies in vast numbers these days don't want to be enlightened". The film's original release date, advertised in promotional material as October 21, 1988, was pushed back two weeks to avoid direct competition with Halloween 4: The Return of Michael Myers.

Home video

StudioCanal released a Blu-ray on March 2, 2012.

On November 6, 2012, Shout! Factory released a Collector's Edition of the film on both DVD and Blu-ray.

In 2014, Universal Studios released it on DVD along with The Thing, Village of the Damned, and Virus as part of the 4 Movie Midnight Marathon Pack: Aliens.

Rotten Tomatoes gave the film an approval rating of 85% based on 59 reviews; the average rating is 7.2/10. The website's critical consensus reads: "A politically subversive blend of horror and sci fi, They Live is an underrated genre film from John Carpenter." Metacritic gave the film a weighted average rating of 52 out of 100, based on 10 reviews, indicating "mixed or average reviews".

In his review for the Chicago Reader, Jonathan Rosenbaum wrote, "Carpenter's wit and storytelling craft make this fun and watchable, although the script takes a number of unfortunate shortcuts, and the possibilities inherent in the movie's central conceit are explored only cursorily." Jay Carr, writing for The Boston Globe, said "nce Carpenter delivers his throwback-to-the-'50s visuals, complete with plump little B-movie flying saucers, and makes his point that the rich are fascist fiends, They Live starts running low on imagination and inventiveness", but felt that "as sci-fi horror comedy, They Live, with its wake-up call to the world, is in a class with Terminator and RoboCop, even though its hero doesn't sport bionic biceps". AllMovie contributor Paul Brenner gave the film three and a half out of five stars.

In her review for The New York Times, Janet Maslin wrote, "Since Mr. Carpenter seems to be trying to make a real point here, the flatness of They Live is doubly disappointing. So is its crazy inconsistency, since the film stops trying to abide even by its own game plan after a while." Richard Harrington wrote in The Washington Post, "it's just John Carpenter as usual, trying to dig deep with a toy shovel. The plot for They Live is full of black holes, the acting is wretched, the effects are second-rate. In fact, the whole thing is so preposterous it makes V look like Masterpiece Theatre." Rick Groen, in The Globe and Mail, wrote, "the movie never gets beyond the pop Orwell premise. The social commentary wipes clean with a dry towelette – it's not intrusive and not pedantic, just lighter-than-air."

The 2012 documentary film The Pervert's Guide to Ideology presented by Slovene philosopher and psychoanalyst Slavoj Žižek starts with an analysis of the film They Live: Žižek uses the main trope of the film, the wearing of the special sun-glasses reveals the truth of that which is perceived, to explain his definition of ideology. Žižek states:

They Live is definitely one of the forgotten masterpieces of the Hollywood Left. … The sunglasses function like a critique of ideology. They allow you to see the real message beneath all the propaganda, glitz, posters and so on. … When you put the sunglasses on you see the dictatorship in democracy, the invisible order which sustains your apparent freedom.

Carpenter has rejected neo-Nazi claims that