The Young Victoria is a 2009 British-American period drama film directed by Jean-Marc Vallée and written by Julian Fellowes, based on the early life and reign of Queen Victoria, and her marriage to Prince Albert of Saxe-Coburg and Gotha. Produced by Graham King, Martin Scorsese, Sarah Ferguson, and Timothy Headington, the film stars Emily Blunt, Rupert Friend, Paul Bettany, Miranda Richardson, Harriet Walter, Mark Strong, and Jim Broadbent among a large ensemble cast.
The Young Victoria | |
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Theatrical release poster | |
Directed by | Jean-Marc Vallée |
Produced by | Martin Scorsese Graham King Timothy Headington Sarah Ferguson |
Written by | Julian Fellowes |
Starring | Emily Blunt Rupert Friend Miranda Richardson Jim Broadbent Paul Bettany Mark Strong Thomas Kretschmann Julian Glover Michael Maloney Rachael Stirling |
Music by | Ilan Eshkeri |
Cinematography | Hagen Bogdanski |
Edited by | Jill Bilcock Matt Garner |
Production company | GK Films |
Distributed by | Momentum Pictures (UK) Apparition (US) |
Release date |
|
Running time | 105 minutes |
Country | United Kingdom United States |
Language | English |
Budget | $35 million |
Box office | $31,878,891 |
As screenwriter, Fellowes sought to make the film as historically accurate as possible. With this in mind, Academy Award-winning costume designer Sandy Powell and historical consultant Alastair Bruce were hired, and filming for The Young Victoria took place at various historical landmarks in England to further the film's authenticity. Despite this, some aspects of the film have been criticised for their historical inaccuracies.
Momentum Pictures released the film in the United Kingdom and Sony Pictures Worldwide Acquisitions Group opened The Young Victoria in limited theatrical release in the United States. Critical reception was generally positive.
Screenplay
Princess Victoria of Kent is the heiress presumptive to the throne during the last years of the reign of her uncle King William IV and is subject to a political tug of war for influence over her. On the one side is her mother, the Duchess of Kent, along with the comptroller of the Duchess's household, Sir John Conroy, who tries to force Victoria to sign papers declaring a regency and giving him and her mother power.
On the other side is her uncle, King Leopold I of the Belgians, who wishes to use his influence through family ties to secure an alliance between Britain and his kingdom. He decides to have his nephew Prince Albert of Saxe-Coburg-Gotha seduce Victoria and he is coached in her likes and dislikes. The Duchess invites the Coburg brothers, Albert and Prince Ernest of Saxe-Coburg-Gotha, to visit the household. Victoria and Albert develop an early fondness for each other, despite Victoria knowing that Albert was sent by their uncle to win her favours. They begin writing to one another after Albert returns home.
At a birthday reception in Windsor Castle, the King states his wish to be closer to Victoria and insults her mother. But when the King increases Victoria's income, this is rejected by Conroy, who physically subdues her in front of her mother, heightening the animosity between them. The King then sends the Prime Minister Lord Melbourne to advise her. Victoria agrees to make him her private secretary, and he appoints ladies-in-waiting for her from political families allied to him.
King William dies after Victoria's 18th birthday, avoiding a regency. After accession, Victoria immediately begins to exert her independence, including moving into her own room and banishing Conroy from her household and coronation. During her first meeting with the Privy Council, she announces that "I mean to devote my life in service of my country and my people". Victoria now moves into the recently completed Buckingham Palace and her aunt, Queen Adelaide, advises her against giving in too much to Lord Melbourne's direction. Albert then comes to England to spend more time with Victoria. They bond more, dancing together during her coronation and later discussing together the condition of the poor. Albert hints at taking their relationship further but the self-sufficient Victoria resists and he leaves.
When Lord Melbourne loses a vote in Parliament, the new Prime Minister designate, Sir Robert Peel, wishes to replace some of her ladies-in-waiting with supporters of his own party and the queen refuses. Peel in turn refuses the queen's invitation to form a new government, allowing Melbourne to continue as Prime Minister. The subsequent crisis damages Victoria's popularity, leading to demonstrations outside the palace and insults hurled at her in public. Her loneliness during the turbulence draws Victoria closer to Albert through their letters and she decides to invite him back to Britain. Since protocol prevents him suggesting marriage, she proposes to him herself.
Their marriage is loving and the birth of their first child helps heal the breach between Victoria and her mother, who had earlier sent a letter of support during the crisis. Nevertheless, Albert is frustrated at his initial powerlessness and Queen Adelaide advises Victoria to allow him to take on more duties. He then reorganises the running of the royal household and dismisses Conroy for mishandling funds. As Victoria's primary adviser, he now blocks the influences of Lord Melbourne and King Leopold. However, Victoria quarrels with him fiercely for going over her head with Peel in the matter of her household.
Soon after, when Victoria is fired upon by a would-be assassin as they are riding in an open carriage, Albert throws himself across her and is wounded. This bravery leads to their reconciliation and Melbourne advises her to share with Albert also her work for the social welfare.
The final title card sketches in their successful future until Albert's death at the age of 42.
- Emily Blunt as Queen Victoria
- Rupert Friend as Prince Albert of Saxe-Coburg and Gotha
- Miranda Richardson as the Duchess of Kent
- Mark Strong as Sir John Conroy
- Jim Broadbent as King William IV
- Harriet Walter as Queen Adelaide
- Paul Bettany as Lord Melbourne
- Thomas Kretschmann as King Leopold I of Belgium
- Jesper Christensen as Baron Stockmar
- Jeanette Hain as Baroness Louise Lehzen
- Julian Glover as the Duke of Wellington
- Michael Maloney as Sir Robert Peel
- Michiel Huisman as Prince Ernest of Saxe-Coburg and Gotha
- Rachael Stirling as the Duchess of Sutherland
- Genevieve O'Reilly as Lady Flora Hastings
- David Robb as Lord John Russell
Development
It was Sarah, Duchess of York, who conceived the idea for a film based upon the early years of Queen Victoria. She had been interested in the queen since her marriage to Prince Andrew, Duke of York, a great-great-great-grandson of Victoria and Albert, and had written two books about her with the help of an historian. The Victoria-Albert relationship in particular drew her into the queen's history, as she believed there were parallels between their marriage and her own with Prince Andrew, as they both "fought for their love" in the midst of public scrutiny. A friend set up a meeting with producer Graham King, to whom she pitched the idea along with several others. At the time wrapping up his work on The Departed, King, a native of Britain, had been looking for a project set in his home country for years. The producer later remembered, "she pitched me a bunch of things, and among them was a three-page synopsis of Victoria’s early life: the precise span covered in The Young Victoria. just fell into place." King brought frequent collaborator Martin Scorsese on board as a co-executive producer, as the Academy Award-winning director knew "pretty much all there is to know about British history".
Gosford Park screenwriter Julian Fellowes contacted King to present ideas for a script, and according to the producer, " seemed to have the whole movie planned out in his head so we told him to go ahead and write it. Three months later, this incredibly impressive screenplay showed up on our desks." Fellowes was immediately hired by him and Scorsese. Fellowes chose not to end the film at Albert's death because he was wary of copying "the horror of biopics," where there is simply an important event after important event. Believing it had been done before and that the audience was already familiar with that part of Victoria's history, he thought it would be better suited for a television series or for another film.
For the film's director, King wanted someone "who would steer us away from the traditional BBC-type costume drama," and "make a period film for an MTV audience". By chance, someone recommended King watch the 2005 film C.R.A.Z.Y. by French-Canadian filmmaker Jean-Marc Vallée, and became immediately interested in hiring him. King offered the job to Vallée on their very first meeting. Though at first expressing disinterest, Vallée agreed to direct after reading the script. He commented, "When I read the script, I saw it's a family drama, a romance, a political plot at the same time." Vallee considered Victoria to be a rebel because "she has this attitude, which is you make noise, you want to yell and yell loudly to your parents and all the people, to authority... 'I'm going to do it my way.' That's what rock 'n' roll is all about. That's what I liked about her, this energy. was special and had this mystical quality."
Academy Award-winning costume designer Sandy Powell heard about the script and contacted King, who in turn hired her. Powell was granted exclusive access to Victoria's wedding dress and coronation robes while researching. Based upon his work on The Lives of Others and his German nationality, Hagen Bogdanski was selected as the director of photography. Fellowes enlisted his friend Alastair Bruce's help with the coronation ceremony's historical authenticity, which led to Bruce's employment as the film's historical consultant, his first film credit.
Casting
–Emily Blunt on her character Queen Victoria
For the title role, King required the candidate be British, and considered casting an unknown actress. British actress Emily Blunt read the script, and aware other actresses would fight for the part, she approached King early in the search process. Blunt later admitted she had a "non-existent knowledge" of the queen, but after consulting her mother about Victoria's successful marriage, Blunt told King that the queen "was a young girl who was very in love for the first time, and she was in a job where she felt way over her head. So I said to Graham, 'She's rebellious. She's a survivor.' I didn't want to ap
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