The Wild Bunch full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In Texas in 1913, Pike Bishop, the leader of a gang of aging outlaws, is seeking retirement with one final score: the robbery of a railroad office containing a cache of silver. They are ambushed by Pike's former partner, Deke Thornton, who is leading a posse of bounty hunters hired and deputized by the railroad. A bloody shootout kills several of the gang. Pike uses a serendipitous temperance union parade to shield their getaway, and many citizens are killed in the crossfire.

Pike rides off with Dutch Engstrom, brothers Lyle and Tector Gorch, and Angel, the only survivors. They are dismayed when the loot from the robbery turns out to be a decoy: steel washers instead of silver coin. The men reunite with old-timer Freddie Sykes and head for Mexico.

Pike's men cross the Rio Grande and take refuge that night in the village where Angel was born. The townsfolk are ruled by General Mapache, a corrupt, brutal officer in the Mexican Federal Army, who has been ravaging the area's villages to feed his troops, who have been losing to the forces of revolutionary Pancho Villa. Pike's gang makes contact with the general. A jealous Angel spots Teresa, his former lover, in Mapache's arms and shoots her dead, angering Mapache. Pike defuses the situation and offers to work for Mapache. Their task is to steal a weapons shipment from a U.S. Army train so that Mapache can resupply his troops and appease Commander Mohr, his German military adviser, who wishes to obtain samples of America's armaments. The reward will be a cache of gold coins.

Angel gives up his share of the gold to Pike in return for sending one crate of rifles and ammunition to a band of rebels opposed to Mapache. The holdup goes largely as planned until Deke's posse turns up on the train the gang has robbed. The posse chases them to the Mexican border, only to be foiled again as the robbers blow up a trestle spanning the Rio Grande, dumping the entire posse into the river. The pursuers temporarily regroup at a riverside camp and then quickly take off again after the Bunch.

Pike and his men, knowing they risk being double-crossed by Mapache, devise a way of bringing him the stolen weapons without him double-crossing them. However, Mapache learns from the mother of Teresa that Angel stole a crate of guns and ammo, and reveals this as Angel and Engstrom deliver the last of the weapons. Surrounded by Mapache's army, Angel desperately tries to escape, only to be captured and tortured. Mapache lets Engstrom go, and he rejoins Pike's gang and tells them what happened.

Sykes is wounded by Deke's posse while securing spare horses. The rest of Pike's gang returns to Agua Verde for shelter, where a bacchanal celebrating the weapons transfer has commenced; they see Angel being dragged on the ground by a rope tied behind the general's car. After a brief frolic with prostitutes and a period of reflection, Pike and the gang try to forcibly persuade Mapache to release Angel, who by then was barely alive after the torture. The general appears to comply; however, as they watch, the general instead cuts Angel's throat. Pike and Engstrom angrily gun Mapache down in front of his men. For a moment, the federales are so shocked that they fail to return fire, causing Engstrom to laugh in surprise. Pike calmly takes aim at Mohr and kills him, too. This results in a violent, bloody shootout—dominated by the machine gun—in which Pike and his men are killed, along with most of Mapache's present troops and the remaining German adviser.

Deke finally catches up. He allows the remaining members of the posse to take the bullet-riddled bodies of the gang members back and collect the reward, while electing to stay behind, knowing what awaits the posse. After a period, Sykes arrives with a band of the previously seen Mexican rebels, who have killed off what's left of the posse along the way. Sykes asks Deke to come along and join the revolution. Deke smiles and rides off with them.

Peckinpah considered many actors for the Pike Bishop role before casting William Holden, including Richard Boone, Sterling Hayden, Charlton Heston, Burt Lancaster, Lee Marvin, Robert Mitchum, Gregory Peck, and James Stewart. Marvin actually accepted the role but pulled out after he was offered more money to star in Paint Your Wagon (1969).

Peckinpah's first two choices for the role of Deke Thornton were Richard Harris (who had co-starred in Major Dundee) and Brian Keith (who had worked with Peckinpah on The Westerner (1960) and The Deadly Companions (1961)). Harris was never formally approached; Keith was asked, but he turned it down. Robert Ryan was ultimately cast in the part after Peckinpah saw him in the World War II action movie The Dirty Dozen (1967). Other actors considered for the role were Henry Fonda, Glenn Ford, Van Heflin, Ben Johnson (later cast as Tector Gorch), and Arthur Kennedy.

The role of Mapache went to Emilio Fernández, the Mexican film director, writer, actor, and friend of Peckinpah. Among those considered to play Dutch Engstrom were Charles Bronson, Jim Brown, Alex Cord, Robert Culp, Sammy Davis Jr., Richard Jaeckel, Steve McQueen, and George Peppard. Ernest Borgnine was cast based on his performance in The Dirty Dozen (1967). Robert Blake was the original choice to play Angel, but he asked for too much money. Peckinpah was impressed with Jaime Sánchez in Sidney Lumet's film adaptation of The Pawnbroker and demanded that he be cast as Angel.

Stage actor Albert Dekker was cast as Harrigan the railroad detective. The Wild Bunch was his last film, as he died just months after its final scenes were completed. Bo Hopkins had only a few television credits on his resume when he played the part of Clarence "Crazy" Lee. Warren Oates played Lyle Gorch, having previously worked with Peckinpah on the TV series The Rifleman and his previous films Ride the High Country (1962) and Major Dundee (1965).

In 1967, Warner Bros.-Seven Arts producers Kenneth Hyman and Phil Feldman were interested in having Sam Peckinpah rewrite and direct an adventure film called The Diamond Story. A professional outcast due to the production difficulties of his previous film Major Dundee (1965) and his firing from the set of The Cincinnati Kid (1965), Peckinpah's stock had improved following his critically acclaimed work on the television film Noon Wine (1966). An alternative screenplay available at the studio was The Wild Bunch, written by Roy Sickner and Walon Green. At the time, William Goldman's screenplay Butch Cassidy and the Sundance Kid had recently been purchased by 20th Century Fox. It was quickly decided that The Wild Bunch, which had several similarities to Goldman's work, would be produced in order to beat Butch Cassidy to the theaters.

By the fall of 1967, Peckinpah was rewriting the screenplay and preparing for the production. The principal photography was shot entirely on location in Mexico, most notably at the Hacienda Ciénaga del Carmen (deep in the desert between Torreón and Saltillo, Coahuila) and on the Rio Nazas. Peckinpah's epic work was inspired by his hunger to return to films, the violence seen in Arthur Penn's Bonnie and Clyde (1967), and America's growing frustration with the Vietnam War and what he perceived to be the utter lack of reality seen in Westerns up to that time. He set out to make a film which portrayed not only the vicious violence of the period, but as well the crude men attempting to survive the era. Multiple scenes attempted in Major Dundee, including slow motion action sequences (inspired by Akira Kurosawa's work in Seven Samurai (1954)), characters leaving a village as if in a funeral procession and the use of inexperienced locals as extras, would become fully realized in The Wild Bunch.

The film was shot with the anamorphic process. Peckinpah and his cinematographer, Lucien Ballard, also made use of telephoto lenses, that allowed for objects and people in both the background and foreground to be compressed in perspective. The effect is best seen in the shots where the Bunch makes the walk to Mapache's headquarters to free Angel. As they walk forward, a constant flow of people passes between them and the camera; most of the people in the foreground are as sharply focused as the Bunch. The editing of the film is notable in that shots from multiple angles were spliced together in rapid succession, often at different speeds, placing greater emphasis on the chaotic nature of the action and the gunfights.

Lou Lombardo, having previously worked with Peckinpah on Noon Wine, was personally hired by the directo