The Tree Of Life Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

The film begins with a quotation from the Book of Job: "Where were you when I laid the foundations of the Earth?... When the morning stars sang together, and all the sons of God shouted for joy?"

A mysterious, wavering light, resembling a flame, flickers in the darkness. Mrs. O'Brien recalls a lesson taught to her that people must choose to follow either the path of grace or the path of nature. In the 1960s or thereabouts, she receives a telegram informing her of the death of her son, R.L., aged nineteen. Mr. O'Brien is notified by telephone while at an airport. The family is thrown into turmoil.

In the present day, the O'Briens' eldest son, Jack, is adrift in his modern life as an architect. One day he apologizes to his father on the phone for something he said about R.L.'s death. In his office, Jack begins reflecting; shots of tall buildings under the sky, Jack wandering in the desert, trees that stretch from the ground up to the sun high in their leaves, and scenes from his 1950s childhood all link together and lead back to the flame.

From the darkness the universe is born, the Milky Way and then the solar system form while voice-overs ask existential questions. On the newly formed Earth, volcanoes erupt and microbes begin to form and replicate. Sea life is born, then plants on land, then dinosaurs. In a symbolic first act of compassion, a dinosaur chooses not to eat another dinosaur that is injured and lying on the side of a river bed. An asteroid tumbles through space and strikes the Earth, causing the Cretaceous–Paleogene extinction event.

In a sprawling suburban neighborhood in the American South live the O'Briens. The young couple is enthralled by their new baby Jack and, later, his two brothers. When Jack reaches adolescence, he is faced with the conflict of accepting the way of grace or nature, as embodied by each of his parents. Mrs. O'Brien is gentle, nurturing, and authoritative, presenting the world to her children as a place of wonder. Mr. O'Brien is strict and authoritarian, and easily loses his temper as he struggles to reconcile his love for his sons with wanting to prepare them for a world he sees as corrupt and exploitative. He laments his decision to work in a power plant instead of pursuing his passion for music. He tries to get ahead by filing patents for various inventions.

Jack's perceptions of the world begin to change after one of his boyhood companions drowns at the pool and another is burned in a house fire. He becomes angry at his father for his bullying behavior and begins to keep a running tally of Mr. O'Brien's various hypocrisies and misdeeds, lashing out at his mother for tolerating such abusive behavior.

One summer, Mr. O'Brien takes a long business trip. While he is away, the boys enjoy unfettered access to their mother, and Jack experiences the first twinges of rebelliousness. Goaded by other boys his age, Jack commits acts of vandalism and animal abuse. He later trespasses into a neighbor's house and steals her sheer nightgown. Jack is confused and angered by his feelings of sexuality and guilty trespass. He throws the stolen lingerie into a river to rid himself of it. Mr. O'Brien returns home from his business trip. Shortly thereafter, the plant that he works at closes and he is given the option of relocating to work in an inferior position within the firm or losing his job. He and his family pack up to move to the new job location. He laments the course his life has taken, questioning whether he has been a good enough person. He asks Jack for forgiveness for his harsh treatment of him.

In the present, adult Jack leaves work. Riding the elevator up, he experiences a vision of following a young girl across rocky terrain. Jack tentatively walks through a wooden door frame erected on the rocks and sees a view of the far distant future in which the sun expands into a red giant, engulfing the earth and then shrinking into a feeble white dwarf. Someone says "follow me" in the darkness, which is ended by the lighting of two candles. After emerging from rustic doors, Jack follows the girl and then a young version of himself across surreal landscapes. On a sandbar, Jack sees images of death and the dead returning to life. He is reunited with his family and all the people who populate his memory. His father is happy to see him. He encounters his dead brother, whom he brings to his parents. The parents are then seen saying goodbye to the young brother as he steps out of a home into a vast expanse. Accompanied by a woman in white and a young woman, Mrs. O'Brien looks to the sky and whispers, "I give him to you. I give you my son."

Jack's vision ends and he leaves the building smiling, while nature returns to the surrounding buildings as the sky is reflected in them.

The mysterious wavering light continues to flicker in the darkness.

Development

Terrence Malick pitched the concept of The Tree of Life to River Road Entertainment head Bill Pohlad while the two were collaborating on an early version of Che. Pohlad recalls initially thinking the idea was "crazy," but as the film concept evolved, he came to feel strongly about the idea; he ended up financing the film. Producer Grant Hill was also involved with the film at an early stage. During a meeting on a different subject involving Malick, his producer Sarah Green, Brad Pitt, and Pitt's Plan B Entertainment production partner Dede Gardner, Malick brought up Tree of Life and the difficulties it was having getting made. It was "much later on" that the decision was made for Pitt to be part of the cast.

The Tree of Life was announced in late 2005, with Indian production company Percept Picture Company set to finance it and Donald Rosenfeld on board as executive producer. The film was set to be shot partially in India, with pre-production scheduled to begin in January 2006. Colin Farrell and Mel Gibson were at one stage attached to the project. Heath Ledger was set to play the role of Mr. O'Brien, but dropped out (due to recurring sicknesses) a month before his death in early 2008.

In an October 2008 interview Jack Fisk, a longtime Malick collaborator, suggested that the director was attempting something radical. He also implied that details of the film were a close secret. In March 2009, visual effects artist Mike Fink revealed to Empire magazine that he was working on scenes of prehistoric Earth for the film. The similarity of the scenes Fink describes to descriptions of a hugely ambiguous project entitled Q that Malick worked on soon after Days of Heaven has led to speculation that The Tree of Life is a resurrection of that abandoned project.

Filming

Principal photography began in Texas in 2008. Cinematographer Emmanuel Lubezki returned to work with Malick after collaborating with him on The New World. Locations included Smithville, Houston, Matagorda, Bastrop, Austin, Dallas, and Malick's hometown of Waco.

The namesake of the film is a large live oak tree that was excavated from a property a few miles outside Smithville. The 65,000-pound tree and root ball were trucked into Smithville and replanted.

Visual effects

After nearly thirty years away from Hollywood, famed special effects supervisor Douglas Trumbull contributed to the visual effects work on The Tree of Life. Malick, a friend of Trumbull, approached him about the effects work and mentioned that he did not like the look of computer-generated imagery. Trumbull asked Malick, "Why not do it the old way? The way we did it in 2001?"

Working with visual effects supervisor Dan Glass, Trumbull used a variety of materials for the creation of the universe sequence. "We worked with chemicals, paint, fluorescent dyes, smoke, liquids, CO₂, flares, spin dishes, fluid dynamics, lighting and high speed photography to see how effective they might be," said Trumbull. "It was a free-wheeling opportunity to explore, something that I have found extraordinarily hard to get in the movie business. Terry didn't have any preconceived ideas of what something should look like. We did things like pour milk through a funnel into a narrow trough and shoot it with a high-speed camera and folded lens, lighting it carefully and using a frame rate that would give the right kind of flow characteristics to look cosmic, galactic, huge and epic." The team also included Double Negative in London. Fluid-based effects were developed by Peter and Chris Parks, who had previously worked on similar effects for The Fountain.

A column in The New Yorker noted that the film credited Thomas Wilfred’s lumia composition Opus 161, and that this was the source of the "shifting flame of red-yellow light" at the beginning and the end.

In March 2009, Empire magazine's website quoted visual effects supervisor Mike Fink as saying that a version of the film will be released for IMAX cinemas along with two versions for traditional cinemas. The IMAX film has been revealed to be Voyage of Time, a documentary expanding on the "history of the universe" scenes in The Tree of Life, which the producers decided to focus on releasing at a later date so as not to cannibalize its release. It is set to be released by Broad Green Pictures.

Delays and distribution problems

By May 2009, The Tree of Life had been sold to a number of international distributors, including Europacorp in France, TriPictures in Spain, and Icon in the UK and Australia, but lacked a US distributor. In August 2009, it was announced that the film would be released in the US through Apparition, a new distributor founded by River Road Entertainment head Bill Pohlad and former Pictu