The Spirit is a 2008 American neo-noir superhero film, written and directed by Frank Miller and starring Gabriel Macht, Eva Mendes, Sarah Paulson, Dan Lauria, Paz Vega, Jaime King, Scarlett Johansson, and Samuel L. Jackson. The film is based on the newspaper comic strip The Spirit, by Will Eisner, and produced by OddLot and Lionsgate Films.
The Spirit | |
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Theatrical release poster | |
Directed by | Frank Miller |
Produced by |
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Screenplay by | Frank Miller |
Based on | The Spirit by Will Eisner |
Starring |
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Music by | David Newman |
Cinematography | Bill Pope |
Edited by | Gregory Nussbaum |
Production company | OddLot Entertainment |
Distributed by | Lionsgate |
Release date |
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Running time | 103 minutes |
Country | United States |
Language | English |
Budget | $60 million |
Box office | $39 million |
The Spirit was released to theaters in the United States on December 25, 2008, and on DVD and Blu-ray on April 14, 2009.
Screenplay
Denny Colt (Gabriel Macht), also known as "the Spirit", learns about a major case from Detective Sussman (Dan Gerrity) involving his nemesis, "the Octopus" (Samuel L. Jackson). The Spirit dons his costume and travels across rooftops, saving a woman before connecting with Officer Liebowitz (Frank Miller). At the swampland, femme fatale Sand Saref (Eva Mendes) rises from the water to shoot Sussman.
The Spirit and Liebowitz find the wounded Sussman. Sand and her husband Mahmoud (Eric Balfour) had earlier fled with chests they recovered from the water. Shot at, Sand escaped, leaving one chest behind which was retrieved by Octopus. The Octopus kills Liebowitz, and his cloned henchmen attack the Spirit. His accomplice Silken Floss (Scarlett Johansson) flees with the chest as the two arch-nemeses fight.
The next morning, the Spirit is awakened by his lover, Dr. Ellen Dolan (Sarah Paulson), daughter of Commissioner Eustace Dolan (Dan Lauria). He is undeterred by his gunshot wounds. He notices a gold locket in Sussman's hand, which had been torn from Sand Saref's neck. The locket contains pictures of a much-younger Colt and Sand, and had been his gift to her. Sand had become disenchanted with the city's corruption following the death of her father, a police officer, and left for fifteen years. In a secret lair, the Octopus and Silken Floss discover their chest contains the Golden Fleece, not the Blood of Heracles, as expected. Sand and Mahmoud visit an underworld figure who sold them the location of the treasure, and it is implied he gave the location to the Octopus.
Having fully regenerated, Commissioner Dolan calls The Spirit away to a case and relates Sand's history as one of the world's great jewel thieves. While arresting her, he reveals he knows she is looking for the Golden Fleece, and she shoves him through a window, which he survives. The Spirit receives a tip on the location of the Octopus's lair but is captured while investigating. The Octopus reveals that his and Floss's experimentation led to the creation of an immortality serum. The Octopus first tested it on Colt's dead body; Colt came back to life and earned the ire of Death for escaping her clutches. Eventually, the Octopus injected himself with the serum, but he needs the blood of Heracles, a demi-god, to perfect the formula. The Spirit escapes by seducing assassin Plaster of Paris (Paz Vega), who as a parting gift turns on The Octopus. When the Spirit mentions Sand's name, she stabs him out of spite.
After recovering, the Spirit stumbles to the city docks and collapses into the water, where the Lorelei (Jaime King), the Angel of Death, confronts him. He initially submits but changes his mind after remembering the women he has known. As he swims to the surface, she vows to have him. At the projects, Sand, Floss, and their henchmen meet to exchange the Blood of Heracles for the Golden Fleece. Sand attempts to convince Floss to leave the Octopus before he kills her. Floss gains the upper hand and the Octopus asks Floss for the vase of blood. As the Spirit suddenly materializes, Floss drives off, unable to take a side.
The Octopus shoots a series of progressively larger guns at the Spirit, apparently killing him, but Dolan's SWAT team storms the area and opens fire. The Octopus is maimed; as he desperately tries to drink the Blood of Heracles, Sand shoots the vase. The Spirit rises, shown to be wearing a bullet-proof vest, and blows up the Octopus with a grenade while Sand uses the Golden Fleece to protect them from the explosion.
The Spirit gives Sand her locket back. They kiss as Ellen looks on, feeling betrayed. The old flames bid each other goodbye and the Spirit convinces Dolan to let Sand go in gratitude for saving him and the world. Nearby, Floss discovers one of the Octopus's severed fingers crawling towards her; she picks it up and departs with two of the clones. Meanwhile, the Spirit and Ellen make amends and embrace.
- Gabriel Macht as Denny Colt / The Spirit: A young cop who was killed on the job is mysteriously reborn as a masked crime-fighter with an eye for the ladies.
- Johnny Simmons as young Denny Colt
- Samuel L. Jackson as The Octopus: A former coroner turned psychotic super-villain who plans to bring all of Central City to its knees and will kill anyone who stands in his way.
- Scarlett Johansson as Silken Floss: A femme fatale scientist and innocent accomplice to the Octopus, only slightly more sane than he is.
- Eva Mendes as Sand Saref: The Spirit's childhood sweetheart, who marries wealthy men and has them killed to fund criminal exploits. in a constant pursuit of a life of the highest luxury and influence over the criminal underworld.
- Seychelle Gabriel as young Sand Saref
- Sarah Paulson as Ellen Dolan: The police commissioner's daughter and a top surgeon who considers it her duty as the Spirit's current flame to keep him healthy and alive.
- Dan Lauria as Commissioner Eustace Dolan: The hard-boiled and commanding police commissioner of Central City and The Spirit's father figure.
- Stana Katic as Morgenstern: A spunky rookie officer and skilled sharpshooter who idolizes the Spirit.
- Louis Lombardi as Phobos, Logos, Pathos, Ethos, Bulbos, Huevos and Rancheros, Mangos, Adios and Amigos, etc.: The Octopus's thuggish and moronic, yet highly resilient cloned henchmen.
- Jaime King as Lorelei: A phantasmic siren and the Angel of Death waiting to take the Spirit.
- Paz Vega as Plaster of Paris: A sexy French belly dancer and assassin in the employ of the Octopus.
- Eric Balfour as Mahmoud
- Dan Gerrity as Detective Sussman
Frank Miller and DC Comics President Paul Levitz have cameo roles in the film.
Miller required auditions for the starring role, and Macht was able to attain the role in August 2007. The actress Eva Mendes told director Frank Miller that she wanted to work with him on The Spirit before she had even seen a script for the film.
Jackson was Miller's first choice for the role and was cast in May 2007. Jackson, Miller, and the costume designer developed elaborate costumes for the Octopus to wear; they are different for each of his scenes. They include a samurai robe complete with a wig, a full Nazi Schutzstaffel uniform, a Western duster-influenced outfit with an out-of-proportion cowboy hat, and a costume consisting of a karakul hat and a fur-lined coat influenced by 1970s blaxploitation pimps. When asked about the change from the Octopus being recognized in the comics by distinctive gloves, Jackson said, "It's just an opportunity to be larger than life to take the Octopus's theme of dressing the way he feels every day, or having a theme to his day to day life and making some sense with it. And hopefully, the audience will take the ride with us."
Development
In the 1970s, director William Friedkin obtained the film rights to The Spirit and contacted Will Eisner to write a script for him. Eisner declined but recommended Harlan Ellison, who wrote a two-hour live-action script for the filmmaker. Friedkin and Ellison afterward had an unrelated argument, and the project was abandoned. During the 1980s, Brad Bird, Jerry Rees, and producer Gary Kurtz attempted to get an animated adaptation off the ground, though studio executives praised the screenplay, they thought the film would be unmarketable, and this version was scrapped.
In the early 1990s, producer Michael Uslan and executive producers Benjamin Melniker and Steven Maier subsequently obtained the rights for a live-action film adaptation. The producer promised Eisner that he would not permit anyone who "didn't get it" to work on the project. Two ideas pitched to Uslan were to put the Spirit in a costume and to have the Spirit be a resurrected dead man who possessed supernatural powers. Screenwriter John Turman, a comic book fan, expressed interest in writing the script.
In July 2004, financier OddLot Entertainment acquired the rights to the film. OddLot's producers Gigi Pritzker and Deborah Del Prete began a collaboration with Uslan, Melniker, and Maier working at Batfilm Productions, to adapt the story. Eisner, who was protective of the rights to his creations, said that he believed in the producers to faithfully adapt The Spirit. In April 2005, comic-book writer Jeph Loeb was hired to adapt The Spirit for the big screen, but the writer eventually left the project. Later in April, Uslan approached Frank Miller at Will Eisner's memorial service in New York City several weeks after Miller's Sin City was released in theaters, interested in initiating the adaptation technique with Miller's film for The Spirit. Miller had initially hesitated, doubting his skill in adapting The Spirit, but ultimately embraced his first solo project as writer-director. Miller described his decision-making:
The only thought in my mind was, "It's too big—I can't possibly do it." And I refused. And about three minutes later as I was at the doorway, I turned around and said, "Nobody else can touch this," and I agreed to the job on the spot.
In July 2006, the film trade press reported Miller would write and direct the film adaptation for The Spirit?; Miller and the producers publicly announced this at the 2006 Comic-Con International in San Diego, California. Miller said that he was putting together a film treatment that included large parts of The Spirit strip panels. As Miller described the project, "I intend to be extremely faithful to the heart and soul of the material, but it won't be nostalgic. It will be much scarier than people expect". Miller filmed The Spirit using the same digital background technology that was used for Sin City and 300. The film would also copy specific shots from the comic, similar to Sin City.
In February 2007, Miller completed the first draft of the screenplay and began work on a second draft. Principal photography was initially slated to begin in late spring 2007. Miller also planned to begin filming Sin City 2 in spring 2009, and Uslan indicated that filming for The Spirit would begin before Miller started Sin City 2. Following the casting of Gabriel Macht as the Spirit in August 2007, filming was re-slated for the following October.
Filming
Filming began in October 2007. Filming took place in Albuquerque Studios in New Mexico. The Spirit was shot using Panavision's Genesis digital camera. The film's release was originally scheduled for January 16, 2009, but on May 6, 2008, it was announced that the release date would be moved up to December 25, 2008.
The film contains a number of references to Eisner collaborators and other comic book luminaries. These include "Feiffer Industrial Salt", alluding to The Spirit ghost writer Jules Feiffer; "Iger Avenue", named for Eisner & Iger partner S.M. "Jerry" Iger; "Ditko's Speedy Delivery", named for Steve Ditko, a comic book artist and writer; and the characters Donenfeld and Liebowitz, played by Richard Portnow and Frank Miller, respectively, who are named for two of DC Comics' founde
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