The Rookie 1990 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Nick Pulovski (Eastwood) and his partner, Powell (Williams), are assigned to the case of taking down the criminal empire of a German felon, Strom (Julia), who engages in grand theft auto for his chop shop operations. During an encounter with Strom and his men, who are loading a semi-trailer truck with stolen cars, Powell is shot dead by Strom. Nick, despite efforts to catch the criminals on the highway, ends up losing them and is subsequently taken off the case by his superior Lt. Raymond Garcia (Serna), who assigns him a new partner, David Ackerman (Sheen), a rookie cop only recently promoted to detective.

Against orders, Nick continues investigating Strom's gang and dealing with David's lack of experience, particularly a bar brawl during which David's badge is stolen by one of Strom's men, Loco. While attending the birthday party of David's mother, Nick meets David's wealthy father, Eugene (Skerritt), who attempts to bribe Nick to protect David no matter what. Nick threatens one of Strom's men, Morales, into helping him. He manages to plant a two-way radio inside Strom's house, but he is found out and killed by Strom and his lover, Liesl (Braga). While listening in on Strom's plans to flee the country, Nick and David ambush Strom at a casino, but David botches the operation when he cannot bring himself to shoot Liesl. He is shot in the back, but survives with his bulletproof vest, while Strom takes Nick hostage and demands a $2 million ransom.

Haunted by causing his little brother's death during their childhood and by his failure to help Nick, David overcomes his fears and goes on a brutal rampage, interrogating as many as Strom's associates as possible. He finds another of Strom's men, Little Felix, garroted to death in his own shop, and barely escapes the same fate by Loco, who escapes before David can subdue him. In desperation, David approaches his father to supply the ransom money in case he fails. David calls his girlfriend, Sarah, who tells him that Garcia is waiting to speak to him at their home, but detectives sent by Garcia intercept David for police brutality. Realizing that Loco is posing as Garcia, David escapes and races home to intercept Loco before he kills Sarah. They clash violently until Sarah shoots Loco dead. Though David needed Loco alive, Loco's car directs him to a garage where he and Nick had previously seen it.

At Strom's garage, Nick manages to free himself and attempts to escape but is cornered by Strom and Liesl. David arrives and chases them off, and they barely escape the garage before Strom detonates the explosives inside it. Catching Strom's contact sent to collect the money, Nick and David reach Strom at the airport and a long chase ensues. Strom's pilot is shot in the head, causing him to crash into another plane, while Nick and David pursue Strom and Liesl into the airport. David shoots and kills Liesl, while Nick runs out of bullets and is shot by Strom. David shoots Strom in the shoulder while Strom shoots David in the leg. Heedless to Strom's request for medical aid, Nick kills Strom with a gunshot to the head.

Sometime later, Nick, David and Garcia have been promoted. As the new lieutenant, Nick assigns David another rookie partner, Heather Torres.

• Clint Eastwood as Nick Pulovski
• Charlie Sheen as David Ackerman
• Raúl Juliá as Strom
• Sônia Braga as Liesl; Braga previously co-starred with Juliá as his lover in Kiss of the Spider Woman
• Tom Skerritt as Eugene Ackerman
• Lara Flynn Boyle as Sarah
• Pepe Serna as Lieutenant Raymond Garcia
• Marco Rodriguez as Loco Martinez
• Xander Berkeley as Blackwell
• Roberta Vasquez as Heather Torres
• Hal Williams as Powell

Sets and equipment

Within California, filming was done primarily on location in Saratoga, San Jose and Los Angeles. Various filming sites included Interstate 680 and State Route 87 in San Jose for the opening chase sequence featuring the semi-tractor trailer, the famous Villa Montalvo mansion for the henchmen meeting scene in the Santa Cruz Mountains of Saratoga, and the San Jose International Airport as well as the Mojave Air & Space Port for the final action climax scene, which author Laurence F. Knapp described as "both purgative and objectionable—a vivid, personal exchange of camera angles and vantage points that complicate, rather than conclude." A furniture warehouse on the corner of 4th and Hewitt streets in downtown Los Angeles, stood in as the hideaway for Strom's illegal theft operation. But in relation to same hideaway's demise later in the film, a different building was used in the City of Commerce. A warehouse previously occupied by an auto agency slated for demolition on Flower near 12th Street, stood in for the impending explosion-filled destruction. During an introductory scene, where Eastwood's character pulls up in an unmarked squad car to foil the plans of the car thieves, a z-shaped thoroughfare called Santa Fe Street, provided the perfect secluded background at night which also happened to overlook the Los Angeles skyline. For the action sequences involving aircraft at the San Jose airport, a Hansa twin-engine jet was used to collide with a Convair 880 that was briefly disguised as a 150-passenger Evergreen International Airlines Boeing 727.

In keeping with the continuity of the subject matter and storyline, the filming was punctuated with the use—and in some cases the destruction—of expensive and alluring foreign automobiles; including a Ferrari Daytona, a Porsche 928, a Jaguar XJ, as well as brief appearances of a Cadillac Allante and a Rolls-Royce Silver Spirit. A vintage gull-wing Mercedes-Benz 300SL is also presented in the film, being personally driven by Braga's character in an introductory sequence before a large-scale climactic car chase scene. In addition to driving a newly redesigned Mercedes-Benz 500SL for the 1990 model year, Eastwood's character is also seen conveying his distaste for the Lime Green color on the Lotus Esprit and later driving said vehicle during a criminal pursuit. Sheen's character also takes part in a scene involving an older, rare Harley-Davidson, riding head-on through the front door of a residential home.

Filming

Coordination of the lighting along with the capturing of all other photographic elements in the film were achieved by cinematographer Jack N. Green. Stunt coordinator Terry Leonard and second unit director Buddy Van Horn, oversaw the task of integrating the scope of stunt people working to produce the action which numbered over twice as many actors in the film (said to be over 80 stuntmen), while supervisor John Frazier controlled the special effects. Green, Van Horn, Leonard, Frazier, and production manager Valdez began close pre-production discussions three months before principal photography. To meet his stylistic lighting objectives in shaping the scenery environment, Green utilized powerful Musco Lighting developed during the 1980s. Commenting on a production scene surrounding the character of Pulovski at his residence, Green noted the home was characteristic of "359 degrees" of accessible turns of the camera. He detailed how the crew would "go in with these little ceiling units, as close to the ceiling as we could get them, little accent lights onto the place the actors would be. It would look like it was coming from those practicals but, again, at a dramatic angle." Describing a stunt-related sequence early in the film performed by Eastwood himself, Van Horn, who had been a stunt associate for almost 35 years, took the opportunity to commend the actor on his contributions saying, "Clint likes to do everything live, ... When you read the script, you know everything is going to be pretty much live action. Sometimes you have to talk him out of something that just might be a little too risky. Not that he couldn't do it, but if something even minor should happen, you couldn't afford to suspend the production." The sequence which Van Horn alluded to, was a scene that involved Eastwood behind the driver's seat racing a Chevrolet Blazer through stop-and-go traffic, while swerving to avoid oncoming cars from the opposite direction. The scene included 20 other stunt drivers operating a carefully rehearsed formation through a head-on collision course. According to Van Horn, who engineered the sequence with Leonard, he noted, "The whole thing is like a football play, ... We all sit down and figure out where the cars are, where Clint makes the break out of traffic, where the other cars are going, and just the whole cause and effect for how and why he pulls into (the intersection) and decides to head on through. That's all worked out ahead of time." Leonard added, "In a situation where your rehearsal time is extremely limited, it becomes that old expression: experience, ... It becomes a seat of the pants kind of thing, about 20 drivers and Clint who know where the close calls are going to be and who's going to be in what position when. But once you get going, there's always the element of surprise, where maybe a car is 10 feet closer than it was expected to be, and a driver must react to that."

Speaking on the origins of the film, Eastwood mentioned "I have a project for this spring that will be full of action. It's another cop picture, very different from this one. It has its own character and if it's done well it can turn out to be something good. Charlie Sheen will play the rookie and I'll play the mature cop." During the initial production phase of the film, Sheen was also dealing with alcohol and drug related issues, as Eastwood took it upon himself as a fatherly figure, in trying to discipline the younger actor into proper behavior and responsibility. Certain critics such as author Daniel O'Brien, failed to understand why director Eastwood used Hispanic actors Juliá and Braga, to portray German villains. Puzzled, he mused, "Why Eastwood thought that the Puerto Rican Juliá and the Brazilian Braga would make convincing German schweinehund is difficult to determine, with Braga in particular suffering the