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This article is about the 1975 motion picture. For its 2016 remake, see The Rocky Horror Picture Show: Let's Do the Time Warp Again. For other uses, see The Rocky Horror Picture Show (disambiguation).

The Rocky Horror Picture Show is a 1975 musical science-fiction horror-comedy film by 20th Century Fox produced by Lou Adler and Michael White and directed by Jim Sharman. The screenplay was written by Sharman and actor Richard O'Brien, who is also a member of the cast. The film is based on the 1973 musical stage production The Rocky Horror Show, with music, book, and lyrics by O'Brien. The production is a parody tribute to the science fiction and horror B movies of the 1930s through to the early 1960s. Along with O'Brien, the film stars Tim Curry, Susan Sarandon, and Barry Bostwick and is narrated by Charles Gray with cast members from the original Royal Court Theatre, Roxy Theatre, and Belasco Theatre productions.

The Rocky Horror Picture Show
Theatrical release poster
Directed byJim Sharman
Produced by
  • Lou Adler
  • Michael White
Screenplay by
  • Richard O'Brien
  • Jim Sharman
Based onThe Rocky Horror Show
by Richard O'Brien
Starring
  • Tim Curry
  • Susan Sarandon
  • Barry Bostwick
Narrated byCharles Gray
Music by
  • Richard Hartley
  • Songs:
  • Richard O'Brien
CinematographyPeter Suschitzky
Edited byGraeme Clifford
Production
company
Michael White Productions
Distributed by20th Century Fox
Release date
  • 14 August 1975 (1975-08-14)
Running time
100 minutes
Country
  • United Kingdom
  • United States
LanguageEnglish
BudgetUS$1.4 million
Box officeUS$140.2 million

The story centres on a young engaged couple whose car breaks down in the rain near a castle where they seek a telephone to call for help. The castle or country home is occupied by strangers in elaborate costumes celebrating an annual convention. They discover the head of the house is Dr. Frank N. Furter, an apparent mad scientist who actually is an alien transvestite who creates a living muscle man in his laboratory. The couple are seduced separately by the mad scientist and eventually released by the servants who take control.

The film was shot in the United Kingdom at Bray Studios and on location at an old country estate named Oakley Court, best known for its earlier use by Hammer Film Productions. A number of props and set pieces were reused from the Hammer horror films. Although the film is both a parody of and tribute to many of kitsch science fiction and horror films, costume designer Sue Blane conducted no research for her designs. Blane stated that costumes from the film have directly affected the development of punk rock fashion trends such as ripped fishnets and dyed hair.

Although largely critically panned on initial release, it soon became known as a midnight movie when audiences began participating with the film at the Waverly Theater in New York City in 1976. Audience members returned to the cinemas frequently and talked back to the screen and began dressing as the characters, spawning similar performance groups across the United States. At almost the same time, fans in costume at the King's Court Theater in Pittsburgh began performing alongside the film. This "shadow cast" mimed the actions on screen above and behind them, while lip-synching their character's lines. Still in limited release four decades after its premiere, it is the longest-running theatrical release in film history. It is often shown close to Halloween. Today, the film has a large international cult following. It was selected for preservation in the United States National Film Registry by the Library of Congress in 2005.

Screenplay

A criminologist narrates the tale of the newly engaged couple, Brad Majors and Janet Weiss, who find themselves lost and with a flat tire on a cold and rainy late November evening, somewhere near Denton, Texas. Seeking a telephone, the couple walk to a nearby castle where they discover a group of strange and outlandish people who are holding an Annual Transylvanian Convention. They are soon swept into the world of Dr. Frank N. Furter, a self-proclaimed "sweet transvestite from Transsexual, Transylvania". The ensemble of convention attendees also includes servants Riff Raff, his sister Magenta, and a groupie named Columbia.

In his lab, Frank claims to have discovered the "secret to life itself". His creation, Rocky, is brought to life. The ensuing celebration is soon interrupted by Eddie (an ex-delivery boy, both Frank and Columbia's ex-lover, as well as partial brain donor to Rocky) who rides out of a deep freeze on a motorcycle. Eddie then proceeds to seduce Columbia, get the Transylvanians dancing and singing and intrigue Brad and Janet. When Rocky starts dancing and enjoying the performance, a jealous Frank kills Eddie with an ice pick. Columbia screams in horror, devastated by Eddie's death. Frank justifies killing Eddie as a "mercy killing" to Rocky and they depart to the bridal suite.

Brad and Janet are shown to separate bedrooms, where each is visited and seduced by Frank, who poses as Brad (when visiting Janet) and then as Janet (when visiting Brad). Janet, upset and emotional, wanders off to look for Brad, who she discovers, via a television monitor, is in bed with Frank. She then discovers Rocky, cowering in his birth tank, hiding from Riff Raff, who has been tormenting him. While tending to his wounds, Janet becomes intimate with Rocky, as Magenta and Columbia watch from their bedroom monitor.

After discovering that his creation is missing, Frank returns to the lab with Brad and Riff Raff, where Frank learns that an intruder has entered the building. Brad and Janet's old high school science teacher, Dr. Everett Scott, has come looking for his nephew, Eddie. Frank suspects that Dr. Scott investigates UFOs for the government. Upon learning of Brad and Janet's connection to Dr. Scott, Frank suspects them of working for him. Frank, Dr. Scott, Brad, and Riff Raff then discover Janet and Rocky together under the sheets in Rocky's birth tank, upsetting Frank and Brad. Magenta interrupts the reunion by sounding a massive gong and stating that dinner is prepared.

Rocky and the guests share an uncomfortable dinner, which they soon realize has been prepared from Eddie's mutilated remains. Janet runs screaming into Rocky's arms, provoking Frank to chase her through the halls. Janet, Brad, Dr. Scott, Rocky, and Columbia all meet in Frank's lab, where Frank captures them with the Medusa Transducer, transforming them into nude statues. After dressing them in cabaret costume, Frank "unfreezes" them, and they perform a live cabaret floor show, complete with an RKO tower and a swimming pool, with Frank as the leader.

Riff Raff and Magenta interrupt the performance, revealing themselves and Frank to be aliens from the planet Transsexual in the galaxy of Transylvania. They stage a coup and announce a plan to return to their home planet. In the process, they kill Columbia and Frank, who has "failed his mission". An enraged Rocky gathers Frank in his arms, climbs to the top of the tower, and plunges to his death in the pool below. Riff Raff and Magenta release Brad, Janet, and Dr. Scott, then depart by lifting off in the castle itself. The survivors are then left crawling in the dirt, and the narrator concludes that the human race is equivalent to insects crawling on the planet's surface, "lost in time, and lost in space... and meaning".

  • Tim Curry as Dr. Frank N. Furter, a scientist
  • Susan Sarandon as Janet Weiss, a heroine
  • Barry Bostwick as Brad Majors, a hero
  • Richard O'Brien as Riff Raff, a handyman
  • Patricia Quinn as Magenta, a domestic
  • Nell Campbell as Columbia, a groupie (credited as Little Nell)
  • Jonathan Adams as Dr. Everett V. Scott, a rival scientist
  • Peter Hinwood as Rocky Horror, a creation
  • Meat Loaf as Eddie, an ex-delivery boy
  • Charles Gray as the Criminologist, an expert
  • Jeremy Newson as Ralph Hapschatt
  • Hilary Farr as Betty Munroe (credited as Hilary Labow)

Concept and development

 
Little Nell, Patricia Quinn, Tim Curry, and Richard O'Brien in The Rocky Horror Picture Show. All were in the original stage show. Production design by Brian Thomson, costumes by Sue Blane, and musical arrangement by Richard Hartley, all reunited alumni of the London stage production.

Richard O'Brien was living as an unemployed actor in London during the early 1970s. He wrote most of The Rocky Horror Show during one winter just to occupy himself. Since his youth, O'Brien had loved science fiction and B horror movies. He wanted to combine elements of the unintentional humour of B horror movies, portentous dialogue of schlock-horror, Steve Reeves muscle flicks, and fifties rock and roll into his musical. O'Brien conceived and wrote the play set against the backdrop of the glam era that had manifested itself throughout British popular culture in the 1970s. Allowing his concept to come into being, O'Brien states "glam rock allowed me to be myself more".

O'Brien showed a portion of the unfinished script to Australian director Jim Sharman, who decided to direct it at the small experimental space Upstairs at the Royal Court Theatre, Sloane Square, Chelsea, London, which was used as a project space for new work. O'Brien had appeared briefly in a stage production of Andrew Lloyd Webber's Jesus Christ Superstar, directed by Sharman, and the two also worked together in Sam Shepard's The Unseen Hand. Sharman would bring in production designer Brian Thomson. The original creative team was then rounded out by costume designer Sue Blane, musical director Richard Hartley, and stage producer Michael White, who was brought in to produce. As the musical went into rehearsal, the working title, They Came from Denton High, was changed just before previews at the suggestion of Sharman to The Rocky Horror Show.

Having premiered in the small sixty-seat Royal Court Theatre, it quickly moved to larger venues in London, transferring to the 230-seat Chelsea Classic Cinema on Kings Road on 14 August 1973, before finding a quasi-permanent home at the 500-seat King's Road Theatre from 3 November 1973, running for six years. The musical made its U.S. debut in Los Angeles in 1974 before being played in New York City as well as other cities. Producer and Ode Records owner Lou Adler attended the London production in the winter of 1973, escorted by friend Britt Ekland. He immediately decided to purchase the U.S. theatrical rights. His production would be staged at his Roxy Theatre in L.A. In 1975, The Rocky Horror Show premiered on Broadway at the 1,000-seat Belasco Theatre.

Filming and locations

 
Oakley Court

The film was shot at Bray Studios and Oakley Court, a country house near Maidenhead, Berkshire, England, and at Elstree Studios for post production, from 21 October to 19 December 1974. Oakley Court, built in 1857 in the Victorian Gothic style, is known for a number of Hammer films. Much of the location shooting took place there, although at the time the manor was not in good condition. Much of the cast were from the original London stage production, including Tim Curry, who had decided that Dr Frank N. Furter should speak like the Queen of England, extravagantly posh. Fox insisted on casting the two characters of Brad and Janet with American actors, Barry Bostwick and Susan Sarandon. Filming took place during autumn, which made conditions worse. During filming, Sarandon fell ill with pneumonia. Filming of the laboratory scene and the title character's creation occurred on 30 October 1974.

The film is both a parody and tribute to many of the science fiction and horror movies from the 1930s up to the 1970s.The Rocky Horror Picture Show

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