The Rescuers full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In an abandoned river boat in Devil's Bayou, a young orphan named Penny drops a message in a bottle, containing a plea for help into the river. The bottle washes up in New York City, where it is found by the Rescue Aid Society, an international mouse organization inside the United Nations. The Hungarian representative, Miss Bianca, volunteers to accept the case and chooses Bernard, a stammering janitor, as her co-agent. The two visit Morningside Orphanage, where Penny lived, and meet an old cat named Rufus. He tells them about a woman named Madame Medusa who once tried to lure Penny into her car and may have succeeded in abducting Penny this time.

The mice travel to Medusa's pawn shop, where they discover that she and her partner, Mr. Snoops, are on a quest to find the world's largest diamond, the Devil's Eye. The mice learn that Medusa and Mr. Snoops are currently at the Devil's Bayou with Penny, whom they have indeed kidnapped and placed under the guard of two trained American alligators, Brutus and Nero. With the help of an albatross named Orville and a dragonfly named Evinrude, the mice follow Medusa to the bayou. There, they learn that Medusa plans to force Penny to enter a small hole that leads down into a pirates' cave where the Devil's Eye is located.

Bernard and Miss Bianca find Penny and devise a plan of escape. They send Evinrude to alert the local animals, who loathe Medusa, but Evinrude is delayed when he is forced to take shelter from a flock of bats. The following morning, Medusa and Mr. Snoops send Penny down into the cave to find the gem. Unbeknownst to Medusa, Miss Bianca and Bernard are hiding in Penny's skirt pocket. The three soon find the Devil's Eye within a pirate skull. As Penny pries the mouth open with a sword, the mice push it out from within, but soon the oceanic tide rises and floods the cave. The three barely manage to retrieve the diamond and escape.

Medusa breaks her promise to Snoops that he can have half the diamond, and hides it in Penny's teddy bear while holding Penny and Snoops at gunpoint. When she trips over a cable set as a trap by Bernard and Bianca, Medusa loses the bear to Penny, who runs away with it. The local animals arrive at the riverboat and aid Bernard and Bianca in trapping Brutus and Nero, then set off Snoops's fireworks to create more chaos. Meanwhile, Penny and the mice commandeer Medusa's swamp-mobile, a makeshift airboat. Medusa unsuccessfully pursues them, using Brutus and Nero as water-skis, and is left clinging to the boat's smoke stacks as Snoops escapes on a raft and laughs at Medusa, while the irritated Brutus and Nero turn on her and circle below.

Back in New York City, the Rescue Aid Society watch a news report of how Penny found the Devil's Eye, which has been given to the Smithsonian Institution, and how she has been adopted. The meeting is interrupted when Evinrude arrives with a call for help, sending Bernard and Bianca on a new adventure.

• Bob Newhart as Bernard, Rescue Aid Society's timid janitor, who reluctantly tags along with Miss Bianca on her journey to the Devil's Bayou to rescue Penny. He is highly superstitious about the number 13 and dislikes flying (the latter being a personality trait of Newhart).
• Eva Gabor as Miss Bianca, the Hungarian representative of the Rescue Aid Society. She is sophisticated and adventurous, and fond of Bernard, choosing him as her co-agent as she sets out to rescue Penny. Her Hungarian nationality was derived from that of her voice actress.
• Geraldine Page as Madame Medusa, a greedy, redheaded, wicked pawnshop owner. Upon discovering the Devil's Eye diamond hidden in a blowhole, she kidnaps the small orphan, Penny, to retrieve it for her, as Penny is the only one small enough to fit in it. In the end, she is thwarted and presumably eaten by her two alligators, Brutus and Nero.
• Michelle Stacy as Penny, a lonely six-year-old orphan girl, residing at Morningside Orphanage in New York City. She is kidnapped by Medusa in an attempt to retrieve the world's largest diamond, the Devil's Eye.
• Joe Flynn as Mr. Snoops, Medusa's clumsy and incompetent business partner, who obeys his boss's orders to steal the Devil's Eye in exchange for half of it. Upon being betrayed by Medusa, however, he turns on her and flees by raft, laughing at her. This was Flynn's final role before his death in 1974.
• Jim Jordan as Orville (named after Orville Wright of the Wright brothers, the inventors of the aeroplane), an albatross who gives Bernard and Bianca a ride to Devil's Bayou. Jordan, 80 years old by the time the film was completed, had been lured out of retirement and had not performed since the death of his wife and comic partner Marian in 1961; it would serve as Jordan's last public performance.
• John McIntire as Rufus, an elderly cat who resides at Morningside Orphanage and comforts Penny when she is sad. Although his time onscreen is rather brief, he provides the film's most important theme, faith. He was designed by animator Ollie Johnston, who retired after the film following a 40-year career with Disney.
• Jeanette Nolan as Ellie Mae and Pat Buttram as Luke, two muskrats who reside in a Southern-style home on a patch of land in Devil's Bayou. Luke drinks very strong, homemade liquor, which is used to help Bernard and Evinrude regain energy when they need it. Its most important usage is for fuel for powering Medusa's swamp-mobile in the film's climax.
• James MacDonald as Evinrude (named after a brand of outboard motors), a dragonfly who mans a leaf boat across Devil's Bayou, giving Bernard and Miss Bianca a ride across the swamp waters.
• Bernard Fox as Mr. Chairman, the chairman to the Rescue Aid Society.
• George Lindsey as Deadeye, a fisher rabbit who is one of Luke and Ellie Mae's friends.
• Larry Clemmons as Gramps, a grumpy, yet kind old turtle who carries a brown cane.
• Dub Taylor as Digger, a mole.
• John Fiedler as Deacon Owl
• Shelby Flint as Singer, Bottle
• Bill McMillian as TV Announcer

In 1962, the film began development with its initial treatment developed from the first book centering on a poet held captive by a totalitarian government in the Siberia-like stronghold. However, as the story grew overtly involved with international intrigue, Walt Disney shelved the project as he was unhappy with the political overtones. The project was revived in the early 1970s as a project for the young animators, led by Don Bluth, as the studio would alternate between full-scale "A pictures" and smaller, scaled-back "B pictures" with simpler animation. The animators had selected the most recent book, Miss Bianca in the Antarctic, with its story focusing on a captured polar bear forced into performing in shows causing the unsatisfied bear to place a bottle that would reach the mice. Jazz singer Louis Prima was to voice the character named Louis the Bear, and this version was to feature six songs sung by Prima written by Floyd Huddleston. However, in 1975, following headaches and episodes of memory loss, Prima discovered he had a stem brain tumor, and the project was scrapped.

Meanwhile, the "A" crew had finished work on Robin Hood (1973), and was set to begin production on an adaptation of Paul Gallico's book titled Scruffy under the direction of Ken Anderson. Its story concerned the monkeys of Gibraltar under World War II that would be threatened by the Nazi Party's attempt to capture them from the British Empire during World War II. When the time had come to green-light one of the two projects, the studio leaders eventually decided to go for The Rescuers. When Scruffy was shelved, the veteran team turned the project into a more traditional, full-scale production ultimately dropping the Arctic setting of the story with veteran Disney writer Fred Lucky stating, "It was too stark a background for the animators." Cruella de Vil, the villainess from One Hundred and One Dalmatians (1961), was originally considered to be the main antagonist of the film, but veteran Disney animator Ollie Johnston stated it felt wrong to attempt a sequel and the idea was dropped. Instead, she was replaced by a retouched version of the Diamond Duchess in Miss Bianca. The motive to steal a diamond originated in Margery Sharp's 1959 novel, Miss Bianca. Her appearance was based on animator Milt Kahl's then-wife, Phyllis Bounds (who was the niece of Lillian Disney), whom he did not particularly like. This was Kahl's last film for the studio, and he wanted his final character to be his best; he was so insistent on perfecting Madame Medusa that he ended up doing almost all the animation for the character himself. Penny was inspired by Patience, the orphan in the novel. For the accomplices, the filmmakers adapted the character, Mandrake, into Mr. Snoops and his appearance was caricatured from animation historian John Culhane. Culhane claims he was practically tricked into posing for various reactions, and his movements were imitated on Mr. Snoops's model sheet. However, he stated, "Becoming a Disney character was beyond my wildest dreams of glory." Brutus and Nero are based on the two bloodhounds, Tyrant and Torment in the novels.

The writers had considered developing Bernard and Bianca into married professional detectives, though they decided that leaving the characters as unmarried novices was more romantic. For the supporting characters, a pint-sized swampmobile for the mice – a leaf powered by a dragonfly – was created. As they developed the comedic potential of displaying his exhaustion through buzzing, the dragonfly grew from an incidental into a major character. Veteran sound effects artist and voice talent Jimmy MacDonald came out of retirement to provide the effects. Also, the local swamp creatures were originally written as a dedicated home guard that drilled and marched incessantly. However, the writers evolved them into a volunteer group of helpful little bayou creatures. Their leader, a singing bullfrog voiced by Phil Harris, was deleted from the film. A pigeon was originally proposed to be the transportation for Bernard and Bianca, until Ollie Johnston remembered a True Life Adventures episode that showed albatrosses and their clumsy take-offs and landings, and suggested the ungainly bird instead.

Animation

Ever since One Hundred and One Dalmatians (1961), animation for theatrical Disney animated films was done by xerography, which had only been able to produce black outlines, but had been improved for the cel artists to use a medium-grey toner in order to create a softer-looking line. At the end of production, it marked the last joint effort by veterans Milt Kahl, Ollie Johnston, and Frank Thomas, and the first Disney film worked on by D