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The Rescuers Down Under is a 1990 American animated comedy-drama adventure film produced by Walt Disney Feature Animation and released by Walt Disney Pictures on November 16, 1990. The 29th Disney animated feature film, the film is the sequel to the 1977 animated film The Rescuers, which was based on the novels of Margery Sharp. Set in the Australian Outback, the film centers on Bernard and Bianca traveling to Australia to save a boy named Cody from a villainous poacher in pursuit of an endangered bird of prey.

The Rescuers Down Under
Theatrical release poster
Directed by
  • Hendel Butoy
  • Mike Gabriel
Produced byThomas Schumacher
Screenplay by
  • Jim Cox
  • Karey Kirkpatrick
  • Byron Simpson
  • Joe Ranft
Based onCharacters created
by Margery Sharp
Starring
  • Bob Newhart
  • Eva Gabor
  • John Candy
  • Adam Ryen
  • George C. Scott
  • Tristan Rogers
Music byBruce Broughton
Edited byMichael Kelly
Production
company
  • Walt Disney Pictures
  • Walt Disney Feature Animation
Distributed byBuena Vista Pictures
Release date
  • November 16, 1990 (1990-11-16)
Running time
77 minutes
CountryUnited States
LanguageEnglish
Box office$47.4 million

Featuring the voices of Bob Newhart, Eva Gabor (in her final film role), John Candy, and George C. Scott, The Rescuers Down Under was the first animated theatrical film sequel produced by Disney. The film was the second released during the Disney Renaissance (1989–1999) era, which had begun the year prior with The Little Mermaid, but was an underperformer at the box office compared to the other films of the era.

It is the first film to be completely created digitally and not use a camera.

Screenplay

In the Australian Outback, a young boy named Cody rescues and befriends a rare golden eagle called Marahuté, who shows him her nest and eggs. Later on, he falls into an animal trap set by Percival C. McLeach, a local poacher wanted by the Australian Rangers. When McLeach finds one of Marahuté's feathers in Cody's backpack, he realizes he knows the eagle's location, and reveals he killed another, Marahuté's mate. McLeach throws Cody's backpack to a pack of crocodiles to trick the Rangers into thinking that Cody was eaten, and kidnaps him, intending to extract Marahuté's whereabouts.

A mouse, the bait in the trap, runs off to a secret outpost, from which a telegram is sent to the Rescue Aid Society headquarters in New York City. Bernard and Miss Bianca, the RAS' elite field agents, are assigned to the mission, interrupting Bernard's attempt to propose marriage to Bianca. They go to find Orville the albatross, who aided them previously, but instead meet his brother, Wilbur, whom they convince to fly them to Australia. There, they meet Jake, a hopping mouse who is the RAS' local regional operative. Jake becomes infatuated with Bianca and flirts with her, much to Bernard's dismay. He serves as their "tour guide" and protector in search of the boy. Wilbur accidentally bends his spinal column out of shape trying to help them, so Jake sends him to the hospital (an old abandoned ambulance). As Wilbur refuses to undergo surgery and escapes his captors, his back is unintentionally straightened in the struggle with the mouse medical staff. Cured, Wilbur departs in search of his friends.

At McLeach's hideout, Cody is imprisoned with a number of captured animals after refusing to divulge Marahuté's whereabouts. Cody tries to free himself and the animals, but is thwarted by Joanna, McLeach's pet goanna. Realizing that Marahuté's eggs are Cody's weak spot, McLeach tricks Cody into thinking someone else killed Marahuté and releases him, knowing Cody will go to Marahuté's nest. Bernard, Bianca, and Jake arrive as McLeach gives chase and jump onto his halftrack to follow him. At Marahuté's nest, the mice try to warn Cody, but just then, Marahuté appears and McLeach captures her, along with Cody, Jake and Bianca. McLeach then sends Joanna to eat Marahuté's eggs, but Bernard manages to trick her using egg-shaped stones, and she leaves without harming the real eggs. Wilbur arrives at the nest, whereupon Bernard convinces him to sit on the eggs while he goes after McLeach.

McLeach takes his captives to Crocodile Falls, a huge waterfall at the end of the river he threw Cody's backpack into. He ties Cody up and hangs him over a group of crocodiles in attempts to feed him to them, but Bernard, riding a wild razorback pig he tamed using a horse whispering technique he learned from Jake, arrives and disables McLeach's vehicle. McLeach then tries to shoot the rope holding Cody above the water, but Bernard tricks Joanna into crashing into McLeach, sending both of them into the water. The crocodiles attack McLeach and Joanna, while behind them Cody falls into the water as the damaged rope breaks. While Joanna flees, McLeach fends off the crocodiles, but forgets until too late about the waterfall and plunges over it to his death. Bernard dives into the water and holds Cody long enough for Jake and Bianca to free Marahuté, allowing her to save Cody and Bernard just as they go over the waterfall. Bernard, desperate to prevent any further incidents, proposes to Bianca, who eagerly and happily accepts while Jake salutes him with a new-found respect. Safe at last, the group departs for Cody's home. Meanwhile, Marahuté's eggs finally hatch, much to Wilbur's chagrin.

The Rescuers Down Under features three characters from the first film: Bernard, Bianca, and the Chairmouse, all of whom feature the same actors reprising their roles from the original 1977 film.

  • Bob Newhart as Bernard, a male grey mouse; the United States representative of the Rescue Aid Society, promoted from his role as janitor to full-fledged agent after proving a success with the previous rescue.
  • Eva Gabor as Miss Bianca, a female white mouse; the Hungarian representative of the Rescue Aid Society. This was Eva Gabor's last film role before her death in 1995.
  • John Candy as Wilbur, a comical albatross; named after Wilbur Wright. He is the brother of Orville, the albatross who appeared in the first film (named after Orville Wright).
  • Adam Ryen as Cody, a young boy able to converse with most animals, the same as Penny in the first film.
  • George C. Scott as Percival C. McLeach, a sinister poacher who wants to capture Marahuté for money.
  • Frank Welker as Marahuté, a giant eagle. Welker also voiced Joanna, McLeach's pet goanna who enjoys intimidating her captives and has a fondness for eggs, and additional special vocal effects.
  • Tristan Rogers as Jake, a debonair, self-confident and charismatic kangaroo mouse.
  • Peter Firth as Red, a male red kangaroo imprisoned by McLeach.
  • Wayne Robson as Frank, an erratic frill-necked lizard imprisoned by McLeach.
  • Douglas Seale as Krebbs, a sarcastic koala imprisoned by McLeach.
  • Carla Meyer as Faloo, a female red kangaroo who summons Cody to save Marahuté. Meyer also voices Cody's mother.
  • Bernard Fox as Chairmouse, the chairman of the Rescue Aid Society. Fox also voices Doctor Mouse, the supervisor of the surgical mice who examine Wilbur when he is injured.
  • Russi Taylor as Nurse Mouse, the operator of Doctor Mouse's instructions and a competent second-in-command.
  • Peter Greenwood as The Airplane Captain, The Radio Announcer, one of the few members of the cast to voice two roles, the Radio announcer has a pivotal moment as the mother is handed Cody's backpack.

Development

Writing for The Rescuers Down Under began in 1986. Following work on Oliver & Company, Peter Schneider, president of Walt Disney Feature Animation, asked supervising animator Mike Gabriel if he would consider directing. At the time, Gabriel declined the offer, stating "Well, after watching George , it doesn't look like it would be much fun." After a few months, Schneider offered Gabriel to direct The Rescuers Down Under, in which he accepted. Following his assignment as supervising animator as Tito on Oliver, which was met with favorable praise from general audiences, Hendel Butoy was added to co-direct Rescuers Down Under with Gabriel. Meanwhile, Schneider recruited Thomas Schumacher, who had worked at the Mark Taper Forum, to serve as producer on the project.

With Schumacher as producer, he selected storyboard artist Joe Ranft to serve as story supervisor because of his "ability to change and transform through excellence of idea". Throughout the storyboard process, Ranft constantly bolstered the creative morale of his crew, but rarely drew storyboard sequences himself. In addition to this, Ranft entered creative disagreements with the studio management and marketing executives, including one disagreement where he optioned for the casting of an Aboriginal Australian child actor to voice Cody, which was overridden with the decision to cast "a little white blonde kid."

Noting the rise in popularity of the action-adventure genre set in an Australian setting and with Americans becoming more environmentally conscious, the filmmakers decided to abandon the musical format where they found the placement of the songs slowed down the pacing of the film, and decided to market the film as the studio's first action-adventure film in which Butoy and Gabriel found visual inspiration from live-action films by Orson Welles, Alfred Hitchcock, and David Lean. It would also mark the studio's first film since Bambi to have an animal rights and environmental message. In December 1988, original cast members Bob Newhart and Eva Gabor were confirmed to be reprising their roles. However, Jim Jordan, who had voiced Orville in the original film, died earlier that same year in April following a fall at his home. In acknowledgement of Jordan's death, Roy E. Disney suggested the character of Wilbur, written as Orville's brother, to serve as his replacement. Intentionally, the names were in reference to the Wright brothers.

Animation and design

Members of the production team including art director Maurice Hunt and six of his animators spent several days in Australia to study settings and animals found in the Australian Outback to observe, take photographs, and draw sketches to properly illustrate the outback on film. There, they ventured through the Ayers Rock, Katherine Gorge, and the Kakadu National Park where Hunt's initial designs emphasized the spectrum of scale between the sweeping vistas and the film's protagonists.

Serving as the supervising animator on the eagle character Marahute, Glen Keane studied six eagles residing at the Peregrine Fund in Boise, Idaho, as well as a stuffed American eagle loaned from the Los Angeles Museum of Natural History and an eagle skeleton. While animating the eagle, Keane and his animation crew enlarged the bird, shrunk its head, elongated its neck and wings, and puffed out its chest. Additionally, Keane had to slow the bird's wing movements to about 25–30 percent of an eagle's flight speed. Because of the excessive details on Marahuté who carried 200 feathers, the character only appeared in seven minutes during the opening and ending sequences.

Furthermore, in order to have the film finished on time, Schumacher enlisted the support of the Disney-MGM Studios, which was originally envisioned to produce independent cartoon shorts and featurettes. On its first assignment on a Disney animated feature film, seventy artists contributed ten minutes of screentime, including supervising animator Mark Henn. Serving as one of ten supervising animators, Henn animated several scenes of Bernard, Miss Bianca, and Percival C. McLeach. For the mice characters, Henn studied the mannerisms made by Bob Newhart and Eva Gabor during voice recording sessions, and looked to George C. Scott's performance in Dr. Strangelove for inspiration while animating McLeach. To create believable realism for the Australian animals, additional animators traveled to the San Diego Zoo to observe kangaroos, kookaburras, and snakes, while an iguana was brought in by the staff at Walt Disney World's Discovery Island for the animators drawing Joanna.

The Rescuers Down Under is notable for Disney as its first traditionally animated film to completely use the new computerized CAPS process. CAPS (Computer Animation Production System) was a computer-based production system used for digital ink and paint and compositing, allowing for more efficient and sophisticated post-production of the Disney animated films and making the traditional practice of hand-painting cels obsolete. The animators' drawings and the background paintings were scanned into computer systems instead, where the animation drawings are inked and painted by digital artists, and later combined with the scanned backgrounds in software that allows for camera positioning, camera movements, multiplane effects, and other techniques. The film also uses CGI elements throughout such as the field of flowers in the opening sequence, McLeach's truck, and perspective shots of Wilbur flying above Sydney Opera House and New York City. The CAPS project was the first of Disney's collaborations with computer graphics company Pixar, which would eventually become a feature animation production studio making computer-generated animated films for Disney before being bought outright in 2006. As a result, The Rescuers Down Under was the first animated film for which the entire final film elements were assembled and completed within a digital environment, as well as the first fully digital feature film. However, the film's marketing approach did not call attention to the use of the CAPS process.

During the film's theatrical release, the film was released as a double feature with the new Mickey Mouse featurette, The Prince and the Pauper.

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