The Prestige is a 2006 psychological thriller film directed by Christopher Nolan from a screenplay adapted by his brother Jonathan from Christopher Priest's 1995 novel of the same name. Its story follows Robert Angier and Alfred Borden, rival stage magicians in London at the end of the 19th century. Obsessed with creating the best stage illusion, they engage in competitive one-upmanship with tragic results and a renowned twist ending.
The Prestige | |
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Theatrical release poster | |
Directed by | Christopher Nolan |
Produced by |
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Screenplay by |
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Based on | The Prestige by Christopher Priest |
Starring |
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Music by | David Julyan |
Cinematography | Wally Pfister |
Edited by | Lee Smith |
Production companies |
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Distributed by |
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Release date |
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Running time | 130 minutes |
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Language | English |
Budget | $40 million |
Box office | $109.7 million |
The film stars Hugh Jackman as Robert Angier, Christian Bale as Alfred Borden, and David Bowie as Nikola Tesla. It also stars Scarlett Johansson, Michael Caine, Piper Perabo, Andy Serkis, and Rebecca Hall. The film reunites Nolan with actors Bale and Caine from Batman Begins and returning cinematographer Wally Pfister, production designer Nathan Crowley, and editor Lee Smith.
The film was released on October 20, 2006, receiving positive reviews and strong box office results, and received Academy Award nominations for Best Cinematography and Best Art Direction. Along with The Illusionist and Scoop, The Prestige was one of three films released in 2006 to explore the world of stage magicians.
Screenplay
In 1890s London, Robert Angier and Alfred Borden work as shills for a magician. In one trick, Angier's wife Julia escapes from a water tank while tied up. When Borden ties her hands with a risky slip knot, Julia fails to escape and drowns, devastating Angier and making him and Borden enemies.
Angier and Borden launch their own magic careers. Borden develops a trick he calls the Transported Man, in which he appears to travel instantly between two wardrobes on opposite ends of the stage. Angier hires a double, Root, so he can perform his own version of the trick. The imitation is a success, but Angier is displeased, as he ends the trick hidden under the stage while Root basks in the applause.
Angier has his assistant Olivia spy on Borden to learn how he performs the Transported Man. However, Olivia falls in love with Borden and becomes his assistant. Confronted by Angier, she gives him a copy of Borden's diary, which Angier decodes with the help of his stage engineer, Cutter. The diaries take him to America to meet scientist Nikola Tesla, who Angier believes built a machine for Borden. Tesla denies this; the diary is fraudulent, created as a distraction. However, Tesla shows Angier a new machine that clones anything placed inside it. He advises Angier to destroy it.
Borden's wife, Sarah, is driven to suicide by Borden's contradictory personality. In London, Angier debuts the Real Transported Man using Tesla's machine: the machine creates a clone Angier on the other side of the theatre, while the first Angier drops into a tank below the stage and drowns. Borden sneaks backstage and witnesses one of the Angiers drown. He is discovered by Cutter. Unable to explain Angier's death, Borden is found guilty of murder and sentenced to death.
In prison, Borden is visited by an agent of Lord Caldlow, who offers to care for Borden's daughter Jess in exchange for Borden's tricks. Borden agrees. Caldlow reveals that he is Angier and Borden begs for his life, but Angier ignores him. When Cutter realises that Angier is still alive, he is disgusted that he allowed Borden to be sentenced, but agrees to help him dispose of Tesla's machine. Borden is hanged for Angier's murder as Cutter and Angier watch.
A stranger enters the theater and shoots Angier. He reveals himself as Fallon, Borden's twin brother; he and Borden shared the Borden identity and performed the original Transported Man together. Fallon loved Sarah, while the real Borden loved Olivia. Angier dies and drops his lantern, setting the theater on fire. Fallon picks up Jess at Cutter's workshop. In the burning theater, rows of tanks hold decomposing Angier clones.
- Hugh Jackman as Robert Angier (The Great Danton)/Lord Caldlow, an aristocratic magician. After reading the script, Jackman expressed interest in playing the part. Christopher Nolan discovered Jackman's interest, and after meeting him saw that Jackman possessed the qualities of stage showmanship that Nolan was looking for in the role of Angier. Nolan explained that Angier had a "wonderful understanding of the interaction between a performer and a live audience", a quality he believed that Jackman had. Nolan said that Jackman "has the great depth as an actor that hasn't really been explored. People haven't had the chance to really see what he can do as an actor, and this is a character that would let him do that." Jackman based his portrayal of Angier on 1950s-era American magician Channing Pollock. Jackman also portrays Gerald Root, an alcoholic double used for Angier's New Transported Man.
- Christian Bale as Alfred Borden (The Professor)/Fallon, a working class magician. Christian Bale expressed interest in playing the part and was cast after Jackman. Although Nolan had previously cast Bale as Batman in Batman Begins, he did not consider Bale for the part of Borden until Bale contacted him about the script. Nolan said that Bale was "exactly right" for the part of Borden and that it was "unthinkable" for anyone else to play the part. Nolan suggested that the actors should not read the original novel, but Bale ignored his advice.
- Michael Caine as John Cutter, the stage engineer (ingenieur) who works with Angier and Borden. Caine had previously collaborated with Nolan and Bale in Batman Begins. Nolan said that even though it felt like the character of Cutter was written for Caine, it was not. Nolan noted that the character was written "before I'd ever met" Caine. Caine describes Cutter as "a teacher, a father and a guide to Angier". Caine, in trying to create Cutter's nuanced portrait, altered his voice and posture. Nolan later said that "Michael Caine’s character really becomes something of the heart of the film. He has a wonderful warmth and emotion to him that draws you into the story and allows you to have a point of view on these characters without judging them too harshly."
- Piper Perabo as Julia McCullough, Milton the Magician's assistant and Angier's wife.
- Rebecca Hall as Sarah Borden, Borden's wife. Hall had to relocate from North London to Los Angeles in order to shoot the film, although the film itself takes place in London.
- Scarlett Johansson as Olivia Wenscombe, Angier's assistant and lover. Nolan said that he was "very keen" for Johansson to play the role, and when he met with her to discuss it, "she just loved the character".
- David Bowie as Nikola Tesla, the real-life inventor who creates a teleportation device for Angier. For the role of Nikola Tesla, Nolan wanted someone who was not necessarily a film star but was "extraordinarily charismatic". Nolan said that "David Bowie was really the only guy I had in mind to play Tesla because his function in the story is a small but very important role". Nolan contacted Bowie, who initially turned down the part. A lifelong fan, Nolan flew out to New York to pitch the role to Bowie in person, telling him no one else could possibly play the part; Bowie accepted after a few minutes.
- Andy Serkis as Mr. Alley, Tesla's assistant. Serkis said that he played his character with the belief that he was "once a corporation man who got excited by this maverick, Tesla, so jumped ship and went with the maverick". Serkis described his character as a "gatekeeper", a "conman", and "a mirror image of Michael Caine’s character." Serkis, a big fan of Bowie, said that he was enjoyable to work with, describing him as "very unassuming, very down to earth... very at ease with himself and funny."
- Ricky Jay as Milton the Magician, an older magician who employs Angier and Borden at the beginning of their careers. Jay and Michael Weber trained Jackman and Bale for their roles with brief instruction in various stage illusions. The magicians gave the actors limited information, allowing them to know enough to pull off a scene.
- Roger Rees as Owens, a solicitor working for Lord Caldlow.
- W. Morgan Sheppard as Merrit, the owner of a theatre where Angier initially performs.
- Daniel Davis as the judge presiding over Borden's trial.
Julian Jarrold's and Sam Mendes' producer approached Christopher Priest for an adaptation of his novel The Prestige. Priest was impressed with Nolan's films Following and Memento, and subsequently, producer Valerie Dean brought the book to Nolan's attention. In October 2000, Nolan traveled to the United Kingdom to publicize Memento, as Newmarket Films was having difficulty finding a United States distributor. While in London, Nolan read Priest's book and shared the story with his brother while walking around in Highgate (a location later featured in the scene where Angier ransoms Borden's ingénieur in Highgate Cemetery). The development process for The Prestige began as a reversal of their earlier collaboration: Jonathan Nolan had pitched his initial story for Memento to his brother during a road trip.
A year later, the option on the book became available and was purchased by Aaron Ryder of Newmarket Films. In late 2001, Nolan became busy with the post-production of Insomnia, and asked his brother Jonathan to help work on the script. The writing process was a long collaboration between the Nolan brothers, occurring intermittently over a period of five years. In the script, the Nolans emphasized the magic of the story through the dramatic narrative, playing down the visual depiction of stage magic. The three-act screenplay was deliberately structured around the three elements of the film's illusion: the pledge, the turn, and the prestige. "It took a long time to figure out how to achieve cinematic versions of the very literary devices that drive the intrigue of the story," Christopher Nolan told Variety: "The shifting points of view, the idea of journals within journals and stories within stories. Finding the cinematic equivalents of those literary devices was very complex." Although the film is thematically faithful to the novel, two major changes were made to the plot structure during the adaptation process: the novel's spiritualism subplot was removed, and the modern-day frame story was replaced with Borden's wait for the gallows. Priest approved of the adaptation, describing it as "an extraordinary and brilliant script, a fascinating adaptation of my novel."
In early 2003, Nolan planned to direct the film before the production of Batman Begins accelerated. Following the release of Batman Begins, Nolan started up the project again, negotiating with Jackman and Bale in October 2005. While the screenplay was still being written, production designer Nathan Crowley began the set design process in Nolan's garage, employing a "visual script" consisting of scale models, images, drawings, and notes. Jonathan and Christopher Nolan finished the final shooting draft on January 13, 2006, and began production three days later on January 16. Filming ended on April 9.
Crowley and his crew searched Los Angeles for almost seventy locations that resembled fin de siècle London. Jonathan Nolan visited Colorado Springs to research Nikola Tesla and based the electric bulb scene on actual experiments conducted by Tesla. Nathan Crowley helped design t
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