The Pianist 2002 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In September 1939, W?adys?aw Szpilman, a Polish-Jewish pianist, is playing live on the radio in Warsaw when the station is bombed during Nazi Germany's invasion of Poland. Hoping for a quick victory, Szpilman rejoices with his family at home when learning that Britain and France have declared war on Germany. But the promised aid does not come. Fighting lasts for just over a month, with both the German and Soviet armies invading Poland at the same time on different fronts. Warsaw becomes part of the Nazi-controlled General Government. Jews are soon prevented from working or owning businesses, and are also made to wear blue Star of David armbands.

By November 1940, Szpilman and his family are forced from their home into the overcrowded Warsaw Ghetto, where conditions only get worse. People starve, the guards are brutal, and starving children are abandoned in the streets. On one occasion, the Szpilmans witness the SS kill an entire family in an apartment across the street during a round-up.

On 16 August 1942, Szpilman and his family are transported to Treblinka extermination camp as part of Operation Reinhard. But a friend in the Jewish Ghetto Police recognizes W?adys?aw at the Umschlagplatz, and separates him from his family. He becomes a slave labourer, and learns of a coming Jewish revolt. He helps the resistance by smuggling weapons into the ghetto, on one occasion narrowly avoiding a suspicious guard. Szpilman eventually manages to escape, and goes into hiding with help from a non-Jewish friend, Andrzej Bogucki, and his wife, Janina.

In April 1943, Szpilman watches from his window as the Warsaw Ghetto Uprising, which he aided, unfolds, and then ultimately fails. After a neighbor discovers Szpilman in the flat, he is forced to flee to a second hiding place. The new room has a piano in it, but he is compelled to keep quiet, while beginning to suffer from jaundice.

In August 1944, during the Warsaw Uprising, the Armia Krajowa attacks a German building across the street from Szpilman's hideout. Tank shells hit the apartment, forcing him to flee. Over the course of the following months, Warsaw is destroyed. Szpilman is left alone to search desperately for shelter and supplies among the ruins. He eventually makes his way to a house where he finds a can of pickled cucumbers. While trying to open it, he is discovered by Wehrmacht officer Wilm Hosenfeld who learns that Szpilman is a pianist. He asks Szpilman to play on a grand piano in the house. The decrepit Szpilman manages to play Chopin's "Ballade in G minor". Hosenfeld lets Szpilman hide in the attic of the empty house. From here, he is regularly supplied with food by the German officer.

In January 1945, the Germans are retreating from the Red Army. Hosenfeld meets Szpilman for the final time, promising he will listen to him on Polish Radio after the war. He gives Szpilman his greatcoat to keep warm, and leaves. In Spring 1945, former inmates of a Nazi concentration camp pass a Soviet prisoner-of-war camp holding captured German soldiers and verbally abuse them. Hosenfeld, who is among those captured, overhears an inmate lament over his former career as a violinist. He asks the violinist if he knows Szpilman, which he confirms. Hosenfeld wishes for Szpilman to return the favor and help release him. Sometime later, the violinist is able to bring Szpilman back to the site, but they find it abandoned.

Later, Szpilman works for Polish Radio, and performs Chopin's "Grand Polonaise brillante" to a large and prestigious audience. An epilogue states that Szpilman died at the age of 88 in the year 2000, while Hosenfeld died in Soviet captivity in 1952.

The story had deep connections with director Roman Polanski because he escaped from the Kraków Ghetto as a child after the death of his mother. He ended up living in a Polish farmer's barn until the war's end. His father almost died in the camps, but they reunited after the end of World War II.

Joseph Fiennes was Polanski's first choice for the lead role, but he turned it down due to a previous commitment to a theatrical role. Over 1,400 actors auditioned for the role of Szpilman at a casting call in London. Unsatisfied with all who tried, Polanski sought to cast Adrien Brody, whom he saw as ideal for the role during their first meeting in Paris.

Principal photography on The Pianist began on 9 February 2001 in Babelsberg Studio in Potsdam, Germany. The Warsaw Ghetto and the surrounding city were recreated on the backlot of Babelsberg Studio as they would have looked during the war. Old Soviet Army barracks were used to create the ruined city, as they were going to be destroyed anyway.

The first scenes of the film were shot at the old army barracks. Soon after, the film crew moved to a villa in Potsdam, which served as the house where Szpilman meets Hosenfeld. On 2 March 2001, filming then moved to an abandoned Soviet military hospital in Beelitz, Germany. The scenes that featured German soldiers destroying a Warsaw hospital with flamethrowers were filmed here. On 15 March, filming finally moved to Babelsberg Studios. The first scene shot at the studio was the complex and technically demanding scene in which Szpilman witnesses the ghetto uprising.

Filming at the studios ended on 26 March, and moved to Warsaw on 29 March. The rundown district of Praga was chosen for filming because of its abundance of original buildings. The art department built onto these original buildings, re-creating World War II–era Poland with signs and posters from the period. Additional filming also took place around Warsaw. The Umschlagplatz scene where Szpilman, his family, and hundreds of other Jews wait to be taken to the extermination camps was filmed at the National Defence University of Warsaw.

Principal photography ended in July 2001, and was followed by months of post-production in Paris.

The Pianist was widely acclaimed by critics, with Brody's performance and Polanski's direction receiving special praise. It has a 96% approval rating on the review aggregator website Rotten Tomatoes, based on 178 reviews with an average rating of 8.2/10 and the consensus, "Well-acted and dramatically moving, The Pianist is Polanski's best work in years." Metacritic, which assigns a weighted average score, gave the film a score of 85/100, based on 40 reviews from critics.

Roger Ebert of the Chicago Sun-Times gave a positive review of the film, noting that, "perhaps that impassive quality reflects what Polanski wants to say. ... By showing Szpilman as a survivor, but not a fighter or a hero—as a man who does all he can to save himself, but would have died without enormous good luck and the kindness of a few non-Jews—Polanski is reflecting ... his own deepest feelings: that he survived, but need not have, and that his mother died and left a wound that had never healed." Michael Wilmington of the Chicago Tribune said that the film "is the best dramatic feature I've seen on the Holocaust experience, so powerful a statement on war, inhumanity, and art's redemption that it may signal Polanski's artistic redemption". He would later go on to say that the film "illustrates that theme and proves that Polanski's own art has survived the chaos of his life—and the hell that war and bigotry once made of it". Richard Schickel of Time magazine called it a "raw, unblinkable film", and said that, "We admire this film for its harsh objectivity and refusal to seek our tears, our sympathies." Mick LaSalle of the San Francisco Chronicle said that the film "contains moments of irony, of ambiguity, and of strange beauty, as when we finally get a look at Warsaw and see a panorama of destruction, a world of color bombed into black-and-white devastation". He also said that, "In the course of showing us a struggle for survival, in all its animal simplicity, Polanski also gives us humanity, in all its complexity." A.O. Scott of The New York Times said that Szpilman "comes to resemble one of Samuel Beckett's gaunt existential clowns, shambling through a barren, bombed-out landscape clutching a jar of pickles. He is like the walking punchline to a cosmic jest of unfathomable cruelty." He also felt that "Szpilman's encounter, in the war's last days, with a music-loving German officer, "courted sentimentality by associating the love of art with moral decency, an equation the Nazis themselves, steeped in Beethoven and Wagner, definitively refuted".

The Pianist was release