The Orphanage Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In 1975 Spain, a young girl named Laura is adopted. Years later, adult Laura (Belén Rueda) returns to the closed orphanage, accompanied by her husband, Carlos (Fernando Cayo), and their seven-year-old son, Simón (Roger Príncep). She plans to reopen the orphanage as a facility for disabled children. Simón claims to have befriended a boy named Tomás, and draws pictures of him as a child wearing a sack mask. Social worker Benigna Escobedo (Montserrat Carulla) visits the house to inquire after Simón, and the audience learn that Laura and Carlos adopted Simón and that he is HIV positive. Incensed at Benigna's intrusion, Laura asks her to leave. Later that night Laura finds Benigna in the orphanage's coal shed, but Benigna flees the scene. Later, Simón teaches Laura a game which grants its winner a wish. Clues lead the two to Simón's adoption file. Simón becomes angry, and says that his new friend told him that Laura is not his biological mother and that he is going to die soon.

During a party for the orphanage's opening, Laura and Simón argue, and Simón hides from her. While looking for him, she encounters a child wearing a sack mask who shoves her into a bathroom and locks her inside. When Laura escapes, she realizes that Simón is missing and is unable to find him. That night Laura hears several loud crashes within the walls of the orphanage. Police psychologist Pilar (Mabel Rivera) suggests to Laura and Carlos that Benigna may have abducted Simón.

Six months later, Simón is still missing. While searching for him, Laura spots Benigna, who is then struck and killed by a bus. The police find evidence that Benigna worked at the orphanage, and that she had a son named Tomás, who lived there but was kept hidden. A few weeks after Laura was adopted, the orphans stole the mask that Tomás wore to conceal his deformed face. Embarrassed, Tomás refused to leave his hiding place in a nearby sea cave, and the rising tide drowned him.

Laura asks for the assistance of a medium named Aurora (Geraldine Chaplin) in the search for Simón. Aurora conducts a seance during which she claims to see the ghosts of the orphans crying for help. Laura discovers the remains of the orphans she grew up with in the orphanage. Benigna poisoned their meals and killed them for having caused Tomás's death and hid their remains in the orphanage's coal shed. Unable to cope with the situation, Carlos leaves the orphanage.

Laura makes the orphanage look as it did thirty years ago and attempts to contact the children's spirits by playing one of their old games. The spirits lead her to the door of a hidden underground room. Inside is Simón's corpse, wearing Tomás's mask. Laura finally realizes what happened: while searching for Simón the night he disappeared, Laura moved pieces of construction scaffolding, blocking the entrance to the secret room. The crashes that night were caused by Simón trying to get out. He fell and broke his neck.

Laura appears to take an overdose of sleeping pills. Then, apparently dying, she begs to be with Simón again and the children's spirits appear, with Simón among them. Simón tells Laura that his wish was for her to stay and take care of the orphans, she then happily tells them a story. Some time later, Carlos visits a memorial to Laura, Simón and the orphans. Carlos returns to the orphans' old bedroom and finds a medallion that he had given to Laura. He turns to look as the door opens, and he smiles.

• Belén Rueda as Laura, the wife of Carlos and adoptive mother of Simón. Laura returns to the orphanage where she spent some of her youth to turn it into a home for disabled children. Mireia Renau portrays the younger Laura.
• Fernando Cayo as Carlos, the husband of Laura and adoptive father of Simón.
• Roger Príncep as Simón, the young adopted son of Laura and Carlos. Simón meets new imaginary friends in the orphanage and eventually threatens to run away with them.
• Mabel Rivera as Pilar, the head police psychologist who eventually discovers the truth of who Benigna really is.
• Montserrat Carulla as Benigna Escobeda, a former worker at the orphanage who identifies herself as a social worker. When she is seen young in the film, she is portrayed by Carol Suárez. Production companies working with Bayona tried to urge him to keep this character alive until the end of the film.
• Geraldine Chaplin as Aurora, the medium brought in to help find Simón when the police can't find him.
• Andrés Gertrúdix as Enrique, Aurora's sound technician.
• Edgar Vivar as Prof. Leo Balabán, the man who puts Laura in contact with Aurora and directs the spirit session in her house.
• Óscar Casas as Tomás, the deformed son of Benigna who Simón claims to have befriended.

Development

The first draft of the script of The Orphanage was written by Sergio G. Sánchez in 1996. Sánchez was not sure why he chose to write a genre film for the screenplay, as he explains, "I ended up writing a film in the style of those I liked as a kid, movies like Poltergeist, The Omen, and Rosemary's Baby which I ruined on the first VCR we owned at home." Sánchez revealed the literary influences underlying his writing of the script, such as The Turn of the Screw and Peter Pan. Sánchez originally wanted to direct the script but he was repeatedly turned down by various Spanish production companies. While Sánchez was working on the short film 7337 in 2004, he met with director Juan Antonio Bayona and offered him the script to direct. Bayona accepted the opportunity because he felt that a fantasy themed script like that of The Orphanage would allow him freedom as a director, saying the fantasy genre was a great tool for learning as it "allows manipulation of space and time as we wish or the use of certain camera moves with an immediate efficiency".

Bayona cut parts of the script, including the outcome of the other orphanage children, because he wanted to focus on the character of Laura and what happens to her. To create the film as he wanted, Bayona had to double both the film's budget and the amount of filming time. To accomplish this, Bayona received help from fellow film director Guillermo del Toro, whom he had met at Festival de Cine de Sitges when del Toro was presenting his film Cronos (1993). Del Toro offered to co-produce the film as soon as he learned about it. For the rest of his crew, Bayona worked with his regular team that he worked with on commercials and music videos.

Casting

During casting discussions between Bayona and del Toro, Bayona expressed a desire to see Belén Rueda in the lead. Bayona admired her after seeing her performance as Julia in Alejandro Amenabar's The Sea Inside. Del Toro appreciated this choice, as he admired her as an actress and liked that Bayona was casting her against type. Bayona asked Rueda to watch The Innocents and Close Encounters of the Third Kind to prepare for the role. Another actress Bayona desired for the film was Geraldine Chaplin in the role of Aurora, the medium. Bayona stated that he wanted the film to have "the mood of 70s Spanish cinema and Geraldine starred in one of the best movies of that decade, Carlos Saura's The Secret of Anna, as the ghost of the mother. It made sense to have her play the medium." Bayona was nervous about filming with Chaplin. To break that tension, on the first day of shooting with her Bayona hid under a bed during a scene which required Chaplin to portray Aurora kneeling down near it in the dark, and he grabbed Chaplin's leg when she did so. Aurora's scream in the film is Chaplin's actual frightened scream as Bayona grabbed her. Roger Príncep's test-screening was one of the first for the role of Simón. Bayona test-screened over four-hundred children during two months before making his choice to cast Princep. Edgar Vivar was cast in role of Balabán; Bayona knew him through his work on the Mexican television series El Chavo and sent him an invitation for the role through e-mail.

Filming

Production on The Orphanage began on May 15, 2006 in Llanes, Asturias. This location was chosen due to the area's diverse natural settings that include beaches, caves, cliffs, forests, a small village, and the Partarríu Manor where the orphanage scenes take place. The orphanage was an old colonial house from the end of the nineteenth century. Bayona wanted to use certain cinematographic techniques that were impossible to achieve in the house, so several parts of the house were reconstructed in sound stages. After four weeks in Llanes, the team moved to Barcelona to finish up the last ten weeks of filming in sound stages, making over 80% of the film there. Bayona showed the films La residencia and The Innocents to his director of photography on the film, to make special notice of the Scope lensing used in both films.