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The Master is a 2012 American drama film written, directed, and co-produced by Paul Thomas Anderson and starring Joaquin Phoenix, Philip Seymour Hoffman, and Amy Adams. It tells the story of Freddie Quell (Phoenix), a World War II veteran struggling to adjust to a post-war society, who meets Lancaster Dodd (Hoffman), a leader of a religious movement known as "The Cause". Dodd sees something in Quell and accepts him into the movement. Freddie takes a liking to "The Cause" and begins traveling with Dodd along the East Coast to spread the teachings.

The Master
Theatrical release poster
Directed byPaul Thomas Anderson
Produced by
  • JoAnne Sellar
  • Daniel Lupi
  • Paul Thomas Anderson
  • Megan Ellison
Written byPaul Thomas Anderson
Starring
  • Joaquin Phoenix
  • Philip Seymour Hoffman
  • Amy Adams
Music byJonny Greenwood
CinematographyMihai M?laimare Jr.
Edited by
  • Leslie Jones
  • Peter McNulty
Production
company
  • JoAnne Sellar Productions
  • Ghoulardi Film Company
  • Annapurna Pictures
Distributed byThe Weinstein Company
Release date
  • September 1, 2012 (2012-09-01) (VFF)
  • September 14, 2012 (2012-09-14) (United States)
Running time
137 minutes
CountryUnited States
LanguageEnglish
BudgetUS$32 million
Box officeUS$28.3 million

It was produced by Annapurna Pictures and Ghoulardi Film Company and distributed by The Weinstein Company. With a budget of $30 million, filming began in June 2011, with cinematography provided by Mihai M?laimare Jr. Jonny Greenwood was the music composer and Peter McNulty film editor. The film's inspirations were varied: it was partly inspired by Scientology founder L. Ron Hubbard, as well as early drafts of Anderson's There Will Be Blood, drunk Navy stories that Jason Robards had told to Anderson as he was terminally ill while filming Magnolia, and the life story of author John Steinbeck. The Master was shot almost entirely on 65mm film stock, making it the first fiction feature to be shot and released in 70 mm since Kenneth Branagh's Hamlet in 1996.

Initially, the film was set up with Universal, but fell through due to script and budget problems. It was first publicly shown on August 3, 2012, at the American Cinematheque in 70 mm and screened variously in the same way, and officially premiered at the Venice Film Festival on September 1. where it won the FIPRESCI Award for Best Film. It was released on September 14, 2012, in the United States to critical acclaim, with its acting, screenplay, direction, plausibility and realistic resemblance to post-World War II Americans praised. It further received three Academy Award nominations: Best Actor for Phoenix, Best Supporting Actor for Hoffman, and Best Supporting Actress for Adams. In 2016, The Master was voted the 24th greatest film of the 21st century by 177 critics from around the world. Anderson has repeatedly claimed that The Master is his favorite film that he has made to date.

Screenplay

Freddie Quell is a traumatized World War II veteran, struggling to adjust to post-war society and prone to erratic behavior. One night, Freddie finds himself in San Francisco and stows away on the yacht of a follower of Lancaster Dodd, the leader of a nascent philosophical movement known as "The Cause." When he is discovered, Dodd describes Freddie as "aberrated" and invites him to stay and attend the marriage of his daughter, Elizabeth, as long as he will make more of his homemade moonshine, which Dodd has developed a taste for. Dodd begins an exercise with Freddie called "Processing", a flurry of disturbing psychological questions. Freddie travels with Dodd's family as they spread the teachings of "The Cause" along the East Coast. At a dinner party in New York, a man questions Dodd's methods and statements. Freddie pursues him to his apartment and assaults him that night.

Other members of "The Cause" begin to worry about Freddie's behavior. Freddie criticizes Dodd's son Val for disregarding his father's teachings, but Val tells Freddie that Dodd is making things up as he goes along. Dodd is arrested for practicing medicine without proper qualifications after one of his former hostesses has a change of heart; Freddie is also arrested for assaulting the police officers. Freddie erupts in a tirade, questioning everything that Dodd has taught him and accuses him of being a fake. They reconcile upon their release, but members of "The Cause" have become more suspicious and fearful of Freddie, believing him to be deranged or an undercover agent.

Freddie accompanies Dodd to Phoenix, for the release of Dodd's latest book. When Dodd's publisher criticizes the quality of the book and its teachings, Freddie assaults him. Helen Sullivan, a previously acquiescent acolyte, causes Dodd to lose his temper after she questions some details of the book. Eventually, Freddie abandons the group and returns home to Lynn, Massachusetts to rekindle his relationship with Doris, a young woman he loved during the war. Freddie learns from her mother that she has married and started a family since he last saw her.

While sleeping in a movie theater, Freddie believes he receives a phone call from Dodd, who is now residing in England. Freddie is asked to come join him. When Freddie arrives, Dodd gives him an ultimatum: stay with "The Cause" and devote himself to it for the rest of his life or leave and never return. Freddie doesn't answer, leaving Dodd to comment that if Freddie can find a way to live without a master, any master, to let Dodd know because he'll be the first person in the history of the world to do so. Freddie leaves and picks up a woman at a local pub, then repeats questions from his first processing session with Dodd as he is having sex with her.

On a beach, Freddie curls up next to a crude sand sculpture of a woman he and his wartime comrades erected during the war.

  • Joaquin Phoenix as Freddie Quell
  • Philip Seymour Hoffman as Lancaster Dodd
  • Amy Adams as Peggy Dodd
  • Laura Dern as Helen Sullivan
  • Ambyr Childers as Elizabeth Dodd
  • Rami Malek as Clark
  • Jesse Plemons as Val Dodd
  • Kevin J. O'Connor as Bill William
  • Christopher Evan Welch as John More
  • Madisen Beaty as Doris Solstad
  • Lena Endre as Mrs. Solstad
  • Amy Ferguson as Martha the Salesgirl
  • Patty McCormack as Mildred Drummond
  • Jillian Bell as Susan Gregory
  • Joshua Close as Wayne Gregory
  • Fiona Dourif as Dancer
  • David Warshofsky as Philadelphia Police
  • Steven Wiig as Philadelphia Follower
  • W. Earl Brown as Fighting Businessman

Writing

It was first reported in December 2009 that Anderson had been working on a script about the founder of a new religious organization (described as being similar to Scientology) played by Philip Seymour Hoffman. An associate of Anderson stated that the idea for the film had been in Anderson's head for about twelve years. The idea for the film came to him after reading a quote that periods after wars were productive times for spiritual movements to start.

Unsure of the direction the script would take, Anderson began writing The Master as a collection of disparate scenes rather than one coherent outline. He combined unused scenes from early drafts of There Will Be Blood, the life stories of John Steinbeck and L. Ron Hubbard, and stories Jason Robards had told him on the set of Magnolia about his drinking days in the navy during the war (including the draining of ethanol from a torpedo). Anderson conducted research about Dianetics and its early followers. While writing, Anderson sought Hoffman's feedback on the script, with Hoffman suggesting the film focus more on Freddie's story than Lancaster's.

After the film was dropped by Universal and failed to pick up a distributor, Anderson did several months of rewrites.

Casting

 
This would be Anderson's last film with Hoffman, who appeared in five out of the six films that Anderson had made before Hoffman's death in 2014. He received his fourth Academy Award nomination for his performance.

Anderson has stated that he wanted Hoffman to play Lancaster Dodd from the film's inception, and that he also had Joaquin Phoenix in mind for the part of Freddie Quell. Jeremy Renner and James Franco were each rumored to play Freddie before Phoenix was officially attached. This was Phoenix's first screen appearance since the 2010 film I'm Still Here, a multi-year performance art mockumentary project that Phoenix attributed as a factor in limiting the roles he was subsequently offered. Reese Witherspoon was reportedly offered the role of Peggy Dodd, but Amy Adams was later cast. For the role of Dodd's daughter Amanda Seyfried, Emma Stone, and Deborah Ann Woll were all considered with the role eventually going to Ambyr Childers.

Filming

Filming was to begin in August 2010 with Renner starring opposite Hoffman, but was postponed indefinitely in September 2010. In May 2011, after securing finance, the film was given the green light and filming began in early June 2011 in Vallejo and Sacramento. Shooting took place on Mare Island for a month using the wing of an old hospital and an empty admiral's mansion for some scenes. Franklin Delano Roosevelt's presidential yacht, the USS Potomac, was used for shooting shipboard scenes. In late June 2011 filming took place at Hillside Elementary School in Berkeley.

The film was shot on 65 mm film using the Panavision System 65 camera. The film was the first fiction film to be shot in 65mm since Kenneth Branagh's Hamlet in 1996. Mihai M?laimare Jr. served as cinematographer, making The Master Anderson's first film without cinematographer Robert Elswit. The film crew used three 65mm Panavision cameras throughout filming, and at times had an assistant from Panavision on set to help with the cameras' technical issues. Originally, Anderson and M?laimare planned to shoot mainly portraits in 65mm, which constituted 20 percent of the film, but ultimately 85 percent of the film was shot in 65mm. The remainder of the film was shot on 35mm using Panavision Millennium XL2s cameras, often used for scenes that required a "dirtier" look. In order to maintain a consistent aspect ratio, the 65mm footage was cropped from 2.20:1 to 1.85:1 to match the 35mm footage, at the sacrifice of some image area. Most of the film stocks used were Kodak Vision3 50D Color Negative Film 5203 and Kodak Vision3 200T Color Negative Film 5213 with a few scenes were also done with Kodak Vision3 250D Color Negative Film 5207 and Kodak Vision3 500T 5219. Because Anderson prefers working with film, he bypassed the use of a digital intermediate, instead color grading with the use of a photochemical timer.

During filming, Phoenix was allowed to improvise on set. Phoenix lost significant weight for the role and came up with Freddie's awkward gait. Anderson compared Phoenix's commitment to that of Daniel Day-Lewis for his level of concentration, saying that Phoenix got into character and stayed there for three months. Anderson considered the dynamic between Hoffman and Phoenix to be central to the film, likening it to the rivalry and differences in style and temperament between tennis players John McEnroe and Björn Borg or Ivan Lendl, with Hoffman playing the more controlled and driven approach of Borg or Lendl. Adams stated that Anderson would have her appear on set for scenes she was not scheduled to appear in to

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