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The Mask of Zorro is a 1998 American swashbuckler film based on the character of the masked vigilante Zorro created by Johnston McCulley. It was directed by Martin Campbell and stars Antonio Banderas, Anthony Hopkins, Catherine Zeta-Jones, and Stuart Wilson. The film features the original Zorro, Don Diego de la Vega (Hopkins), escaping from prison to find his long-lost daughter (Zeta-Jones) and avenge the death of his wife at the hands of the corrupt governor Rafael Montero (Wilson). He is aided by his successor (Banderas), who is pursuing his own vendetta against the governor's right-hand man while falling in love with de la Vega's daughter.

The Mask of Zorro
A dimly-lit figure sporting a rapier, a black costume with a flowing Spanish cape, a flat-brimmed black gaucho hat, and a black cowl sackcloth mask that covers the top of the head from eye level stands with the film's title: THE MASK OF ZORRO in white font. He is silhouetted against a red hue fading to black at the top with the star billing of ANTONIO BANDERAS and ANTHONY HOPKINS.
Theatrical release poster
Directed byMartin Campbell
Produced byDoug Claybourne
David Foster
Screenplay byJohn Eskow
Ted Elliott
Terry Rossio
Story byTed Elliott
Terry Rossio
Randall Jahnson
Based onZorro
by Johnston McCulley
Starring
  • Antonio Banderas
  • Anthony Hopkins
  • Catherine Zeta-Jones
  • Stuart Wilson
  • Matt Letscher
Music byJames Horner
CinematographyPhil Méheux
Edited byThom Noble
Production
company
Amblin Entertainment
Distributed byTriStar Pictures
Release date
  • July 17, 1998 (1998-07-17)
Running time
137 minutes
CountryUnited States
LanguageEnglish
Budget$95 million
Box office$250.3 million

Producer Steven Spielberg had initially developed the film for TriStar Pictures with directors Mikael Salomon and Robert Rodriguez, before Campbell signed on in 1996. Salomon cast Sean Connery as Don Diego de la Vega, while Rodriguez brought Banderas in the lead role. Connery dropped out and was replaced with Hopkins, and The Mask of Zorro began filming in January 1997 at Estudios Churubusco in Mexico City, Mexico. The film was released in the United States on July 17, 1998 to critical and commercial success. The Legend of Zorro, a sequel also starring Banderas and Zeta-Jones and directed by Campbell, was released in 2005, but did not fare as well as its predecessor.

Screenplay

In 1821, Don Diego de la Vega (Anthony Hopkins), a Spanish-born California nobleman, fights against soldiers in the Mexican War of Independence as Zorro, a mysterious masked swordsman who defends the Mexican peasants and commoners of Las Californias. Don Rafael Montero (Stuart Wilson), the corrupt governor of the region, learns of De La Vega's alter ego and attempts to arrest him. De la Vega's wife Esperanza (Julieta Rosen), who Montero was in love with, is killed during the ensuing scuffle. Montero imprisons de La Vega and takes his infant daughter, Elena, as his own before returning to Spain.

Twenty years later, Montero returns to California as a civilian, alongside Elena (Catherine Zeta-Jones) who has grown into a beautiful woman and resembles her late mother. Montero's reappearance motivates de La Vega to escape from prison. He encounters a thief, Alejandro Murietta (Antonio Banderas) who, as a child, saved Zorro's life during his last fight. De la Vega decides that fate has brought them together, and agrees to make Alejandro his protégé, grooming him to be the new Zorro. Alejandro agrees to undergo de La Vega's training regimen in Zorro's lair underneath the ruins of his family estate in order to be able to take revenge on Captain Harrison Love (Matt Letscher) Montero's right-hand man, who was responsible for killing Alejandro's brother, Joaquin (Victor Rivers).

While still being trained, Alejandro steals a black stallion resembling Tornado from the local garrison. De La Vega scolds Alejandro, claiming that Zorro was a servant of the people, not a thief and adventurer. He challenges Alejandro to gain Montero's trust instead. Alejandro poses as a visiting nobleman named Don Alejandro del Castillo y García, with de la Vega as his servant, and attends a party at Montero's hacienda. At the party, he gains Elena's admiration and enough of Montero's trust to be invited to a secret meeting where several other noblemen are present. Montero hints at a plan to retake California for the Dons and proclaim it as an independent republic by buying it from General Santa Anna, who needs money to fund his upcoming war with the United States.

Montero takes Alejandro and the noblemen to a secret gold mine known as "El Dorado," where peasants and prisoners are used for slave labor. Montero plans to buy California from Santa Anna using gold mined from Santa Anna's own land. De la Vega uses this opportunity to become closer to Elena, though he identifies himself as "Bernardo" the servant, learning that Montero told Elena that her mother died in childbirth. While walking in a market, Elena meets the woman who was her nanny who tells Elena her parents' real identity. De la Vega sends Alejandro, dressed as Zorro, to steal Montero's map leading to the gold mine. Zorro duels Montero, Love, and their guards at the hacienda. When Zorro escapes, Elena attempts to retrieve Montero's map from the swordsman, but he seduces her, leading to a passionate kiss before he flees.

Terrified of Santa Anna's retribution if he discovers that he is being paid with his own gold, Montero, at Love's urging, decides to destroy the mine and kill the workers. De la Vega tells Alejandro to release the workers on his own so that de La Vega can reclaim Elena. Alejandro sets off, feeling betrayed by Diego's vendetta. De la Vega corners Montero at the hacienda and reveals his identity, but Montero captures him by threatening Elena. As he is taken away, de la Vega tells Elena the name of the flowers, romneya, she recognized upon her arrival in California, convincing her that he is her father. She releases de la Vega from his cell and they proceed to the mine, where Alejandro and de la Vega respectively defeat and slay Love and Montero. Elena and Alejandro free the workers before the explosives go off, and then find the mortally wounded de la Vega. He makes peace with Alejandro and Elena and gives his blessings for Alejandro to marry his daughter before dying. Later on in the movie, Alejandro and Elena are married and have a son named Joaquin and Alejandro tells him the story of how his grandfather was the first Zorro and how he became and died a hero with Elena listening. Alejandro and Elena share a passionate kiss before Joaquin starts crying and Elena calms him down. The film ends with Alejandro walking down the corridor of his mansion before the door closes with Zorro pulling out his sword and making his mark with it being engulfed in flames.

 
Antonio Banderas portrayed Zorro.
  • Antonio Banderas as Alejandro Murrieta / Zorro: Despite claims made by several media outlets and Antonio Banderas himself, Banderas was not the first Spanish actor to portray Zorro. Spanish actor José Suárez was cast as Zorro in the 1953 film Lawless Mountain, and Spanish actor Carlos Quiney (aka Charles Quiney) portrayed Zorro in three films: Zorro's Latest Adventure (1969), Zorro, Rider of Vengeance (1971) and Zorro the Invincible (1971); though Banderas was still the first Spanish actor to portray Zorro in a Hollywood production. Banderas was paid $5 million for the role. The character of Alejandro Murrieta was conceived as the fictional brother of the real-life Joaquin Murrieta, making the character either Mexican or Chilean. To prepare for his role, Banderas practiced with the Olympic fencing team in Spain for four months, before studying additional fencing and swordsmanship with Anthony Hopkins and Catherine Zeta-Jones. The three were trained by Bob Anderson during pre-production in Mexico, spending 10 hours a day for two months specifically on fight scenes from the film. "We used to call him Grumpy Bob on the set, he was such a perfectionist," director Martin Campbell reflected. "He was incredibly inventive, and also refused to treat any of the actors as stars. They would complain about the intensity of the training, but having worked with him there's nobody I'd rather use." During interviews for The Lord of the Rings: The Fellowship of the Ring, Anderson rated Banderas the best natural talent he had worked with.
  • José María de Tavira portrays a young Alejandro Murrieta.
  • Anthony Hopkins as Don Diego de la Vega / Zorro: Hopkins was cast in December 1996, one month before filming began. Hopkins, known for his dramatic acting, took up the role over his enthusiasm to be in an action film.
  • Catherine Zeta-Jones as Elena Montero: The actress signed on in November 1996, when Spielberg saw her performance in the Titanic miniseries and recommended her to Campbell. Despite being a Welsh actress portraying a Latina character, Zeta-Jones discovered similarities between her "volatile" Celtic temper and the Latin temperament of Eléna. Izabella Scorupco, who worked with Campbell on GoldenEye, and Judith Godrèche both screen tested for the part. Zeta-Jones credits The Mask of Zorro as her breakthrough in entering A-list recognition.
  • María and Mónica Fernández Cruz portray Elena de la Vega (infant).
  • Stuart Wilson as Don Rafael Montero: Armand Assante had initially been cast in the role, but dropped out due to scheduling conflicts with The Odyssey. Stuart Wilson, who Campbell previously directed in No Escape, was cast in Assante's place four months after.
  • Matt Letscher as Captain Harrison Love
  • Tony Amendola as Don Luiz
  • Pedro Armendáriz, Jr. as Don Pedro
  • Victor Rivers as Joaquín Murrieta
    • Diego Sieres as Young Joaquín Murrieta
  • William Marquez, as Fray Felipe
  • L. Q. Jones as Three-fingered Jack
  • Julieta Rosen as Esperanza De La Vega, Don Diego's beloved wife and Elena's mother
  • Maury Chaykin as Prison Warden

Development

 
Robert Rodriguez (pictured) cast Antonio Banderas as Zorro before dropping out as director. He was replaced by Martin Campbell one month later.

In October 1992, TriStar Pictures and Steven Spielberg's Amblin Entertainment were planning to start production on Zorro the following year, and hired Joel Gross to rewrite the script after they were impressed with his adaptation of The Three Musketeers. At the time, Spielberg was producing Zorro with the potential to direct. Gross completed his rewrite in March 1993, and TriStar entered pre-production, creating early promotion for the film that same month at the ShoWest trade show. By December 1993, Branko Lustig was producing the film with Spielberg, and Mikael Salomon was attached as director. In August 1994, Sean Connery was cast as Don Diego de la Vega, while Salomon stated that the rest of the major cast would be Hispanic or Latino. Pre-production proceeded even further in August when Salomon compiled test footage for a planned April 1995 start date.

Connery and Salomon eventually dropped out, and in September 1995, Robert Rodriguez, fresh from the success of Desperado, signed to direct with Antonio Banderas, who had also starred in Desperado, playing the title role. TriStar and Amblin had been surprised by Rodriguez's low-budget filming techniques for his action films, El Mariachi and Desperado, and shifted away from their initial plans with Salomon to make a big-budget version of Zorro.

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