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The Lover (French: L'Amant) is a 1992 drama film produced by Claude Berri and directed by Jean-Jacques Annaud. Based on the semi-autobiographical 1984 novel by Marguerite Duras, the film details the illicit affair between a teenage French girl and a wealthy Chinese man in 1929 French Indochina. In the screenplay written by Annaud and Gérard Brach, the 15 1/2-year-old protagonist is portrayed by actress Jane March, who turned eighteen shortly after filming began. Her lover is portrayed by actor Tony Leung Ka-fai. The film features full-frontal male and female nudity.

The Lover
French promotional poster
Directed byJean-Jacques Annaud
Produced byClaude Berri
Screenplay byJean-Jacques Annaud
Gérard Brach
Based onThe Lover
by Marguerite Duras
Starring
  • Jane March
  • Tony Leung
  • Frédérique Meininger
  • Arnaud Giovaninetti
  • Melvil Poupaud
  • Lisa Faulkner
Narrated byJeanne Moreau
Music byGabriel Yared
CinematographyRobert Fraisse
Edited byNoëlle Boisson
Production
company
Films A2
Renn Productions
Burrill Productions
Distributed byFox Pathé Europa (France) Metro-Goldwyn-Mayer (USA)
Release date
  • 22 January 1992 (1992-01-22) (France)
  • 19 June 1992 (1992-06-19) (United Kingdom)
  • 31 October 1992 (1992-10-31) (United States)
Running time
115 minutes
CountryFrance
United Kingdom
Vietnam
LanguageEnglish
Vietnamese
BudgetUS$30 million
Box officeUS$31.8 million
(France and United States)

Production began in 1989, with filming commencing in 1991. The film made its theatrical debut on 22 January 1992, with an English release in the United Kingdom in June and in the United States in October of the same year. The film won the Motion Picture Sound Editors's 1993 Golden Reel award for "Best Sound Editing — Foreign Feature" and the 1993 César Award for Best Music Written for a Film. The film was a box office success, and received fairly positive reviews from the general audience along with mostly negative reviews from American critics. Overall, the film's performances and cinematography were generally praised.

Screenplay

The primary characters are known only as the Young Girl and the Chinese Man. The daughter of bitter, fearful, poverty-stricken colonials, the girl is a pretty waif who wears an old linen dress and a fedora, and paints her lips bright red when out of her mother's sight. She and her family are French, but live in Vietnam where her mother is a schoolteacher to local children. Her weak-willed mother, violent older brother, and timid younger brother live in a rural section across the river. The girl is a loner but an excellent student, who dreams of being a writer.

The girl meets the Chinese man when crossing the river on the ferry to return to the city after a school holiday. He is the son of a businessman whose fortune was made in real estate, and has recently returned from Paris after finishing his business studies. He has the look but lacks the self-assurance of the playboy he fancies himself to be, and he is mesmerized the first time he sees her standing by the rail on a crowded ferry crossing the Mekong River. After some awkward conversation, he offers her a ride to Saigon in his chauffeur-driven limousine and she accepts, although the two barely speak during the drive. In voice-over at the beginning of the film she originally gives her age as 15, but tells the man she is 17. He, as well, appears to exaggerate when he states he is 32, considering the usual age of the recent graduate at the time. The following day, he waits for her outside her boarding school, and the two go to the room he rents for entertaining mistresses in the seedy Chinese quarter, where they have sex.

They realize that "a future together is unthinkable" because she is scheduled to return to Paris soon, and he is arranged to marry a Chinese heiress. Aware of the limited time they have together, they fall into a relationship in which they shed all responsibilities that come with commitment. Every day after school, the girl goes to the rented room somewhat ambiguously acting out her pretend fantasy of the life of a fashionable courtesan.

The girl's family discovers the affair, and though at first angry, they encourage her to continue because the man is wealthy and able to pay off some of their debts. Despite this added tension, the affair continues passionately. The man even goes so far as to beg his father for his allowance to be with her instead of entering into his arranged marriage, but his father would rather see him dead than with a white girl. Though both devastated, the man marries his arranged bride, and the girl boards a ship days later to return to France.

Decades later, the girl has become a successful writer. In the final scene, the Chinese Man telephones her as he is visiting France with his wife. After some introductory reminiscence, he then comes to assure her that he never stopped loving her, and that he will not stop for the rest of his life.

  • Jane March as The Young Girl
  • Tony Leung Ka-fai as The Chinese Man
  • Frédérique Meininger as The Mother
  • Arnaud Giovaninetti as The Elder Brother
  • Melvil Poupaud as The Younger Brother
  • Lisa Faulkner as Helene Lagonelle
  • Xiem Mang as The Chinese Man's Father
  • Philippe Le Dem as The French Teacher
  • Ann Schaufuss as Anne-Marie Stretter
The Lover: Original Motion Picture Soundtrack
Film score (Digital download)/Audio CD by Gabriel Yared
Released10/13/92
Length39:14
LabelVarèse Sarabande Records

All music composed by Gabriel Yared.

Track listing
No.TitleLength
1."A Kiss On The Window"01:45
2."Blue Zoon"02:46
3."One Day On The Mekong"03:31
4."One Step Dance"02:09
5."Promenade"03:35
6."A Man From Cholon"01:25
7."Helene"02:37
8."Valse a L'Etage"01:50
9."The Problems Of Life"02:26
10."Foxtrot Dance"02:27
11."The Lover"03:11
12."Habanera"01:48
13."The Barricades"00:58
14."Nocturne"03:51
15."La Marseillaise"01:13
16."The Departure"03:42
Total length:39:14

While adapting the Marguerite Duras novel into the film's screenplay, director Jean-Jacques Annaud and fellow writer Gérard Brach changed the age of "The Girl" from 15½ to 17 before deciding that they would have her reveal in the beginning that she is 15 and to lie to her lover saying she is 17, but tried to maintain the original structure and literary tone of the original novel. As with the Duras novel, none of the characters use names and are referred to in the credits as "The Girl" and "The Man". To find the actress who would play the girl, Annaud advertised in multiple cities in the United States and the United Kingdom, visited drama schools, and watched television. However, it was his wife who came upon 16-year-old British model Jane March's photograph in a teen fashion magazine and brought her to his attention.

When filming began 14 January 1991, March was two months away from turning 18.

Annaud first flew to Ho Chi Minh City in Vietnam in 1989 to view the original novel's setting, but was greatly disappointed at the state of the country. In an interview with the Los Angeles Times, he stated that the "best colonial hotel" offered "rats as big as this running through the corridors, spiders everywhere, and no air conditioning, of course. When we tried to use the sink, three drops of brown water--I presume from the Red River--came out of the faucet." He initially decided against filming in the country, and began scouting locations in Malaysia, Thailand and the Philippines, all countries that have been used as settings to represent Vietnam in other Western films. A year later, he returned to his original choice, feeling no other country could truly represent the "tired museum". According to Annaud and MGM studio, it was the first Western film to be shot in the country since the reunification of the country in 1975. The government welcomed the crew, providing them with a governmental helicopter for use during filming. However, the filmmakers were required to clear all production storyboards with officials before they could be filmed, and an official remained on set at all times. All of the film's sexual scenes had to be shot in Paris as they could not be filmed on location. It took 135 days to complete filming, and due to the importation costs of shooting in Vietnam, the film cost $30 million to produce.

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