The Last House On The Left 1972 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Mari Collingwood plans to attend a concert with her friend, Phyllis Stone, for her seventeenth birthday. Her parents, Estelle and John, express their concern about the band and her friendship with Phyllis, but let her go and give her a peace symbol necklace. Phyllis and Mari head into the city for the concert. On the way, they hear a news report on the car radio of a recent prison escape involving criminals Krug Stillo, a sadistic rapist and serial killer; his heroin-addicted son, Junior; Sadie, a promiscuous psychopath and sadist; and Fred "Weasel" Podowski, a child molester, peeping Tom, and murderer. Before the concert, Mari and Phyllis encounter Junior when trying to buy marijuana. He leads them to an apartment where they are trapped by the criminals. Phyllis tries to escape and tries to reason with them, but she fails and is gang-raped by Krug, Weasel and Sadie. Meanwhile, Mari's unsuspecting parents prepare a surprise party for her.

The next morning, Mari and Phyllis are bound, gagged and put in the trunk of their car and transported to the woods by the criminals. Mari recognizes that the road is near her home with a look of horror. Mari and Phyllis are forced to perform sexual acts on each other and Sadie attempts to perform oral sex on a weeping Mari. Phyllis distracts the kidnappers to give Mari an opportunity to escape but is chased by Sadie and Weasel, while Junior stays behind to guard Mari. Mari tries gaining Junior's trust by giving him her necklace and instead names him "Willow". Phyllis stumbles across a cemetery in the woods where she is cornered by Krug with a machete and stabbed in the back by Weasel. After they take turns kicking her, she crawls to a nearby tree and is stabbed by Weasel and Sadie multiple times. As she dies, Sadie digs her hand into the center of Phyllis’ belly where her belly button is and pulls out her intestines.

Mari convinces Junior to let her go, but her escape is halted by Krug. Sadie and Weasel present Phyllis's severed hand as Mari screams in horror. Krug carves his name into her chest, then rapes her. She vomits, quietly says a prayer and walks into a nearby lake to clean herself, but Krug fatally shoots her, leaving her body floating in the lake. Krug, Sadie and Weasel clean up and change out of their bloody clothes.

In their new attire, the gang goes to the Collingwoods' home, masquerading as travelling salesmen. Mari's parents let them stay overnight, but Junior exposes their identity and orders them to leave. The gang finds photos of Mari and discovers that it is Mari's home. Later that night Junior, in the midst of a heroin withdrawal, is heaving in the bathroom; Estelle enters to check on him. She gasps as she sees that he is wearing Mari's peace symbol necklace. She eavesdrops while the gang is spending the night in Mari's bedroom and finds blood-soaked clothing in their luggage. She overhears about the death of her daughter and disposal of the corpse in nearby lake.She and her husband rush into the woods where they find Mari's body on the bank of the lake. They carry Mari's body back to the house and exact revenge against the crooks.

Estelle seduces Weasel and performs fellatio on him that turns deadly when she bites off his penis and leaves him to bleed to death. Mari's father John takes his shotgun into the room where two of the criminals are asleep and shoots at them. Krug escapes into the living room and overpowers John, before being confronted by Junior, brandishing a revolver and threatening to kill him. Krug manipulates Junior into committing suicide by shooting himself. Using this distraction to his advantage, John runs into the basement to fetch a chainsaw. Krug attempts to shoot him with the shotgun but finds it is empty. Krug attempts to flee but is incapacitated by an electrocution booby-trap set earlier by John. Sadie rushes outside where she is tackled by Estelle, but she escapes and falls into the backyard swimming pool where Estelle slits her throat with a knife. The sheriff arrives just as John kills Krug with the chainsaw. The deputy then brings Estelle into the living room before removing the chainsaw from John's hands.

Screenplay

Sean S. Cunningham made his directorial debut with the white coater film The Art of Marriage. His film grossed $100,000 and attracted the company Hallmark Releasing (unaffiliated with Hallmark Cards Inc.). Cunningham made the film Together as a "better version" of film. Wes Craven, who had no money at the time, was put on the job of synchronizing dailies for Cunningham's re-shoot. He soon began editing the film with Cunningham and they became good friends. Hallmark Releasing bought the film for $10,000 and it was considered a "hit." Hallmark Releasing wanted them to do another film with a bigger budget and gave them $90,000 to shoot a horror film.

Cunningham served as producer and Craven served as writer and director on the project. Written by Craven in 1971, the original script was intended to be a graphic "hardcore" film, with all actors and crew being committed to filming it as such. However, after shooting began, the decision was made to edit the script into a much softer film. This script, written under the title Night of Vengeance, has never been released; only a brief glimpse is visible in the featurette Celluloid Crime of the Century (a 2003 documentary on the making of the film). The crux of the plot is based on the Swedish ballad "Töres döttrar i Wänge," which itself was the basis of Ingmar Bergman's The Virgin Spring (1960), of which Craven was an admirer. Craven envisioned a film in which the violence would be shown in detail onscreen; he felt that many popular films of the era, such as Westerns, glamorized violence and the "vigilante hero," and gave the public a misleading representation of death in the wake of Vietnam War.

Casting

The majority of the cast of The Last House on the Left were inexperienced or first-time actors. Cunningham and Craven held casting calls for the film at Cunningham's office in Midtown Manhattan in late 1971.

Sandra Peabody and Lucy Grantham were cast in the roles of the doomed Mari and Phyllis. The role of the lead villain, Krug Stillo, was given to David Hess, also a musician and songwriter. Jeramie Rain, who was twenty-one at the time, was playing Susan Atkins in an Off-Broadway production based on the Manson family murders; despite the fact that the original script called for an actress in her forties, Rain was awarded the part of Sadie. Fred Lincoln, who had appeared in pornographic films, was cast as Krug's criminal partner, while Mark Sheffler was given the role of Krug's heroin-addicted son. According to Lincoln, he and Peabody were acquaintances prior to filming and had the same agent at the time.

Filming

The film was shot on location for seven days in New York City, as well as Long Island, followed by shoots in rural locations outside of Westport, Connecticut. While filming in Connecticut, the cast and crew spent much time at producer Cunningham's family's home. According to Craven, the lake sequence was shot in the town reservoir of Weston, Connecticut. Craven sought a "documentary"-style appearance for the film, marked by close-up shots and single-cut takes.

Cunningham later described the film shoot as being "guerrilla-style" with the crew spontaneously filming at locations and being forced to leave due to lack of permits; in retrospect, Lincoln said that "nobody knew what were doing." Much of the special effects in the film were achieved practically, some at Lincoln's suggestion: For example, the sequence in which Phyllis is disemboweled, Lincoln helped craft fake intestines with condoms filled with fake blood and sand. For the murder sequence of Sadie in the swimming pool, Rain had a pouch full of fake blood attached underneath her shirt as well as blood capsules in her mouth, which she manually punctured. Lucy Grantham recalled during the scene in which Hess's character tells her to "piss her pants," that she in fact urinated in her jeans. Steve Miner, who would later become a director himself, served as a production assistant on the film.

Hess recalled that much of the cast bonded heavily during the filming process being that they were mostly inexperienced actors. Lincoln, Rain, and Sheffler recalled similar memories in a 2003 documentary titled Celluloid Crime of the Century, which recounted the making of