The King Of Comedy Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Rupert Pupkin (Robert De Niro), a stage-door autograph hound, is an aspiring, mentally-deranged stand-up comedian unsuccessfully trying to launch his career. After meeting Jerry Langford (Jerry Lewis), a successful comedian and talk show host, Rupert believes his "big break" has finally come. He attempts to book a spot on the show but is continually rebuffed by Langford's staff and finally by Langford himself. Along the way, Rupert indulges in elaborate and obsessive fantasies in which he and Langford are colleagues and friends. Hoping to impress, Rupert invites a date, Rita, to accompany him when he decides to show up uninvited at Langford's country home. When Langford returns to his house from a golfing round, he finds Rupert and Rita settling in. Angered, he launches into a furious tirade against Rupert, telling him that his act is mediocre and that he's a lunatic who'll never amount to anything. While Jerry yells at him, Rupert continues trying to stay in his good graces, until an embarrassed Rita gets Rupert to finally leave.

When the straight approach does not work, Rupert hatches a kidnapping plot with the help of Masha (Sandra Bernhard), a fellow stalker similarly obsessed with Langford. As ransom, Rupert demands that he be given the opening spot on that evening's Jerry Langford Show (guest hosted by Tony Randall), and that the show be broadcast in normal fashion. The network brass, lawyers, and the FBI agree to his demands, with the understanding that Langford will be released once the show airs. Between the taping of the show and the broadcast, Masha has her "dream date" with Langford, who is duct-taped to a chair in her parents' Manhattan townhouse. Jerry convinces her to untie him and he manages to escape.

Rupert's stand-up routine is well received by the audience. In his act, he describes his troubled life (from growing up in a poor neighborhood with neglectful, alcoholic parents; to getting regularly bullied and beaten up during his adolescence) while simultaneously laughing at his circumstances. Rupert closes by confessing to the studio audience that he kidnapped Jerry Langford in order to break into show business. The audience laughs, believing it to be part of his act. Rupert responds by saying, "Tomorrow you'll know I wasn't kidding and you'll all think I'm crazy. But I figure it this way: better to be king for a night, than a schmuck for a lifetime."

The movie closes with a news report of Rupert's release from prison, set to a montage of storefronts stocking his "long awaited" autobiography, King for a Night. The report informs that Rupert still considers Jerry Langford his mentor and friend and that he and his agent are currently weighing several "attractive offers", including comedy tours and a film adaptation of his memoirs. The final scene shows Rupert taking the stage for an apparent TV special with a live audience and an announcer enthusiastically introducing and praising him, leaving the viewer to decide whether it is reality or Rupert's fantasy.

• Robert De Niro as Rupert Pupkin
• Jerry Lewis as Jerry Langford
• Diahnne Abbott as Rita Keene
• Sandra Bernhard as Masha
• Ed Herlihy as himself
• Tony Randall as himself

After Raging Bull was completed, Scorsese thought about retiring from feature films to make documentaries instead because he felt "unsatisfied" and hadn't found his "inner peace" yet. However, he was keen to do a pet project of his, The Last Temptation of Christ, and wanted De Niro to play Jesus Christ. De Niro was not interested and preferred their next collaboration to be a comedy. He had purchased the rights of a script by film critic Paul D. Zimmerman. Michael Cimino was first proposed as director but eventually withdrew from the project because of the extended production of Heaven's Gate. Scorsese pondered whether he could face shooting another film, particularly with a looming strike by the Writers Guild of America. Producer Arnon Milchan knew he could do the project away from Hollywood interference by filming entirely on location in New York and deliver it on time with the involvement of a smaller film company.

In the biography/overview of his work, Scorsese on Scorsese, the director had high praise for Jerry Lewis, stating that during their first conversation before shooting, Lewis was extremely professional and assured him before shooting that there would be no ego clashes or difficulties. Scorsese said he felt Lewis' performance in the film was vastly underrated and deserved more acclaim.

After such a strong critical appreciation for the way in which Scorsese had shot Raging Bull, the director felt that The King of Comedy needed more of a raw cinematic style, one of which would take its cues from early silent cinema, using more static camera shots, and fewer dramatic close-ups. Scorsese has noted that Edwin S. Porter's 1903 film Life of an American Fireman had greatly influenced The King of Comedy's visual style.

De Niro prepared for Rupert Pupkin's role by developing a "role reversal" technique, consisting of chasing down his own autograph-hunters, stalking them and asking them lots of questions. As Scorsese remembered, he even agreed to meet and talk with one of his longtime stalkers:

The guy was waiting for him with his wife, a shy suburban woman who was rather embarrassed by the situation. He wanted to take him to dinner at their house, a two-hour drive from New York. After he had persuaded him to stay in Manhattan, asked him, 'Why are you stalking me? What do you want?' He replied, 'To have dinner with you, have a drink, chat. My mom asked me to say hi.'

De Niro also spent months watching stand-up comedians at work to get the rhythm and timing of their performances right. Fully in phase with his character, he went as far as declining an invitation to dinner from Lewis because he was "supposed to be at his throat and ready to kill him for chance".

According to an interview with Lewis in the February 7, 1983, edition of People magazine, he claimed that Scorsese and De Niro employed method acting tricks, including making a slew of anti-Semitic epithets during the filming in order to "pump up Lewis's anger". Lewis described making the film as a pleasurable experience and noted that he got along well with both Scorsese and De Niro. Lewis said he was invited to collaborate on certain aspects of the script dealing with celebrity life. He suggested an ending in which Rupert Pupkin kills Jerry, but was turned down. As a result, Lewis thought that the film, while good, did not have a "finish". In an interview for the DVD, Scorsese stated that Jerry Lewis suggested that the brief scene where Jerry Langford is accosted by an old lady for autographs, who screams, "You should only get cancer", when Lewis politely rebuffs her, was based on a real-life incident that happened to Lewis. Scorsese said Lewis directed the actress playing the old lady to get the timing right.

Screenplay

At the time he wrote his script, Paul D. Zimmerman was inspired by a David Susskind show on autograph hunters and an Esquire article on a fanatical Johnny Carson follower. Scorsese first became aware of Zimmerman's script after it was brought to him by Robert De Niro in 1974, but declined the project citing that he felt no personal connection with it. Michael Cimino was attached to direct but his involvement with the script fell through when he left the project to direct Heaven's Gate. Prompted by the alienation he felt from his growing celebrity status, and De Niro's insistence that the film could be made "real fast", and that it would be a "New York movie" Scorsese's interest in the project was rekindled.

Casting

Scorsese's first choice for talk show host Jerry Langford was Johnny Carson. Carson refused the role, saying "you know that one take is enough for me". The entire Rat Pack was also considered—specifically Frank Sinatra and Dean Martin—before a decision was made to select Martin's old partner, Jerry Lewis.

Principal photography

Arnon Milchan suggested shooting begin a month earlier than scheduled in order to avoid possible work stoppage from the DGA strike. Furthermore, Scorsese was not in good health. The film was shot over a twenty-week period, with Scorsese shooting from 4 pm to 7 pm every day.

Scorsese's health

Scorsese had suffered from poor health both before and during the film's production. He had previously worked on three films close together and not long after, found himself hospitalized due to exhaustion and pneumonia. He had not recovered when shooting began. The intensive filming schedule meant Scorsese could spend the remainder of his time recuperating.

Music

Robbie Robertson produced the music for the film's soundtrack and contributed his first original work after leaving The Band entitled "Between Trains". This song, a tribute to a member of the production staff who had suddenly died, is on the soundtrack album but not in the movie itself. The King of Comedy soundtrack is a mix of popular music and thematic orchestral scoring by composer Bob James. The soundtrack includes songs from artists such as B.B. King, Van Morrison and Ray Charles. This kind of hybridization of pop and scored music would later be used in Gangs of New York, The Aviator and The Departed.

Soundtrack album

A soundtrack album was released by Warner Bros. Records in 1983. A CD version with identical tracks was released by Wounded Bird Records in 2016.

The King of Comedy was released on (Region 1) DVD on December 12, 2002, and April 19, 2004, on (Region 2).

A digital restoration of the movie was presented on April 27, 2013, as the closing film of De Niro's Tribeca Film Festival. This latest version was produced from the film’s original camera negatives and features a restored soundtrack. While the restored film was scheduled to be released onto Blu-ray on October 29, 2013, the 30th Anniversary home media release was ultimately delayed for a release date of March 25, 2014.

In 2015, it was announced a stage musical for Broadway was to be made with Stephen Trask (Hedwig and the Angry Inch) writing the music and lyrics and the book is by Chris D'Arienzo (Rock of Ages).

Although the film was well received by critics, it bombed at the box office. De Niro said that the film "maybe wasn't so well received because it gave off an aura of something that people didn't want to look at or know". As of October 2018, the film holds an 88% approval rating on review aggregator Rotten Tomatoes based on 51 critic reviews. The sites critical consensus states, "Largely misunderstood upon its release, T