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The Iron Giant is a 1999 American animated science fiction film using both traditional animation and computer animation, produced by Warner Bros. Feature Animation and directed by Brad Bird in his directorial debut. It is based on the 1968 novel The Iron Man by Ted Hughes (which was published in the United States as The Iron Giant) and was scripted by Tim McCanlies from a story treatment by Bird. The film stars the voices of Eli Marienthal, Christopher McDonald, Jennifer Aniston, Harry Connick, Jr., John Mahoney, and Vin Diesel. Set during the Cold War in 1957, the film is about a young boy named Hogarth Hughes, who discovers and befriends a giant robot who fell from space. With the help of beatnik artist Dean McCoppin, they attempt to prevent the U.S. military and Kent Mansley, a paranoid federal agent, from finding and destroying the Giant.

The Iron Giant
Theatrical release poster
Directed byBrad Bird
Produced by
  • Allison Abbate
  • Des McAnuff
Screenplay byTim McCanlies
Story byBrad Bird
Based onThe Iron Man
by Ted Hughes
Starring
  • Eli Marienthal
  • Jennifer Aniston
  • Vin Diesel
  • Harry Connick, Jr.
  • Christopher McDonald
  • John Mahoney
  • James Gammon
  • M. Emmet Walsh
Music byMichael Kamen
CinematographySteven Wilzbach
Edited byDarren T. Holmes
Production
company
Warner Bros. Feature Animation
Distributed byWarner Bros. Pictures
Release date
  • August 6, 1999 (1999-08-06)
Running time
87 minutes
CountryUnited States
LanguageEnglish
Budget$70–80 million
Box office$31.3 million

The film's development phase began in 1994 as a musical with the involvement of The Who's Pete Townshend, though the project took root once Bird signed on as director and hired McCanlies to write the screenplay in 1996. The film was created traditionally, with computer-generated imagery used to animate the title character and other effects. The understaffed crew of the film completed it with half of the time and budget of other animated features. Michael Kamen composed the film's score, which was performed by the Czech Philharmonic.

The Iron Giant premiered at Mann's Chinese Theater in Los Angeles on July 31, 1999, and was released worldwide on August 6. Upon its release, the film significantly under-performed at the box office, making $31.3 million worldwide against a budget of $70–80 million, which was blamed on an unusually poor marketing campaign. However, the film received widespread critical acclaim with praise directed at the story, animation, characters, the portrayal of the title character, and the voice performances of Aniston, Connick, Jr., Diesel, McDonald, Mahoney, and Marienthal. The film was nominated for several awards, winning nine Annie Awards out of 15 nominations. Through home video releases and television syndication, the film gathered a cult following and is now widely regarded as a modern animated classic. In 2015, an extended, remastered version of the film was re-released theatrically, which saw a home video release the following year.

Screenplay

Shortly after the Soviet Union launches Sputnik 1 in October 1957, an object from space crashes in the ocean just off the coast of Maine, then enters the forest near the town of Rockwell. Nine-year-old Hogarth Hughes investigates and finds a giant robot attempting to eat the transmission lines of an electrical substation. Hogarth eventually befriends the Giant, finding it docile and curious. When it eats railroad tracks in the path of an oncoming train, the train collides with it and derails, and Hogarth leads the Giant away from the scene, discovering that it can self-repair. While there, Hogarth shows the Giant comic books of the adventures of Superman.

The incidents lead a cowardly and paranoid U.S. government agent named Kent Mansley to Rockwell. He suspects Hogarth's involvement after talking with him and his widowed mother, Annie, and rents a room in their house to keep watch on him. Hogarth evades Kent and moves the Giant to a junkyard owned by beatnik artist Dean McCoppin, who reluctantly agrees to keep him. Hogarth enjoys his time with the Giant but is forced to explain "death" after witnessing hunters killing a deer.

When Kent discovers evidence of the giant after finding a photo of it next to Hogarth, and brings a U.S. Army contingent led by General Shannon Rogard to the scrapyard to 'prove' the Giant's existence, Dean tricks them by pretending the Giant is one of his art pieces. Rogard is enraged by the apparent false alarm and prepares to leave with his forces after berating Kent on his antics. Hogarth then continues to have fun with the Giant by playing with a toy gun, but inadvertently activates the Giant's defensive system, and Dean orders it away for Hogarth's safety, with Hogarth giving chase. Dean realizes the Giant was acting in self-defense and catches up to Hogarth as they follow the Giant.

The Giant saves two boys falling from a roof when it arrives, winning over the townspeople. Kent convinces Rogard to return to Rockwell when he spots the Giant in the town while leaving Rockwell; the Army attacks the Giant after he had picked up Hogarth, forcing the two to flee together. They initially evade the military by using the Giant's flight system, but the Giant is then shot down and crashes to the ground. Hogarth is knocked unconscious, but the Giant, thinking Hogarth is dead, transforms into a war machine in grief and retaliates, forcing its way back to Rockwell. Kent then convinces Rogard to prepare a nuclear missile launch from USS Nautilus, as conventional weapons prove ineffective. Dean and Annie revive Hogarth, who returns in time to calm the Giant while Dean clarifies the situation to Rogard. The General is ready to stand down when Kent impulsively orders the missile launch, causing the missile to head towards Rockwell where it will kill everyone. Kent attempts to escape, but the Giant stops him and Rogard has him detained for his actions. In order to save the town, the Giant bids farewell to Hogarth and flies off to intercept the missile. The missile explodes in the atmosphere, saving Rockwell, its population, and the military forces nearby but seemingly destroys the Giant, devastating Hogarth.

Months later, a memorial of the Giant stands in Rockwell, and Dean and Annie are starting a relationship. Hogarth is given a package from Rogard, containing a bolt from the Giant; the only remnant ever found. That night, Hogarth finds the bolt trying to move on its own and, remembering the Giant's ability to self-repair, happily allows the bolt to leave. The bolt joins many other parts as they converge on the Giant's head on the Langjökull glacier in Iceland, and he smiles as he begins reassembling himself.

 
Christopher McDonald, Brad Bird and Eli Marienthal in March 2012 at the Iron Giant screening at the LA Animation Festival
  • Eli Marienthal as Hogarth Hughes, an intelligent, energetic and curious 9-year-old boy with an active imagination. Marienthal's performances were videotaped and given to animators to work with, which helped develop expressions and acting for the character.
  • Vin Diesel as The Iron Giant, a fifty-foot, metal-eating robot. Created for an unknown purpose, the Giant involuntarily reacts defensively if he recognizes anything as a weapon, immediately attempting to destroy it. The Giant's voice was originally to be electronically modulated but the filmmakers decided they "needed a deep, resonant and expressive voice to start with," so they hired Vin Diesel.
  • Christopher McDonald as Kent Mansley, a paranoid federal government agent sent to investigate sightings of the Iron Giant. The logo on his official government car says he is from the "Bureau of Unexplained Phenomena".
  • Harry Connick, Jr. as Dean McCoppin, a beatnik artist and junkyard owner. Bird felt it appropriate to make the character a member of the beat generation, as they were viewed as mildly threatening to small-town values during that time. An outsider himself, he is among the first to recognize the Giant as no threat.
  • Jennifer Aniston as Annie Hughes, the widow of a military pilot and Hogarth's mother.
  • John Mahoney as General Shannon Rogard, an experienced and levelheaded military leader in Washington, D.C. who strongly dislikes Mansley.
  • M. Emmet Walsh as Earl Stutz, a sailor and the first man to see the robot.
  • James Gammon as Marv Loach, a foreman who follows the robot's trail after it destroys the power station.
    • James Gammon also voices Floyd Toubeaux.
  • Cloris Leachman as Mrs. Karen Tensedge, Hogarth's schoolteacher.
  • Ollie Johnston and Frank Thomas as the train engineers. Johnston and Thomas were animators and members of Disney's Nine Old Men. Bird cited them as inspirations for his career and incorporated their voices and likenesses into the film.

Development

The origins of the film lie in the book The Iron Man (1968), by poet Ted Hughes, who wrote the novel for his children. In the 1980s, rock musician Pete Townshend chose to adapt the book for a concept album; it was released as The Iron Man: A Musical in 1989. In 1991, Richard Bazley, who later became the film's lead animator, pitched a version of The Iron Man to Don Bluth while working at his studio in Ireland. He created a story outline and character designs but Bluth passed on the project. After a stage musical was mounted in London, Des McAnuff, who had adapted Tommy with Townshend for the stage, believed that The Iron Man could translate to the screen, and the project was ultimately acquired by Warner Bros. Entertainment.

In late 1996, while developing the project on its way through, the studio saw the film as a perfect vehicle for Brad Bird, who at the time was working for Turner Feature Animation developing Ray Gunn. Turner Entertainment had recently merged with Warner Bros. parent company Time Warner, and Bird was allowed to transfer to the Warner Bros. Animation studio to direct The Iron Giant. After reading the original Iron Man book by Hughes, Bird was impressed with the mythology of the story and in addition, was given an unusual amount of creative control by Warner Bros. This creative control involved introducing two new characters not present in the original book, Dean and Kent, setting the film in America, and discarding Townshend's musical ambitions (who did not care either way, reportedly remarking, "Well, whatever, I got paid"). Bird's pitch to Warner Bros. was based around the idea "What if a gun had a soul?" He expanded upon his desire to set the film in America in the 1950s in a later interview:

The Maine setting looks Norman Rockwell idyllic on the outside, but inside everything is just about to boil over; everyone was scared of the bomb, the Russians, Sputnik —even rock and roll. This clenched Ward Cleaver smile masking fear (which is really what the Kent character was all about). It was the perfect environment to drop a 50-foot-tall robot into.

Bird's sister, Susan, was shot and killed by her estranged husband before the film's story was completed. This motivated Bird to emphasize the anti-gun message of the film and the moralistic quote by Dean: "You are who you choose to be." The film was dedicated to Susan's memory.

Ted Hughes, the original story's author, died before the film's release. His daughter, Frieda Hughes, did see the finished film on his behalf and loved it. Pete Townshend, who this project originally started with, enjoyed the final film as well.

Writing

Tim McCanlies was hired to write the script, though Bird was somewhat displeased with having another writer on board, as he wanted to write the screenplay himself. He later changed his mind after reading McCanlies' then-unproduced screenplay for Secondhand Lions. In Bird's original story treatment, America and the USSR were at war at the end, with the Giant dying. McCanlies decided to have a brief scene displaying his survival, stating, "You can't kill E.T. and then not bring him back." McCanlies finished the script within two months. McCanlies was given a three-month schedule to complete a script, and it wa

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