The Hills Have Eyes 1977 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

The suburban Carter family is traveling on vacation towing a travel trailer from Ohio to Los Angeles. Parents Bob and Ethel are driving, accompanied by their teenage children Bobby, Brenda, eldest daughter Lynne, Lynne's husband Doug, Lynne and Doug's baby daughter Katy, and the family's dogs, Beauty and The Beast. In Nevada, they stop at Fred's Oasis for fuel, and Fred urges them to stay on the main road as they leave. Fred's truck suddenly explodes. Ignoring Fred's warning and dismissing him as a crazy person, the Carters skid off a desert road and crash. Bob walks back to Fred's Oasis to get help. The dogs become very panicky and start barking at the hills. Beauty then runs off into the hills. Bobby chases after her and finds her mutilated body. Frightened, he runs, falls, and knocks himself unconscious.

As night falls, Bob reaches the gas station, where he finds Fred, who has tried to hang himself. Fred tells him about his son's family of deranged cannibals who live in the hills through which the Carters have traveled. They are commanded by Papa Jupiter whose mother, Fred's wife, died during childbirth. As a child, he killed the livestock on his father's farm and later murdered his sister. Fred attacked his son with a tire iron and left him in the hills to die. However, Jupiter survived and had children with a depraved, alcoholic prostitute known as Mama. Together, they had three sons - Mars, Pluto and Mercury - and an abused daughter, Ruby. They survive by cannibalizing travelers and stealing supplies. Papa Jupiter suddenly crashes through a window, kills Fred with a tire iron and takes Bob prisoner and crucifies him.

Brenda finds Bobby, who is shaken up about Beauty and the two return to the trailer. Bobby does not mention Beauty's death because he doesn't want to frighten the rest of the family. Unbeknownst to Bobby, Pluto enters the trailer. He then locks Bobby out, so Bobby asks Doug for his keys. Before Bobby enters the trailer, Pluto tells Papa Jupiter via a walkie-talkie to set Bob on fire and an explosion is heard in the distance. Ethel, Lynne, Doug, and Bobby rush out to save Bob while Brenda stays in the trailer with the baby. As they extinguish the fire, Pluto and Mars ransack the camper and Mars rapes Brenda. The Carters eventually extinguish the fire, but Bob dies shortly afterwards. When Ethel and Lynne return to the trailer, Lynne is attacked by Mars, and Ethel hits him with a broom. After Mars shoots Ethel and Lynne, he attempts to shoot Brenda as well but has run out of bullets. Pluto abducts the baby and the brothers flee, intending for the family to eat the baby. Hearing their screams, Doug and Bobby rush in the camper only to find Lynne dead and Ethel mortally wounded.

Mars and Pluto return to their home, a cave, and The Beast pushes Mercury off a hilltop to his death. Ruby is then chained outside the cave with Mama tormenting her, and is forced to eat Beauty as punishment for sympathizing with the Carters. The next morning, shortly after Ethel dies, Doug sets out to find his baby while Papa Jupiter and Pluto set out to kill the remaining family members. Beast tears Pluto's throat out, and Papa Jupiter is killed by a trap set by Brenda and Bobby using their mother's corpse. Doug sees Ruby knock out Mama and escape into the hills with Katy.

Doug catches up with Ruby and the baby, but Mars follows them. Mars initially manages to tackle and knife-struggle with Doug, but Ruby interferes by putting a rattlesnake on Mars' neck, enabling Doug to overpower him. Doug then repeatedly stabs Mars, even after killing, while Ruby weeps over her brother's body and the screen fades to red.

Development

Wes Craven desired to make a non-horror film, following his directorial debut, The Last House on the Left (1972), because he saw the horror genre as constraining. However, he could not find producers interested in financing a project that did not feature bloody violence. Craven's friend, producer Peter Locke, was interested in financing a horror exploitation film, and Craven decided to write the project due to his monetary issues. Craven considered collaborating with Sean S. Cunningham on a horror children's film based on "Hansel and Gretel", but Locke wanted the film to be more in the vein of The Last House on the Left. In writing the project for Locke, Craven decided he "wanted something more sophisticated than Last House on the Left." He added that he "didn't want to feel uncomfortable again about making a statement about human depravity."

Searching for a story to film, Craven began looking up "terrible things" at the New York Public Library. While going through the library's forensics department, Craven learned of the legend of Sawney Bean - the alleged head of a 48-person Scottish clan responsible for the murder and cannibalization of more than one thousand people. What interested Craven in the legend was how, after Bean's clan was arrested, they were tortured, quartered, burned and hung. Craven saw this treatment of the Bean clan by supposedly civilized people as paralleling the clan's own savagery. Craven decided to base the film on the legend. Another major inspiration for the project was Tobe Hooper's The Texas Chain Saw Massacre (1974), one of Craven's favorite films. Bloody Disgusting's Zachary Paul says that both films center on a group of vacationers who are "stranded in the wide open nowhere and must protect themselves against a tightly knit family of cannibals" and feature an archetypal "gas station of doom". Like The Last House on the Left before it, the film drew influence from the work of European directors such as François Truffaut and Luis Buñuel.

Other inspirations for The Hills Have Eyes were Craven's neighbors and family, whom the Carters where modeled on, the director's nightmares, and John Ford's The Grapes of Wrath (1940). The original script was titled Blood Relations: The Sun Wars and was set in New Jersey during 1984, several years in the future. As Locke's girlfriend, Liz Torres, often performed in Las Vegas during this period, Locke saw a lot of desert landscapes as the film was being written, and suggested that Craven set the film in the desert. Due to budgetary constraints, the film was written to have few roles and be set in few locations. Originally, the film was to end with the surviving members of the family reuniting at the trailer site, signifying that they could move on with their lives. Craven ultimately opted for an ending where Doug stabs Mars as a disgusted Ruby watches, as he liked the role reversal that this ending created. Craven also wanted the two families in the story to be the "mirror images of each other," believing that this would allow him to "explore different sides of the human personality."

Casting

Michael Berryman, who has twenty-six different birth defects, won the role of Pluto. He was elated to cast be in a horror film due to his love of The Mummy's Curse (1944) and other black-and-white Universal Classic Monsters films. The character of Ruby needed to be played by an actress who was a fast runner, so all of the actresses who auditioned for the part were required to race each other. Janus Blythe won the part partially because she outran all of the other auditioning actresses. Locke wanted to make a cameo appearance in the film, and was given the role of Mercury, who appears briefly in the film. Locke was credited for the role under the name "Arthur King." Gunnar Hansen, who played Leatherface in The Texas Chain Saw Massacre, was offered a part in the film and rejected it so that he could move to Maine and focus on his literary career. He later came to regret not appearing in the film.

Filming

Principal photography for The Hills Have Eyes began in October 1976. The film was shot in Victorville, California in the Mojave Desert using 16 mm film on cameras that were borrowed from a Californian pornographic filmmaker. The film cost between $350,000 and $700,000, around thrice the budget of The Last House on the Left. The film's actors were paid minimum wage, and the film's crew were non-union. Locke was on the film's set everyday of its shoot, making sure that Craven was being productive.

The shoot was unpleasant for the actors, due to daytime tem