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The Frighteners is a 1996 New Zealand-American horror comedy film directed by Peter Jackson and co-written with his partner, Fran Walsh. The film stars Michael J. Fox, Trini Alvarado, Peter Dobson, John Astin, Dee Wallace Stone, Jeffrey Combs, R. Lee Ermey and Jake Busey. The Frighteners tells the story of Frank Bannister (Fox), an architect who develops psychic abilities allowing him to see, hear, and communicate with ghosts after his wife's murder. He initially uses his new abilities to befriend ghosts, whom he sends to haunt people so that he can charge them handsome fees for "exorcising" the ghosts. However, the spirit of a mass murderer appears able to attack the living and the dead, posing as the ghost of the Grim Reaper, prompting Frank to investigate the supernatural presence.

The Frighteners
Theatrical release poster
Directed byPeter Jackson
Produced by
  • Peter Jackson
  • Jamie Selkirk
Written by
  • Fran Walsh
  • Peter Jackson
Starring
  • Michael J. Fox
  • Trini Alvarado
  • Peter Dobson
  • John Astin
  • Dee Wallace Stone
  • Jeffrey Combs
  • Jake Busey
Music byDanny Elfman
Cinematography
  • John Blick
  • Alun Bollinger
Edited byJamie Selkirk
Production
company
WingNut Films
Distributed byUniversal Pictures
Release date
  • July 19, 1996 (1996-07-19)
Running time
110 minutes
Country
  • United States
  • New Zealand
LanguageEnglish
Budget$26 million
Box office$29.3 million

Jackson and Walsh conceived the idea for The Frighteners during the script-writing phase of Heavenly Creatures. Executive producer Robert Zemeckis hired the duo to write the script, with the original intention of Zemeckis directing The Frighteners as a spin-off film of the television series, Tales from the Crypt. With Jackson and Walsh's first draft submitted in January 1994, Zemeckis believed the film would be better off directed by Jackson, produced by Zemeckis and funded/distributed by Universal Studios. The visual effects were created by Jackson's Weta Digital, which had only been in existence for three years. This, plus the fact that The Frighteners required more digital effects shots than almost any movie made until that time, resulted in the eighteen-month period for effects work by Weta Digital being largely stressed.

Despite a rushed post-production schedule, Universal was so impressed with Jackson's rough cut on The Frighteners, the studio moved the theatrical release date closer by four months. The film was not a box office success, but received generally positive reviews from critics. Despite its lackluster performance at the box office, the film has gained a cult following in more recent years.

The Frighteners is also Fox's last leading role in a live-action feature film; Fox then went on to a four-year run on the television series Spin City before semi-retiring in 2000 due to the effects of Parkinson's disease.

Screenplay

In 1990, architect Frank Bannister's wife, Debra, dies in a car accident. He abandons his profession and his unfinished "dream house" sits incomplete. Following the accident, Frank gained the power to see ghosts and befriends three: 1970s street gangster Cyrus, 1950s nerd Stuart, and The Judge, a gunslinger from the Old West. The ghosts haunt houses so Frank can then "exorcise" them for a fee. Most locals consider him a con man.

Soon after Frank cons local health nut Ray Lynskey and his wife Lucy, a physician, Ray dies of a heart attack. Frank discovers there is an entity, appearing as the Grim Reaper, killing people, first marking numbers on their foreheads that only Frank sees. Debra had a similar number when she was found.

Frank's ability to foretell the murders puts him under suspicion with the police and FBI agent Milton Dammers, who is convinced Frank is responsible. Frank is arrested for killing newspaper editor Magda Rees-Jones, who had attacked him in the press. It was actually the Grim Reaper who killed Rees-Jones, despite Frank's attempts to prevent it.

Lucy investigates the murders and becomes a target of the Grim Reaper. She is attacked while visiting Frank in jail; but they escape with the help of Cyrus and Stuart, who are both dissolved in the process. Frank wants to commit suicide to stop the Grim Reaper. Lucy helps Frank have a near-death experience by putting him into hypothermia and using barbiturates to stop his heart. Dammers abducts Lucy, revealing that he had been a victim of Charles Manson and his "Family" in 1969.

In his ghostly form, Frank confronts the Grim Reaper and discovers that he is the ghost of Johnny Bartlett, a psychiatric hospital orderly who killed twelve people 30 years earlier, before being captured, convicted and executed. Newspaper reports reveal that his greatest desire was to become the most prolific serial killer ever, showing pride at killing more than contemporaries like Charles Starkweather. Patricia Bradley, then a teenager, was accused as his accomplice, although she escaped the death penalty due to her underage status. Lucy resuscitates Frank and they visit Patricia. Unknown to them, Patricia is still in love with Bartlett and on friendly, homicidal terms with Bartlett's ghost, and eventually kills her own mother, who had been trying to monitor her daughter's behavior. Lucy and Frank trap Bartlett's spirit in his urn, which Patricia has kept. The pair make for the chapel of the now-abandoned psychiatric hospital hoping to send Bartlett's ghost to Hell.

Patricia and Dammers chase them through the ruins. Dammers throws the ashes away, releasing Bartlett's ghost again before Patricia kills Dammers. Bartlett's ghost and Patricia hunt down Frank and Lucy. Frank realizes that Bartlett's ghost, with Patricia's help, was responsible for his wife's death and the number on her brow, and that he is still trying to add to his body count (and infamy) even after his death.

Out of bullets, Patricia strangles Frank to death, but Frank in spirit form rips Patricia's spirit from her body, forcing Bartlett to follow them. Bartlett grabs Patricia's ghost, while Frank makes it to Heaven, where he is reunited with Cyrus and Stuart, along with his wife Debra. Bartlett and Patricia's spirits claim they will now go back to claim more lives, but the portal to Heaven quickly changes to a demonic-looking appearance and they are both dragged to Hell by a giant worm-like creature. Frank learns it is not yet his time and is sent back to his body as Debra's spirit tells him to "be happy."

Frank and Lucy fall in love. Lucy is now able to see ghosts as well. Frank later begins demolishing the unfinished dream house and building a life with Lucy while the morose-looking ghost of Dammers is riding around in the sheriff's car. Frank and Lucy then enjoy their picnic.

  • Michael J. Fox as Frank Bannister, an architect. Although Jackson and Walsh envisioned The Frighteners as a low-budget film with unknown actors, Zemeckis suggested casting his Back to the Future star Fox in the lead role. Fox became enthusiastic about working with Jackson when he saw Heavenly Creatures at the Toronto International Film Festival.
  • Trini Alvarado as Dr. Lucy Lynskey, a physician that Frank meets. The character is named after Heavenly Creatures star Melanie Lynskey (who also cameos in The Frighteners).
  • Peter Dobson as Ray Lynskey, Lucy's health-obsessed and comically hot-headed husband who dislikes Frank's tactics
  • John Astin as The Judge, a decaying gunslinger ghost from the Old West with a penchant for mummies and firing guns at random.
  • Dee Wallace Stone as Patricia Ann Bradley, Bartlett's mentally ill lover (escaping execution at the time of the original murders as she was underage) who is under strict observation by her mother.
  • Jeffrey Combs as Special Agent Milton Dammers, an eccentric FBI agent who has a vendetta against Bannister. A former undercover agent known for his work with cultists, which caused him to sustain multiple massive mutilations and driven to the brink of insanity. He has a problem with women screaming at him. Jackson opted to cast Combs as Dammers because he was a fan of the actor's work in Re-Animator.
  • Jake Busey as John Charles "Johnny" Bartlett, a mass murderer who continues his work in the afterlife, focusing on increasing his body count as a form of competition with other famous murderers. He returns from Hell, able to attack the living and the dead posing as the Grim Reaper.
  • R. Lee Ermey as the ghost of Master Sergeant Hiles. Ermey's performance in this film is heavily reminiscent of his performance as Gunnery Sergeant Hartman in the 1987 film Full Metal Jacket, sharing many mannerisms with the aforementioned character.
  • Chi McBride as Cyrus, a gangster who is one of Frank's deceased associates for his ghost-hunting business.
  • Jim Fyfe as Stuart, a nerd who is one of Frank's deceased associates for his ghost-hunting business.
  • Angela Bloomfield as Debra Bannister, Frank's deceased wife.
  • Troy Evans as Sheriff Walt Perry, a local law enforcement officer and ally to Frank.
  • Julianna McCarthy as Mrs. Bradley, Patricia's mother and former director of the psychiatric hospital, who is constantly monitoring her daughter.
  • Elizabeth Hawthorne as Magda Rees-Jones, the snooty British editor of the local newspaper.

Peter Jackson cameos as a man with piercings. Melanie Lynskey cameos as a deputy who is briefly seen standing next to Lucy Lynskey.

Peter Jackson and partner/co-writer Fran Walsh conceived the idea for The Frighteners in 1992, during the script-writing phase of Heavenly Creatures. Together, they wrote a three-page film treatment and sent it to their talent agent in Hollywood. Robert Zemeckis viewed their treatment with the intention of directing The Frighteners as a spin-off film of the television series, Tales from the Crypt (which he helped produce). Zemeckis hired Jackson and Walsh to turn their treatment into a full-length screenplay in January 1993. The husband and wife duo completed their first draft for The Frighteners in early-January 1994. Zemeckis was so impressed with their script, he decided The Frighteners would work better directed by Jackson, executive produced by Zemeckis and funded/distributed by Universal Pictures. Universal green-lighted the film to commence pre-production on a $26 million budget in April 1994. The studio also granted Jackson and Zemeckis total artistic control and the right of final cut privilege.

Production

Jackson decided to film The Frighteners entirely in New Zealand. Zemeckis and Universal agreed on the condition that Jackson made New Zealand look similar to the Midwestern United States. Principal photography began on May 14, 1995 and lasted until November 16, which is one of the longest shooting schedules ever approved by Universal Pictures. Six weeks into the shoot, cinematographer Alun Bollinger had a serious car accident. His replacement, John Blick, later alternated duties with Bollinger for much of the rest of the shoot. Location shooting primarily included Wellington and three weeks spent in Lyttelton. Interior scenes were compiled at Camperdown Studios in Miramar.

Visual effects

Jackson's Weta Digital created the visual effects, which included computer-generated imagery, as well as scale models (which were necessary to make Wellington look American), prosthetic makeup and practical effects with help from Weta Workshop. Visual effects supervisor Richard Taylor explained that effects work on The Frighteners was complex due to Weta's inexperience with computer technology in the mid-1990s. Prior to this film, Weta worked largely with physical effects. With so many ghosts among its main cast, The Frighteners required more digital effects shots than almost any movie made up till that time. For a special effects company that had been in existence less than three years, the eighteen-month period for completing The Frighteners was largely stressful. Some shots were handled by a small New Zealand company called Pixel Perfect, many of whose employees would eventually join Weta Digital. Rick Baker was hired to design the prosthetic makeup for The Judge, portrayed by John Astin (the detachable jawbone was later added digitally). However, Baker was not able to apply Astin's five hours of makeup due to his commitment on The Nutty Professor. Makeup artist Brian Penikas (Pirates of the Caribbean trilogy, Indiana Jones and the Kingdom of the Crystal Skull) fulfilled Baker's duties.

The extended shooting schedule owed much to the fact that scenes where ghosts and human characters interacted had to be filmed twice; once with human characters acting on set, and then with the ghost characters acting against a blue screen. The two elements would later be digitally composited into one shot with the use of split screen photography. Such sequences required precise timing from the cast as they traded dialogue with characters who were merely blank air. The hardest challenge for the digital animators at Weta was creating the Grim Reaper, which went through many transformations before finding physical form. "We set out with the intention of doing the Reaper as

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