Story of movie The Four Horsemen Of The Apocalypse Film : The Four Horsemen of the Apocalypse is a 1921 American silent epic war film produced by Metro Pictures Corporation and directed by Rex Ingram. Based on the Spanish novel The Four Horsemen of the Apocalypse by Vicente Blasco Ibáñez, it was adapted for the screen by June Mathis. The film stars Pomeroy Cannon, Josef Swickard, Bridgetta Clark, Rudolph Valentino, Wallace Beery, and Alice Terry.
| The Four Horsemen of the Apocalypse | |
|---|---|
Theatrical release poster | |
| Directed by | Rex Ingram |
| Produced by | Rex Ingram |
| Screenplay by | June Mathis |
| Based on | The Four Horsemen of the Apocalypse by Vicente Blasco Ibáñez |
| Starring | Pomeroy Cannon Josef Swickard Bridgetta Clark Rudolph Valentino Wallace Beery Alice Terry |
| Music by | Louis F. Gottschalk |
| Cinematography | John F. Seitz |
Production company | Rex Ingram Productions |
| Distributed by | Metro Pictures |
Release date |
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Running time | 134 minutes (edited version) 156 minutes (complete version) |
| Country | United States |
| Language | Silent English intertitles |
| Budget | $800,000 |
| Box office | $9.2 million |
Often regarded as one of the first true anti-war films, it had a huge cultural impact and became the top-grossing film of 1921, beating out Charlie Chaplin's The Kid. The film turned then-little-known actor Rudolph Valentino into a superstar and associated him with the image of the Latin Lover. The film also inspired a tango craze and such fashion fads as gaucho pants. The film was masterminded by June Mathis, who, with its success, became one of the most powerful women in Hollywood at the time.
In 1995, The Four Horsemen of the Apocalypse was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". The film is now in the public domain, having been made before 1923. A DVD version was released in 2000 but is now out of print. The film is now available for free download on the Internet Archive.
Screenplay
Play mediaMadariaga "The Centaur" (Pomeroy Cannon), a harsh but popular Argentine landowner, has a German son-in-law whom he dislikes and a French one whose family he openly favors. He is particularly fond of his grandson Julio (Rudolph Valentino), with whom he often carouses at seedy dives in the Boca district of Buenos Aires. In one of these bars, the movie's famous tango sequence occurs. A man and a woman (Beatrice Dominguez) are dancing the tango. Julio strides up and asks to cut in. The woman stares at Julio alluringly. The man brushes him off, and they resume dancing. Julio then challenges the man and strikes him, knocking him into some tables and out of the scene. Julio and the woman then dance a dramatic version of the tango that brings cheers from the people in the establishment. Following the dance, the woman sits on Julio's lap. Madariaga then slides to the floor, drunk. The woman laughs at Madariaga. Julio casts her aside in scorn and helps his grandfather home.
Sometime later, Madariaga dies. The extended family breaks up, one half returning to Germany and the other to France.
In Paris, Julio enjoys a somewhat shiftless life as a would-be artist and sensation at the local tea dances. He falls in love with Marguerite Laurier (Alice Terry), the unhappy and much younger wife (by an arranged marriage) of Etienne Laurier, a friend of Julio's father. The affair is discovered, and Marguerite's husband agrees to give her a divorce to avoid a scandal. It seems as though Julio and Marguerite will be able to marry, but both end up getting caught up in the start of the Great War.
Marguerite becomes a nurse in Lourdes. The bravery of Etienne is reported, and he is blinded in battle. Etienne happens to end up at the hospital where she is working, and Marguerite attends to him there. Julio travels to Lourdes to see Marguerite and instead sees her taking care of Etienne. Julio, ashamed of his wastrel life, enlists in the French Army.
In the meantime, the German Army overruns Julio's father Marcelo's Marne Valley castle in the First Battle of the Marne. Marcelo is forced to host a German general and staff in the castle. One of Marcelo's three German nephews is amongst the staff and tries to protect him, but Marcelo is arrested after a melee involving an officer's assault of a woman. Marcello is to be executed in the morning, but his life is spared when the French Army counterattacks in the "Miracle of the Marne". The castle is destroyed by the French counterattack.
Four years later Julio has survived and become renowned for his bravery in the trenches at the front. During a mission in no man's land, he encounters his last surviving German cousin. Moments later, they are both killed by a shell. Back in Paris, Marguerite considers abandoning the blinded Etienne, but Julio's ghost guides her to continue her care for him.
The ending scene shows Marcelo Desnoyers mourning over his son's grave. The man who lived upstairs from Julio watches over him. Marcelo asks him, "Did you know my son?" The man, with a remorseful expression, lifts his arms, forming the shape of a cross with his body, and says "I knew them all!" He then points to the sky and shows Marcelo the Four Horsemen of the Apocalypse riding away into the clouds. With this, the man assures him that "Peace has come—but the Four Horsemen will still ravage humanity—stirring unrest in the world—until all hatred is dead and only love reigns in the heart of mankind."
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In 1919, screenwriter June Mathis became head of the scenario department for Metro Pictures. With this position, she became one of the first female executives in film history. Holding a major belief in Spiritualism and the Book of Revelation, Mathis was determined to turn Vicente Blasco Ibáñez's novel The Four Horseman of the Apocalypse into a film. The book had been a best seller, but most studios found it impossible to adapt to film.
Mathis's adaptation so impressed the studio, they asked for her input in director and star. For director, she chose Rex Ingram, who would clash with both her and Valentino. Mathis had seen a young actor named Rudolph Valentino in a bit part of a Clara Kimball Young film, Eyes of Youth, in 1919.
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