The Fountain full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Conquistador Tomás Verde in New Spain fights a horde of Mayans to gain entry into a pyramid, where he is attacked by a Mayan priest. The story intercuts to a similar looking man, tending a tall tree in a glass dome biosphere travelling through space, annoyed by a woman called Izzi. Finally, a third iteration, present-day doctor Tom Creo, is losing his wife Izzi to a brain tumor. Tom is working on a cure using samples from a tree found through exploration in Guatemala, which are being tested for medicinal use for degenerative brain diseases in his lab. Izzi has come to terms with her mortality, but Tom refuses to accept it, focused on his quest to find a cure for her. She writes a story called "The Fountain" about Queen Isabella losing her kingdom to the Inquisition and a commission given by her to Tomás Verde to search for the Tree of Life in the Central American forest in Mayan territory. As she does not expect to finish her book, Izzi asks Tom to finish it for her. As they look up at the golden nebula of Xibalba, she imagines, as the Mayans did, that their souls will meet there after death and when the star goes supernova. She dies shortly thereafter and Tom dedicates himself to curing not only her disease, but death itself after seeing experimetal success in reversing ageing. His colleagues fear that this drive has made him reckless, but they support him scientifically and emotionally at Izzi's funeral. Tom plants a sweetgum seed at Izzi's grave in the manner of a story she told him relating how a Mayan guide's dead father lived on in a tree nourished by the organic nutrients of the buried body.

In the Mayan jungle, Tomás finds that most of his fellow knights are exhausted and refuse to continue searching for the Tree of Life. He takes the few who remain loyal with him to a pyramid, carrying a ceremonial dagger. Once he arrives at the pyramid, the first scene repeats and Tomás engages in combat with the Mayan priest. The space traveller (whether this character is a version of Tom, an element of Izzy's story, or Tom himself in the future is unclear) spends much of his time performing physical or mental exercises, including a form of meditation allowing him to perceive and interact with the past. In that past, when Tomás is stabbed in the stomach, just as the priest is about to kill him, he appears before the figurehead. The priest now believes Tomás is the "First Father" who birthed all life. Tomás sacrificially kills the priest and proceeds to a pool with a large tree, convinced this is the Tree of Life. Tomás applies some of its sap to his torso and is cured of his stab wound. He drinks the sap flowing from the bark. But in a reenactment of the Mayan creation myth recounted earlier, flowers and grass burst forth from his body and he literally gives rise to new life. In space, the tree finally dies just before arrival, much to the horror of the version of Tom tending it. A final apparition of Izzi appears, comforting him in the face of his acceptance of death. The star goes supernova, engulfing the ship and everything within. The traveler's body, being engulfed by the star dying inside the nebula, is disintegrated and absorbed by the tree causing it to flourish back to life. Izzi's apparition picks a fruit from the new tree of life and hands it to Tom, who plants it in Izzi's grave.

The three stories are interwoven with match cuts and recurring visual motifs; Hugh Jackman and Rachel Weisz play the main characters in all three narratives. Whether the actions in these stories are actual events, or symbolic, is not clear: director Darren Aronofsky emphasized that the storylines in their time periods and their respective convergences were open to interpretation. The director has said of The Fountain's intricacy and underlying message, " very much like a Rubik's Cube, where you can solve it in several different ways, but ultimately there's only one solution at the end."

In a 2012 interview outlining the path of life depicted, Aronofsky stated that "ultimately the film is about coming to terms with your own death" oftentimes driven by love. The film asks such questions as "What if you could live forever?" and depicts one man's journey to overcome death. Related to this path, Darren Aronofsky described the core of the film as "a very simple love story" about a man and a woman in love, with the woman's life cut short. The director researched people who were dying young, and learned from doctors and caregivers that such patients find new ways of coping. Aronofsky observed that the patients often die more alone because their families cannot recognize what happens with them, calling it "an incredible tragedy":

Instead of facing this tragedy in terror, she is coming to terms with what is happening to her... Many patients actually start opening up to the possibility of what's happening to them, but there's very little vocabulary to help them deal... We decided to expand it with this woman offering a gift to her husband as a metaphor that tells him where she's come to in her awe inspiring journey towards death. Hopefully through time he'll be able to understand it and basically get where she is.

The Fountain's theme of fear of death is "a movement from darkness into light, from black to white" that traces the journey of a man scared of death and moving toward it. The film begins with a paraphrase of Genesis 3:24, the Biblical passage that reflects The Fall of Man. Hugh Jackman emphasized the importance of the Fall in the film: "The moment Adam and Eve ate of the Tree of Knowledge of Good and Evil, humans started to experience life as we all experience it now, which is life and death, poor and wealthy, pain and pleasure, good and evil. We live in a world of duality. Husband, wife, we relate everything. And much of our lives are spent not wanting to die, be poor, experience pain. It's what the movie's about." Aronofsky also interpreted the story of Genesis as the definition of mortality for humanity. He inquired of the Fall, "If they had drank from the Tree of Life what would have separated them from their maker? So what makes us human is actually death. It's what makes us special."

Aronofsky's sensibility can be placed between Kubrick's exploration of humanity, and Spielberg's emotionality as he "combines elements of Kubrick’s excess visible in the human condition and leading us toward the limit of existence in obsession or madness, and of Spielberg’s emotion and the wish to leave a ray of hope, regardless of how hopeless the situation might be."

Development

Director Darren Aronofsky sought to produce The Fountain after the release of Requiem for a Dream in 2000. In April 2001, he entered negotiations with Warner Bros. and Village Roadshow to direct the then-untitled film with actor Brad Pitt in the lead role. Requiem for a Dream was screened for Pitt, and the preliminary script for The Fountain persuaded the actor to join the project. Aronofsky prepared for production by traveling with a crew to Central America to consult with Mayan experts and to explore the Mexican ruins of Palenque. The group also visited Tikal, a jungle location featured in the 1977 film Star Wars. In addition to the trip, the films Aguirre, the Wrath of God and The Holy Mountain were screened for the crew to inspire it in designing a rainforest set for The Fountain. In June 2001, actress Cate Blanchett entered talks to join Aronofsky's project. Aronofsky, who wanted the film's actual title to be a secret, gave the project the working title of The Last Man. Production was postponed to improve the script and to wait for Blanchett, pregnant when she joined, to give birth to her child in December 2001. The start date for production was tentatively set in summer 2002.

In June 2002, Warner Bros. met with Aronofsky and producer Eric Watson, expressing concerns over an escalating budget and threatening to cease the project unless a co-financier was found. Watson petitioned independent production companies for support and was able to enlist Regency Enterprises for assistance. Production was ultimately set for late October 2002 in Queensland and Sydney, Australia. The film, officially titled The Fountain, was 'greenlit' (approved for production) with a budget of $70 million, co-financed by Warner Bros. and New Regency, who filled the gap after Village Roadshow withdrew from the project. Preparation for production of The Fountain cost $18 million. Abruptly, Pitt, whose requested screenplay revisions were not met, left the project seven weeks before the first day of shooting. The actor went on to star as Achilles in director Wolfgang Petersen's Troy.