The Exorcist III is a 1990 American horror film written and directed by William Peter Blatty. It is the third installment in the Exorcist franchise and an adaptation of Blatty's Exorcist novel Legion (1983). It stars George C. Scott, Ed Flanders, Jason Miller, Scott Wilson and Brad Dourif.
The Exorcist III | |
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Theatrical release poster | |
Directed by | William Peter Blatty |
Produced by |
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Screenplay by | William Peter Blatty |
Based on | Legion by William Peter Blatty |
Starring |
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Music by | Barry De Vorzon |
Cinematography | Gerry Fisher |
Edited by |
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Production company | Morgan Creek Productions |
Distributed by | 20th Century Fox |
Release date |
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Running time | 110 minutes |
Country | United States |
Language | English |
Budget | $11 million |
Box office | $39 million |
The Exorcist III is set 17 years after the original film and ignores the events of Exorcist II: The Heretic. It follows a character from the first film, Lieutenant William F. Kinderman, who investigates a series of satanic murders in Georgetown that have the hallmarks of the Gemini, a deceased serial killer. Blatty based aspects of the Gemini Killer on the real-life Zodiac Killer, one of several serial killers who enjoyed the original Exorcist.
Blatty, who wrote the original Exorcist novel (1971) and the screenplay for its 1973 film adaptation, conceived The Exorcist III with Exorcist director William Friedkin attached to direct. When Friedkin left the project, Blatty adapted the script into a bestselling novel, Legion (1983); Morgan Creek Productions bought the film rights, with Blatty as director. To Blatty's frustration, Morgan Creek demanded extensive last-minute changes, including the addition of an exorcism sequence for the climax. Though some of the original footage appears permanently lost, Scream Factory released a "director's cut" closer to Blatty's vision in 2016, with footage assembled from various sources.
Following the critical and commercial failure of Exorcist II: The Heretic, The Exorcist III received mixed reviews and made modest returns at the box office.
Screenplay
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The film begins with the point of view of someone wandering through the streets of Georgetown, a voice informing us "I have dreams... of a rose... and of falling down a long flight of stairs." The point of view shows a warning of evil about to arrive later that night at a church. Demonic growls are heard. Leaves and other street trash suddenly come flying into the church as a crucifix comes to life. It then cuts to Lieutenant William F. Kinderman at a crime scene, where a 12-year-old boy named Thomas Kintry has been murdered.
Kinderman takes his friend Father Dyer out to see It's a Wonderful Life. Kinderman later relates the gruesome details of the murder of the young boy he was investigating that morning. Another murder soon takes place—a priest is found decapitated in a church. Dyer is shortly hospitalized—and found murdered the next day—with the words "IT'S A WONDERFULL LIFE", written on a wall in his blood.
The fingerprints at the crime scenes do not match, indicating a different person was responsible for each. Kinderman tells hospital staff the reason for his unease: seventeen years ago the vicious serial killer James "The Gemini" Venamun, was executed; with every victim he cut off the right index finger and carved the sign of Gemini into the palm of their left hand. Kinderman noticed the hands of the three new victims and verified that the Gemini's sign has been there. Furthermore, to filter out false confessions, the original Gemini Killer's true mutilations were kept a secret by the Richmond police's homicide department.
Kinderman visits the head of the psychiatric ward, Dr. Temple, who relates the history of a man in Cell 11, that he was found wandering aimlessly seventeen years ago with amnesia. The man was locked up, catatonic until recently when he became violent and claimed to be the Gemini Killer. Kinderman sees that the patient resembles his dead friend Father Damien Karras. The patient expresses ignorance of Father Karras, but boasts of killing Father Dyer.
The next morning, a nurse and Dr. Temple are found dead. Kinderman returns to see the patient in Cell 11, who claims that after his execution his soul entered Karras's dying body. The Gemini's spiritual "master", who had possessed Regan MacNeil, was furious at being exorcised and is exacting its revenge by putting the Gemini Killer's soul into the body of Father Karras. Each evening, the soul of the Gemini leaves the body of Karras and possesses the elderly people with senile dementia elsewhere in the hospital and uses them to commit the murders. The Gemini Killer forces Dr. Temple to bring Kinderman to him or he would suffer. Temple, not able to handle the pressure, commits suicide.
The Gemini possesses an old woman, who makes a failed attempt to murder Kinderman's daughter. The possessed patient attacks Kinderman, but the attack abruptly ends when Father Paul Morning (Nicol Williamson) enters the corridor leading to cell 11 and attempts an exorcism on the patient. The Gemini's "patron" intervenes, taking over the patient's body, and the priest is all but slain. Kinderman arrives in time and attempts to euthanize Karras after finding the body of the priest but is hurled into the wall by the possessed Karras. Father Morning manages to briefly regain consciousness and tells Karras to fight the Gemini. Karras regains his free will briefly and orders Kinderman to shoot him. He fires his revolver several times, hitting Karras in the chest, fatally wounding him and stopping the Gemini Killer. Kinderman puts his revolver against Karras' head and fires.
- George C. Scott as Lt. William F. Kinderman
- Ed Flanders as Father Dyer
- Jason Miller as Patient X/Damien Karras
- Scott Wilson as Dr. Temple
- Brad Dourif as James Venamun/The "Gemini Killer"
- Grand L. Bush as Sgt. Atkins
- Nicol Williamson as Father Morning
- Nancy Fish as Nurse Allerton
- Tracy Thorne as Nurse Amy Keating
- Barbara Baxley as Shirley
- Harry Carey Jr. as Father Kanavan
- George DiCenzo as Stedman
- Tyra Ferrell as Nurse Blaine
- Lois Foraker as Nurse Merrin
- Don Gordon as Ryan
- Mary Jackson as Mrs. Clelia
- Zohra Lampert as Mary Kinderman
- Ken Lerner as Dr. Freedman
- Viveca Lindfors as Nurse X
- Lee Richardson as University President
- Fabio (uncredited) as Angel
- Patrick Ewing as Angel of Death
- C. Everett Koop as himself
- Larry King as himself
- Samuel L. Jackson as Blind Dream Man
Development
William Peter Blatty, who wrote the original Exorcist novel and the screenplay for its film adaptation, initially had no desire to write a sequel. However, he eventually came up with a story titled Legion, featuring Lieutenant Kinderman, a prominent character in the original Exorcist novel (though played a minor role in the eventual film), as the protagonist. Blatty conceived Legion as a feature film with William Friedkin, director of The Exorcist, attached to direct. Despite the critical and commercial failure of the previous sequel, Warner Bros. was keen to proceed with Blatty and Friedkin's plans for another Exorcist film. Blatty said that "everybody wanted Exorcist III... I hadn't written the script, but I had the story in my head...and Billy loved it." Friedkin, however, soon left the project due to conflicting opinions between him and Blatty on the film.
The project went into development hell, and Blatty wrote Legion as a novel instead, published in 1983. It was a bestseller. Blatty then decided to turn the book back into a screenplay. Film companies Morgan Creek and Carolco both wanted to make the film; Blatty decided upon Morgan Creek after Carolco suggested the idea of a grown-up Regan MacNeil giving birth to possessed twins. Blatty offered directorial responsibilities to John Carpenter, who liked his script; however, Carpenter backed out when it became clear that Blatty wanted to direct the movie himself and also because of creative differences regarding the ending of the movie. However, they remained friends. As per the stipulations for his deal with Morgan Creek, Blatty was to direct the movie himself, and it was to be filmed on location in Georgetown.
Casting
The central role of Lt. Kinderman had to be recast, as Lee J. Cobb, who played the part in The Exorcist, had died in 1976. Oscar-winner George C. Scott signed up for the role, impressed by Blatty's screenplay: "It's a horror film and much more... It's a real drama, intricately crafted, with offbeat interesting characters...and that's what makes it genuinely frightening."
Several cast members from Blatty's previous film The Ninth Configuration (1980) appear in The Exorcist III: Jason Miller, reprising the role of Father Damien Karras from The Exorcist (billed only as "Patient X" in the end credits); Ed Flanders, taking on the role of Father Dyer (previously played by William O'Malley); Nicol Williamson and Scott Wilson.
There are also cameo appearances by basketball players Patrick Ewing, John Thompson, model Fabio, ex-Surgeon General C. Everett Koop, television host Larry King, and an early appearance by Samuel L. Jackson in a dream sequence.
Zohra Lampert, who plays Kinderman's wife, is remembered for her lead role in another horror film, 1971's Let's Scare Jessica to Death.
Filming
With an $11 million budget, the tentatively-titled Exorcist: Legion was shot on location in Georgetown for eight weeks in mid-1989. Additional interior filming took place in DEG Studios in Wilmington, North Carolina. Blatty completed principal photography of the film on time, and only slightly over budget. However, four months later, Morgan Creek informed Blatty that a new ending had to be shot. Blatty said that "James Robinson, the owner of the company, his secretary had insisted to him that this has nothing to do with The Exorcist. There had to be an exorcism." 20th Century Fox put up an additional $4-million in post-production to film an effects-laden exorcism sequence featuring Nicol Williamson as Father Morning, a character added just for the new climax. Blatty had to make the best of it in the narrative while racing to complete the film. Blatty confirmed that when the possessed Karras speaks in an asexual voice, saying, "I must save my son, the Gemini," that this in fact is either a returned Pazuzu or, as Blatty put it, "Old Scratch himself" taking control. This ties into the revelation earlier in the film that the Gemini was sent into Karras' body as revenge for the Regan MacNeil exorcism. The altered voice in the climax is deliberately similar to that of Mercedes McCambridge, who did the uncredited voice of the demon in The Exorcist, and the role is essayed in The Exorcist III by Colleen Dewhurst, who was uncredited (actress Dewhurst was twice married to, and twice divorced from, actor George C. Scott).
One shot missing from the re-filmed climax - but which appears in the trailer - shows Karras/the Gemini "morphing" through a variety of faces. It was left out of the film because Blatty was not happy with the special effects work.
On the climactic exorcism scene, Blatty later said, "It's all right, but it's utterly unnecessary and it changes the character of the piece." Although at the time, Blatty told the press that he was happy to re-shoot the film's ending and have the story climax with a frenzy of special effects. Apparently this compromise was forced on Blatty against his wishes:
The original story that I sold (and that I shot) ended with Kinderman blowing away Patient X. There was no exorcism. But it was a Mexican stand-off between me and the studio. I was entitled to one preview, then they could go and do what they wanted with the picture. They gave me a preview but it was the lowest end preview audience I have ever seen in my life. They dragged in zombies from Haiti to watch this film. It was unbelievable. But I decided, better I should do it than anyone else. I foolishly thought: I can do a good exorcism, I'll turn this pig's ear into a silk purse. So I did it.
Working on the film, Brad Dourif recalls "We all felt really bad about it. But Blatty tried to do his best under very difficult circumstances. And I remember George C. Scott saying that the folks would only be satisfied if Madonna came out and sang a song at the end!" Dourif feels that "The original version was a hell of a lot purer and I liked it much more. As it stands now, it's a mediocre film. There are parts that have no right to be there.
The execution-style ending that Blatty pitched to the studio - which was in the shooting script and actually filmed - differs radically from the ending of both the novel and the fi
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