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This article is about the 1981 film. For the article covering the franchise as a whole, see Evil Dead. For a concise list of other uses of the phrase "The Evil Dead" or similar, see The Evil Dead (disambiguation).

The Evil Dead is a 1981 American supernatural horror film written and directed by Sam Raimi and executive produced by Raimi and Bruce Campbell, who also stars alongside Ellen Sandweiss and Betsy Baker. The film focuses on five college students vacationing in an isolated cabin in a remote wooded area. After they find an audio tape that releases a legion of demons and spirits, members of the group suffer from demonic possession, leading to increasingly gory mayhem. Raimi and the cast produced the short film Within the Woods as a "prototype" to build the interest of potential investors, which secured Raimi US$90,000 to produce The Evil Dead. The film was shot on location in a remote cabin located in Morristown, Tennessee, in a difficult filming process that proved extremely uncomfortable for the cast and crew.

The Evil Dead
Original theatrical release poster
Directed bySam Raimi
Produced byRobert Tapert
Written bySam Raimi
StarringBruce Campbell
Ellen Sandweiss
Hal Delrich
Betsy Baker
Sarah York
Music byJoseph LoDuca
CinematographyTim Philo
Edited byEdna Ruth Paul
Production
company
Renaissance Pictures
Distributed byNew Line Cinema
Release date
  • October 15, 1981 (1981-10-15) (Redford Theatre)
Running time
85 minutes
CountryUnited States
LanguageEnglish
Budget$350,000–400,000
Box office$2.4 million

The low-budget horror film attracted the interest of producer Irvin Shapiro, who helped screen the film at the 1982 Cannes Film Festival. Horror author Stephen King gave a rave review of the film, which helped convince New Line Cinema to serve as its distributor. Though a modest commercial success in the United States, grossing just $2.4 million, it was a bigger success internationally, grossing more than $27 million for a worldwide gross of $29.4 million. Both early and later critical reception were universally positive and in the years since its release, The Evil Dead has developed a reputation as one of the largest cult films and has been cited among the greatest horror films of all time. The Evil Dead launched the careers of Campbell and Raimi, who would collaborate on several films together throughout the years, including Raimi's Spider-Man trilogy.

The film has spawned a media franchise, beginning with two sequels written and directed by Raimi, Evil Dead II (1987) and Army of Darkness (1992), as well as video games, comic books, and a television series. The film's protagonist Ash Williams (Campbell) is regarded as a cult icon. The fourth film, serving as reboot, remake and sequel, was titled Evil Dead and was released in 2013. Raimi co-produced the film alongside Campbell and the franchise producer, Robert Tapert. As with the other films, the follow-up television series Ash vs Evil Dead was created and produced by Sam and Ivan Raimi, with Campbell also executive producing.

Screenplay

Five Michigan State University students—Ash Williams, his girlfriend, Linda; Ash's sister, Cheryl; their friend Scott; and his girlfriend Shelly—are vacationing at an isolated cabin in rural Tennessee. On their first night there, Cheryl hears a faint, demonic voice telling her to "join us" just before her hand seems to become possessed and draw a picture of a book with a deformed face on its cover. Shaken and confused, she decides not to mention the incident to the others.

When the trapdoor to the cellar mysteriously flies open during dinner, Ash and Scott go down to investigate and find the Naturan Demanto, a Sumerian version of the Egyptian Book of the Dead, along with a tape recorder belonging to the archaeologist who owned it. Scott plays plays a tape of the archaeologist reciting a series of incantations that resurrect a mysterious, demonic entity. Agitated, Cheryl goes outside to investigate strange noises she hears. In the woods, she is raped by demonically possessed trees. When she returns to the cabin bruised and anguished, Ash agrees to take her into town for the night. However, they soon discovers that the bridge to the cabin has been destroyed. Back at the cabin, Ash listens to more of the tape, learning that the only way to kill the entity is to dismember the body when it possesses a host. Cheryl succumbs to the entity and attacks the others, stabbing Linda in the ankle with a pencil before Scott is able to lock her in the cellar.

Shelly becomes possessed as well, forcing Scott to chop up her body with an axe and bury the remains. Shaken by the experience, he leaves to find a way back to town but soon returns mortally wounded; he dies while warning Ash that the trees will not let them escape alive. When Ash goes to check on Linda, he is horrified to find that she too has become possessed by the demon. She attacks him, but he stabs her with a Sumerian dagger. Unwilling to dismember her, he buries her instead. But when she revives and attacks him, he is forced to decapitate her.

Back in the cabin, Ash is attacked by Cheryl—who has escaped the cellar—and the reanimated Scott. Ash manages to throw the Naturan Demanto into the fireplace. As the book burns, Scott and Cheryl gruesomely decompose, leaving the disgusted Ash covered in their blood and entrails. As day breaks, Ash stumbles outside. While still standing outside, the entity attacks him from behind, causing Ash to turn and scream.

  • Bruce Campbell as Ash Williams
  • Ellen Sandweiss as Cheryl Williams
  • Hal Delrich as Scott
  • Betsy Baker as Linda
  • Sarah York as Shelly
 
Sam Raimi directed the short film Within the Woods to generate the interest of investors for The Evil Dead.

Background and writing

Raimi and Campbell grew up together, and have been friends from an early age. The duo directed several low-budget Super 8 mm film projects together. Several were comedies, including Clockwork and It's Murder!. Shooting a suspense scene in It's Murder! inspired Raimi to approach a career in the horror genre, and after researching horror cinema at drive-in theaters, Raimi was set on directing a horror film. The idea was to shoot a short film first, which would attract the interest of producers, and then use the money gained from that to shoot a full-length project. The short film that Raimi created was called Within the Woods. It was produced for $1,600, but for The Evil Dead, Raimi needed over $100,000.

To generate funds for the film, Raimi approached Phil Gillis, a lawyer to one of his friends. Raimi showed him Within the Woods, and although Gillis was not impressed by the short film, he offered Raimi legal advice on how to produce The Evil Dead. With his advice in mind, Raimi asked a variety of people for donations, and even eventually "begged" some. Campbell had to ask several of his own family members, and Raimi asked every individual he thought might be interested. He eventually raised enough money to produce a full-length film, though not the full amount he originally wanted.

With enough money to produce the film, Raimi and Campbell set out to make what was then titled Book of the Dead, a name inspired by Raimi's interest in the fiction of H. P. Lovecraft. The film was supposed to be a remake of Within the Woods, with higher production values and a full-length running time. Raimi turned 20 just before shooting began, and he considered the project his "rite of passage".

Pre-production and casting

Actor Role
Bruce Campbell ... Ash
Ellen Sandweiss ... Cheryl
Hal Delrich ... Scotty
Betsy Baker ... Linda
Sarah York ... Shelly
 
Betsy Baker, Ellen Sandweiss, and Theresa Tilly in 2009

Raimi asked for help and assistance from several of his friends and past collaborators to make The Evil Dead. Campbell was cast as Ash Williams, the main character. To acquire more actors for the project, Raimi put an ad in The Detroit News. Betsy Baker was one of the actresses who responded, and Ellen Sandweiss, who appeared in Within the Woods, was also cast. The crew consisted almost entirely of Raimi and Campbell's friends and family. The make-up adviser for Within the Woods, Tom Sullivan, was brought on to compose the effects after expressing a positive reaction to working with Raimi.

Without any formal assistance from location scouts, the cast had to find filming locations on their own. The crew initially attempted to shoot the film in Raimi's hometown of Royal Oak, Michigan, but instead chose Morristown, Tennessee, as it was the only state that expressed enthusiasm for the project. The crew quickly found a remote cabin located several miles away from any other buildings. During pre-production, the 13 crew members had to stay at the cabin, leading to several people sleeping in the same room. The living conditions were notoriously difficult, with several arguments breaking out between crew members.

Steve Frankel was the only carpenter on set, which made him the art direction's sole contributor. For exterior shots, Frankel had to produce several elaborate props with a circular saw. Otherwise, the cabin mostly remained the way it was found during production. The cabin had no plumbing, but phone lines were connected to it.

Principal cinematography

Because of the crew's inexperience, filming was a "comedy of errors". The first day of filming led to them getting lost in the woods during a scene shot on a bridge. Several crew members were injured during the shoot, and because of the cabin's remoteness, securing medical assistance was difficult. One notably gruesome moment on set involved ripping off Baker's eyelashes during removal of her face-mask. Because of the low budget, contact lenses as thick as glass had to be applied to the actors to achieve the "demonic eyes" effect. The lenses took 10 minutes to apply, and could only be left on for about 15 minutes because eyes could not "breathe" with them applied. Campbell later commented that to get the effect of wearing these lenses, they had to put "Tupperware" over their eyes.

Raimi developed a sense of mise en scène, coming up with ideas for scenes at a fast rate. He had drawn several crude illustrations to help him break down the flow of scenes. The crew was surprised when Raimi began using dutch angles during shots to build atmosphere during scenes. To accommodate Raimi's style of direction, several elaborate, low-budget rigs had to be built, since the crew could not afford a camera dolly. One involved the "vas-o-cam", which relied on a mounted camera that was slid down long wooden platforms to create a more fluid sense of motion.

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