The End Of Evangelion full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Teenager Shinji Ikari is the pilot of Evangelion Unit 01, one of several giant cyborgs designed to fight hostile supernatural entities called Angels. Distraught over the death of his friend Kaworu Nagisa, Shinji visits fellow pilot Asuka Langley Soryu in a hospital and masturbates to her comatose body.

The shadowy committee SEELE discovers that Gendo Ikari intends to use NERV, the paramilitary organization that deploys the Evangelion units, for his own plans. SEELE dispatches the Japanese Strategic Self-Defense Force (JSSDF) to seize control of NERV, killing most of the staff. NERV major Misato Katsuragi orders Asuka moved to the cockpit of Evangelion Unit 02 and placed at the bottom of a lake, then rescues Shinji from JSSDF troops. Determined to have Shinji defend NERV, Misato brings him to Unit 01's bay doors, but is shot in the process. Before her death, Misato implores Shinji to pilot Unit 01, kisses him, and forces him into the elevator. Shinji discovers Unit 01 immobilized in bakelite.

Concluding that NERV's defeat is inevitable, Gendo retrieves Evangelion pilot Rei Ayanami. He plans to use her to initiate Third Impact, a cataclysm which will kill everyone on Earth, and reunite Gendo with his deceased wife, Yui. Attempting to stop him, NERV scientist Ritsuko Akagi sends a computer command to destroy NERV. Casper, a computer core modeled on Ritsuko's mother, overrides her command and Gendo kills her. Meanwhile, inside Unit 02, Asuka overcomes her trauma and re-activates the unit. She destroys the JSSDF forces, but SEELE's new mass-produced Evangelion units disembowel her and Unit 02. Unit 01 breaks free of the bakelite and ascends above NERV headquarters. From the cockpit, Shinji sees the mass-produced units carrying the mutilated remains of Unit 02 and screams.

Gendo attempts to merge with Rei, who carries the soul of Lilith, an angel hidden beneath NERV headquarters, to begin Third Impact. Having merged with another angel, Adam, he will become a god if he merges with Lilith; however, Rei rejects Gendo, absorbs Adam and reunites with Lilith, and her body grows to gargantuan size. The mass-produced Evangelion units pull Unit 01 into the sky and crucify it, beginning the ritual to initiate Third Impact. After several dreamlike contemplations, including a fight with Asuka, Shinji decides that he is alone and everyone in the world should die. In response, Rei/Lilith dissolves humanity back into LCL, a conscious form of primordial soup, reforming the souls of humanity into a single consciousness. Shinji rejects this new state when he realizes that life is about experiencing joy as well as pain. Rei/Lilith's head fall apart and Asuka and Shinji rematerialize in an apocalyptic landscape. Shinji begins to strangle Asuka, but when she caresses his face, he stops and breaks down in tears.

The ambiguous ending of the original Neon Genesis Evangelion series, broadcast in 1995 and 1996, left some viewers and critics confused and unsatisfied. The final two episodes were possibly the most controversial segments of an already controversial series and were received as flawed and incomplete by many. Director Hideaki Anno received death threats from some fans dissatisfied with the ending. However, Anno and assistant director Kazuya Tsurumaki defended the artistic integrity of the finale.

Gainax launched the project to create a film ending for the series in 1997, first releasing Death & Rebirth as a condensed character-based recap and re-edit of the TV series (Death) and the first half of the new ending (Rebirth, which was originally intended to be the full ending, but could not be finished due to budget and time constraints). The project was completed later in the year and released as The End of Evangelion.

Regular series composer Shir? Sagisu scored The End of Evangelion. The film prominently features selections of Johann Sebastian Bach's music throughout the movie. Episode 25' has the Japanese title Air, being named after the Air on the G String which is played during the episode. Among the other pieces included are Cello Suite No. 1 in G Major (I. Prélude), Jesu, Joy of Man's Desiring (transcribed for piano and later played again with string instruments in the end credits), and Pachelbel's Canon.

Among the other insert songs are "Komm, süsser Tod" (Come, Sweet Death), an upbeat song (which appears in the film at the beginning of Instrumentality), "THANATOS -If I Can't Be Yours", which is played in both the end credits and the credits to episode 25' (the song is based around "THANATOS", a background music piece used in the series). Another song, "Everything You've Ever Dreamed", was recorded for the film by the same vocalist (Arianne) as "Komm, süsser Tod", but was not used and was later included on the Refrain of Evangelion soundtrack.

In the final scene of The End of Evangelion, Shinji and Asuka have separated themselves from the collective human existence. Shinji begins strangling Asuka, but when she caresses his face, he stops and breaks down in tears. Asuka then utters the film's last line, "?????," (Kimochi warui) which has been variously translated into English as "I feel sick" or "disgusting". The meaning of the scene is obscure and has been controversial. David Uzumeri of ComicsAlliance stated that the series themes of "criticizing the audience for being spineless and lost in a fantasy world cranked up to eleven, as the protagonist Shinji basically watches everybody die around him due to his refusal to make any effort whatsoever to engage with other people."

The End of Evangelion was first released in Japanese theaters on July 19, 1997. Between its release and October 1997, the film grossed 1.45 billion yen. The film was later distributed on Laserdisc in Japan. It also included the first release of the video versions of Episodes 21–24. The film was split up into two 40-minute episodes with brief intros (similar to episode 22), edited credits (for each episode instead of credits for both between the two), redone eyecatcher-textboards (showing "Neon Genesis Evangelion Episode..." instead of "The End of Evangelion Episode...") and a next-episode-preview section in Episode 25'. The episodic version of the film was on the last two discs of the Laserdisc release of the series (Genesis 0:13 and 0:14 respectively), each containing 2 episodes (the original TV episodes and the new End of Evangelion episodes respectively), although the film was also released in its original cinematic form on VHS, Laserdisc, and later DVD. The script was serialized in 4 issues of Dragon Magazine from August 1997 to January 1998. The movie was released on Blu-ray along with Death and Rebirth and the TV series in a box set on August 26, 2015.

In 2006, The End of Evangelion was shown theatrically as part of the Tokyo International Film Festival in Akihabara.

Red Cross Book

The Red Cross Book (as it is unofficially known, for the large red St George's Cross on its cover) was an A-4-sized pamphlet sold in Japanese theaters during the release of The End of Evangelion. The book was written by Gainax and various production staff of the Evangelion TV series and films, with an interview with Tsurumaki, a listing of voice actors and brief essays written by them on their respective characters, short biographical sketches, commentary on the TV series and production of the films, a "Notes" section covering the setting of the films, and a glossary of terms used in the series, manga, and the two films. The Red Cross Book was left out in the Manga Entertainment release due to copyright issues. However, it was translated by fans of the series.

Distribution

In North America, ADV Films, the license holder and distributor for the Neon Genesis Evangelion TV series, declined to license The End of Evangelion and the associated films, with Manga Entertainment "reportedly around 2 million dollars" for the rights. Rei Ayanami's English voice actress Amanda Winn Lee wrote the film's script for its English subtitled and dubbed adaptations, and produced and directed the dub. The cast consisted of mostly voice actors reprising their roles from ADV's English adaptation of the TV series, with several supporting roles recast because the original actors were unavailable. To accommodate voice actors living in different parts of the country, the dub was recorded in Los Angeles, Houston and New York City.

In discussing the film's English dub, Mike Crandol of Anime News Network determined that "the remarkably strong performances of the main cast overshadow the weaker voice work pr