The Cove is a 2009 documentary film directed by Louie Psihoyos which analyzes and questions dolphin hunting practices in Japan. It was awarded the Academy Award for Best Documentary Feature in 2010. The film is a call to action to halt mass dolphin kills, change Japanese fishing practices, and to inform and educate the public about the risks, and increasing hazard, of mercury poisoning from dolphin meat. The film is told from an ocean conservationist's point of view. The film highlights the fact that the number of dolphins killed in the Taiji dolphin drive hunting is several times greater than the number of whales killed in the Antarctic, and asserts that 23,000 dolphins and porpoises are killed in Japan every year by the country's whaling industry. The migrating dolphins are herded into a cove where they are netted and killed by means of spears and knives over the side of small fishing boats. The film argues that dolphin hunting as practiced in Japan is unnecessary and cruel.
The Cove | |
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Canadian free-diving world champion Mandy-Rae Cruickshank swimming with dolphins in a photograph used for the film's movie poster | |
Directed by | Louie Psihoyos |
Produced by | Fisher Stevens Paula DuPre Pesmen |
Written by | Mark Monroe |
Starring | Ric O'Barry Hayden Panettiere Scott Baker Isabel Lucas Hardy Jones |
Music by | J. Ralph |
Cinematography | Brook Aitken |
Edited by | Geoffrey Richman |
Production company | Participant Media |
Distributed by | Lionsgate Roadside Attractions |
Release date |
|
Running time | 87 minutes |
Country | United States |
Language | English Japanese |
Box office | $1,140,043 |
Since the film's release, The Cove has drawn controversy over neutrality, secret filming, and its portrayal of the Japanese people.
The film was directed by former National Geographic photographer Louie Psihoyos. Portions were filmed secretly in 2007 using underwater microphones and high-definition cameras disguised as rocks.
The documentary won the U.S. Audience Award at the 25th annual Sundance Film Festival in January 2009. It was selected out of the 879 submissions in the category.
Screenplay
The film follows former dolphin trainer and activist Ric O'Barry's quest to document the dolphin hunting operations in Taiji, Wakayama, Japan. In the 1960s, O'Barry helped capture and train the five wild dolphins who shared the role of "Flipper" in the hit television series of the same name. The show, very popular, fueled widespread public adoration of dolphins, influencing the development of marine parks that included dolphins in their attractions. After one of the dolphins, in O'Barry's opinion, committed a form of suicide in his arms by closing her blowhole voluntarily in order to suffocate, O'Barry came to see the dolphin's captivity and the dolphin capture industry as a curse, not a blessing. Days later, he was arrested off the island of Bimini, attempting to cut a hole in the sea pen in order to set free a captured dolphin. Since then, according to the film, O'Barry has dedicated himself full-time as an advocate on behalf of dolphins around the world.
After meeting with O'Barry, Psihoyos and his crew travel to Taiji, Japan, a town that appears to be devoted to dolphins and whales. In a nearby, isolated cove, however, surrounded by wire fences and "Keep Out" signs, an activity takes place that the townspeople attempt to hide from the public. In the cove, a group of Taiji fishermen engage in dolphin drive hunting. The film states that the dolphin hunt is, in large part, motivated by the tremendous revenue generated for the town by selling some of the captured dolphins, female bottlenose dolphins, to aquariums and marine parks and killing the majority of the rest. The dolphins that are not sold into captivity are then slaughtered in the cove and the meat is sold in supermarkets. According to the evidence presented in the film, the local Japanese government officials are involved in the hiding of the hunting, and the Japanese public is not fully aware of the hunt and the marketing of dolphin meat. The film states that the dolphin meat contains dangerously high levels of mercury and interviews two local politicians, Taiji city councilors who have, for that reason, advocated the removal of dolphin meat from local school lunches.
Attempts to view or film the dolphin killing in the cove are physically blocked by local police and the Japanese local government who treat the visitors with open intimidation, derision, and anger. Foreigners who come to Taiji, including The Cove's film crew, are shadowed and questioned by local police. In response, together with the Oceanic Preservation Society, Psihoyos, O'Barry, and the crew utilize special tactics and technology to covertly film what is taking place in the cove. The film also reports on Japan's alleged "buying" of votes of poor nations in the International Whaling Commission. The film indicates that while Dominica has withdrawn from the IWC, Japan has recruited the following nations to its whaling agenda: Cambodia, Ecuador, Eritrea, Guinea-Bissau, Kiribati, Laos, and the Republic of the Marshall Islands. At the end of the film, O'Barry shows footage of the Taiji dolphin slaughter to a Japanese official, after the official repeatedly denies the incident; he is unmoved by the footage and asks O'Barry where he obtained it. The film then cuts to a scene showing an annual meeting of the International Whaling Commission. O'Barry marches into a meeting of the Commission strapping a TV showing the footage on his chest (while the Japanese delegates are talking about how they have improved whaling tactics). O'Barry walks around the crowded meeting room displaying the images until he is escorted from the room.
?Ric O'Barry, In the first five minutes of the film.
- Ric O'Barry
- Hayden Panettiere
- Scott Baker
- Joe Chisholm
- Mandy-Rae Cruickshank
- Hannah Fraser (aka Hannah Mermaid)
- Charles Hambleton
- Simon Hutchins
- Hardy Jones
- Kirk Krack
- Isabel Lucas
- Roger Payne
- John Potter
- Louie Psihoyos
- Dave Rastovich
- Paul Watson
The film used specialized camouflaged high-definition cameras that were designed to look like rocks. These hidden cameras helped capture footage and were so well camouflaged that, according to director Louie Psihoyos, the crew had a hard time finding them again. They also used a high grade military thermal camera and different night vision cameras in the production of the documentary.
Film critics
The film received predominately positive reviews from critics. Roger Ebert gave the film four stars (out of four), calling the film "a certain Oscar nominee". Jeannette Catsoulis of The New York Times called the film "an exceptionally well-made documentary that unfolds like a spy thriller", going on to describe it as "one of the most audacious and perilous operations in the history of the conservation movement". Other reviewers also played up the espionage angle of the film, including Time magazine's Mary Pols who said that The Cove "puts Hollywood capers like Mission Impossible to shame", and Peter Rainer of The Christian Science Monitor, who called it "a rousing piece of real-world thriller filmmaking". Film review aggregator Rotten Tomatoes reported that 94% of critics had given the film positive reviews, based upon 125 total reviews, summarizing the consensus as "Though decidedly one-sided, The Cove is an impeccably crafted, suspenseful exposé of the covert slaughter of dolphins in Japan." At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the film has received an average score of 82, based on 26 reviews.
Some reviews recognized the film's entertainment value but did not view it as an "objective documentary". Wall Street Journal critic Joe Morgenstern labeled the film as a "quasidocumentary framed as a high-tech thriller" with an "agitprop style" that had "an excess of artifice and a dearth of facts". David Cox of The Guardian Film Blog called it a "piece of evangelism", and asked rhetorically: "Westerners... kill and eat cows. Easterners eat dolphins. What's the difference?". According to Michelle Orange of Movie Line "How much of this (The Cove) should we believe? As a piece of propaganda, The Cove is brilliant; as a story of ingenuity and triumph over what seems like senseless brutality, it is exceptionally well-told; but as a conscientious overview of a complex and deeply fraught, layered issue, it invokes the same phrase as even the most well-intentioned, impassioned activist docs: Buyer beware."
Reactions in Taiji, Japan
The whale and dolphin hunting season in Japan usually begins on September 1 each year; in 2009, the hunting began on September 9. Although activists tend to believe that it was because of the publicity generated by the film, it has been reported that the delay was due to the weather and rough seas. According to campaigners, out of the 100 dolphins captured on September 9, some were taken to be sold to marine museums and the rest were released, while 50 pilot whales were killed and sold for meat on the same day. While campaigners claim that it has become apparent that The Cove is having an impact on the way in which Japanese fisherman normally conduct the dolphin hunt, on March 23, 2010, the Japanese government stated "The dolphin hunting is a part of traditional fishery of this country and it has been lawfully carried out."
Upon the film winning the Oscar, the town mayor of Taiji and the chief of Taiji Fishery Union said "The hunt is performed legally and properly with the permission of Wakayama Prefecture ." Taiji assemblyman Hisato Ryono, one of the two local legislators who broke ranks and publicly called for removal of dolphin meat from school lunches, said he was lied to by the documentary's producers about what the film would contain.
Since the release of the film, a much larger number of activists, mainly non-Japanese, have visited Taiji to protest or film the dolphin hunts. The Taiji fishermen responded by constructing an elaborate structure of tarps to better conceal the drive-hunting activities in and around the cove.
Reactions in Seaworld
SeaWorld spokesperson Fred Jacobs has responded by saying that, "We think we're being unfairly criticized for something we're opposed to." He adds that, "SeaWorld opposes the dolphin hunts d
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