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The Big Lebowski (/l??ba?ski/) is a 1998 crime comedy film written, produced, and directed by Joel and Ethan Coen. It stars Jeff Bridges as Jeffrey "The Dude" Lebowski, a Los Angeles slacker and avid bowler. He is assaulted as a result of mistaken identity, after which The Dude learns that a millionaire also named Jeffrey Lebowski was the intended victim. The millionaire Lebowski's trophy wife is kidnapped, and he commissions The Dude to deliver the ransom to secure her release; but the plan goes awry when the Dude's friend Walter Sobchak (John Goodman) schemes to keep the ransom money. Julianne Moore and Steve Buscemi also star, with David Huddleston, John Turturro, Philip Seymour Hoffman, Sam Elliott, Tara Reid, David Thewlis, and Peter Stormare appearing in supporting roles.

The Big Lebowski
Theatrical release poster
Directed byJoel Coen
Produced byEthan Coen
Written by
  • Ethan Coen
  • Joel Coen
Starring
  • Jeff Bridges
  • John Goodman
  • Julianne Moore
  • Steve Buscemi
  • David Huddleston
  • John Turturro
Music byCarter Burwell
CinematographyRoger Deakins
Edited by
  • Roderick Jaynes
  • Tricia Cooke
Production
company
Working Title Films
Distributed byPolyGram Filmed Entertainment (UK)
Gramercy Pictures (US)
Release date
  • January 18, 1998 (1998-01-18) (Sundance)
  • March 6, 1998 (1998-03-06) (United States)
  • April 24, 1998 (1998-04-24) (United Kingdom)
Running time
117 minutes
Country
  • United States
  • United Kingdom
LanguageEnglish
Budget$15 million
Box office$46.2 million

The film is loosely inspired by the work of Raymond Chandler. Joel Coen stated, "We wanted to do a Chandler kind of story – how it moves episodically, and deals with the characters trying to unravel a mystery, as well as having a hopelessly complex plot that's ultimately unimportant." The original score was composed by Carter Burwell, a longtime collaborator of the Coen brothers.

The Big Lebowski was a disappointment at the U.S. box office and received mixed reviews at the time of its release. Over time, reviews have become largely positive, and the film has become a cult favorite, noted for its idiosyncratic characters, dream sequences, unconventional dialogue, and eclectic soundtrack. In 2014, the film was selected for preservation in the National Film Registry by the Library of Congress, being deemed "culturally, historically, or aesthetically significant". A spin-off based on John Turturro's character, titled Going Places, was filmed in 2017, with Turturro also acting as writer and director.

Screenplay

In 1991, Jeffrey "the Dude" Lebowski is a middle-aged slacker who gets assaulted in his Los Angeles home by two goons hired by pornographer Jackie Treehorn, demanding money owed him by the wife of another, wealthier Jeffrey Lebowski. Realizing they have the wrong man, they leave, but not before one of them urinates on the Dude's rug.

The next day, the Dude tells what happened to his friends and bowling partners, Donny and Vietnam veteran Walter. The Dude seeks compsensation from the other Lebowski, a cantankerous and wheelchair-bound philanthropist. His request is refused, but the Dude tells Brandt, Lebowski's sycophantic assistant, he could take any rug in the house. The Dude also meets Bunny, Lebowski's young trophy wife.

A few days later, the Dude is told that Bunny has been kidnapped, and Lebowski wants the Dude to deliver a briefcase containing ransom money and perhaps recognize the culprits as those who attacked him. Later, another pair of thugs appear at the Dude's apartment, knocking him unconscious and taking the rug. When the kidnappers call, Walter comes along intent on giving them another briefcase so he and the Dude can keep the ransom for themselves. Three men arrive and leave quickly on motorcycles with the briefcase. Later that night, the Dude's car is stolen with the real briefcase still inside.

Lebowski's adult daughter Maude calls the Dude: she has the rug (not actually her father's), and asks him to visit her. She plays a video showing Bunny is one of Treehorn's porn actresses. She thinks Bunny staged her own abuduction and asks the Dude to recover the ransom which her father withdrew from the family's personal foundation. The Dude recognizes the man in the video as a nihilist friend of Bunny's from the Lebowski home, and Maude identifies him as a member of a German techno band. Shortly thereafter, the Dude is confronted by Lebowski, angry that the Dude failed to deliver the ransom money, and who shows him a severed toe, presumed to be Bunny's. Later, three Germans invade the Dude's apartment and threaten him, identifying themselves as "nihilists" and demanding the ransom by the next night.

The next day, the Dude's car is found by the police, minus the briefcase. Later, the Dude finds the homework of a high school student. Walter and the Dude go to his house that evening. Larry does not respond to their demands, so Walter wrecks a new sports car parked outside. However, it was a neighbor's car, and he rushes outside and wrecks the Dude's car in revenge.

The Dude is taken to Treehorn's house by his goons. Treehorn is only interested in the money he is owed. The Dude tells him about the student and suggests he get it there. Recovering from being drugged by Treehorn and assaulted by a police chief, the Dude returns home and finds his bungalow ransacked by Treehorn's goons. He is greeted by Maude, who seduces him, specifically to conceive a child whose father would have no interest in bringing it up. She also explains that her father has no money of his own, his wife having left everything to the family charity.

Having had an epiphany, the Dude has Walter drive him back to the Lebowski estate where they find Bunny's crashed car, but she is otherwise safe. When Bunny left town on an unannounced trip for a few days, her friends (the German nihilists) faked a kidnapping so they could extort money from Lebowski. When Lebowski, who no longer loves Bunny, heard of the supposed kidnapping, he withdrew the money from the foundation, kept it for himself and gave the Dude an empty briefcase. Walter and the Dude confront the Big Lebowski, who counters that each person has their story.

The Dude and his friends are leaving the bowling alley when they are confronted in the parking lot by the nihilists, who have set the Dude's car on fire. They once again demand money, even after learning there never was any money, they want to cut their losses by robbing them anyway. Walter violently beats all three instead, and Donny suffers a fatal heart attack.

A few days later, Walter and the Dude go to the beach to scatter Donny's ashes, and Walter botches it, turning an informal eulogy into a tribute to the Vietnam War, and accidentally covering the Dude with Donny's ashes. The Dude is angry, but gets over it and they go bowling.

  • Jeff Bridges as Jeffrey "The Dude" Lebowski. Bridges had heard or was told by the Coen brothers that they had written a screenplay for him.:27
  • John Goodman as Walter Sobchak. Walter was based, in part, on screenwriter and director John Milius.:189
  • Steve Buscemi as Theodore Donald "Donny" Kerabatsos. Walter's repeated response, "Shut the fuck up, Donny!" is a reference to Fargo, in which Buscemi's character was constantly talking.
  • David Huddleston as Jeffrey "The Big" Lebowski
  • Julianne Moore as Maude Lebowski
  • Tara Reid as Bunny Lebowski. According to Reid, Charlize Theron tried out for the role.:72
  • Philip Seymour Hoffman as Brandt
  • Sam Elliott as The Stranger
  • Ben Gazzara as Jackie Treehorn
  • David Thewlis as Knox Harrington
  • Peter Stormare, Torsten Voges, and Flea as Uli Kunkel, Franz, and Kieffer; Uli originated on the set of Fargo between Ethan Coen and Stormare, who often spoke in a mock German accent.:57
  • John Turturro as Jesus Quintana. The Coen brothers let Turturro come up with a lot of his own ideas for the character, like shining the bowling ball and the scene where he dances backwards, which he says was inspired by Muhammad Ali.:44
  • Jon Polito as Da Fino

Development

The Dude is mostly inspired by Jeff Dowd, an American film producer and political activist the Coen brothers met while they were trying to find distribution for their first feature, Blood Simple.:90 Dowd had been a member of the Seattle Seven, liked to drink White Russians, and was known as "The Dude".:91–92 The Dude was also partly based on a friend of the Coen brothers, Peter Exline (now a member of the faculty at USC's School of Cinematic Arts), a Vietnam War veteran who reportedly lived in a dump of an apartment and was proud of a little rug that "tied the room together".:188 Exline knew Barry Sonnenfeld from New York University and Sonnenfeld introduced Exline to the Coen brothers while they were trying to raise money for Blood Simple.:97–98 Exline became friends with the Coens and in 1989, told them all kinds of stories from his own life, including ones about his actor-writer friend Lewis Abernathy (one of the inspirations for Walter), a fellow Vietnam vet who later became a private investigator and helped him track down and confront a high school kid who stole his car.:99 As in the film, Exline's car was impounded by the Los Angeles Police Department and Abernathy found an 8th grader's homework under the passenger seat.:100

Exline also belonged to an amateur softball league but the Coens changed it to bowling in the film, because "it's a very social sport where you can sit around and drink and smoke while engaging in inane conversation".:195 The Coens met filmmaker John Milius, when they were in Los Angeles making Barton Fink and incorporated his love of guns and the military into the character of Walter.:189 John Milius introduced the Coen Brothers to one of his best friends, Jim Ganzer, who would have been another source of inferences to create Jeff Bridges' character. Also known as the Dude, Ganzer and his gang, typical Malibu surfers, served as inspiration as well for Milius's film The Big Wednesday.

According to Julianne Moore, the character of Maude was based on artist Carolee Schneemann "who worked naked from a swing" and on Yoko Ono.:156 The character of Jesus Quintana was inspired, in part, by a performance the Coens had seen John Turturro give in 1988, at the Public Theater in a play called Mi Puta Vida in which he played a pederast-type character, "so we thought, let's make Turturro a pederast. It'll be something he can really run with," Joel said in an interview.:195

The film's overall structure was influenced by the detective fiction of Raymond Chandler. Ethan said, "We wanted something that would generate a certain narrative feeling – like a modern Raymond Chandler story, and that's why it had to be set in Los Angeles ... We wanted to have a narrative flow, a story that moves like a Chandler book through different parts of town and different social classes." The use of the Stranger's voice-over also came from Chandler as Joel remarked, "He is a little bit of an audience substitute. In the movie adaptation of Chandler it's the main character that speaks off-screen, but we didn't want to reproduce that though it obviously has echoes. It's as if someone was commenting on the plot from an all-seeing point of view. And at the same time rediscovering the old earthiness of a Mark Twain.":169

The significance of the bowling culture was, according to Joel, "important in reflecting that period at the end of the fifties and the beginning of the sixties. That suited the retro side of the movie, slightly anachronistic, which sent us back to a not-so-far

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