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The Best Years of Our Lives (aka Glory for Me and Home Again) is a 1946 American drama film directed by William Wyler and starring Myrna Loy, Fredric March, Dana Andrews, Teresa Wright, Virginia Mayo, and Harold Russell. The film is about three United States servicemen readjusting to civilian life after coming home from World War II. Samuel Goldwyn was inspired to produce a film about veterans after reading an August 7, 1944, article in Time about the difficulties experienced by men returning to civilian life. Goldwyn hired former war correspondent MacKinlay Kantor to write a screenplay. His work was first published as a novella, Glory for Me, which Kantor wrote in blank verse. Robert E. Sherwood then adapted the novella as a screenplay.

The Best Years of Our Lives
Theatrical release poster
Directed byWilliam Wyler
Produced bySamuel Goldwyn
Screenplay byRobert E. Sherwood
Based onGlory for Me
1945 novella
by MacKinlay Kantor
Starring
  • Myrna Loy
  • Fredric March
  • Dana Andrews
  • Teresa Wright
  • Virginia Mayo
  • Harold Russell
Music by
  • Hugo Friedhofer
  • Emil Newman
CinematographyGregg Toland
Edited byDaniel Mandell
Production
company
Samuel Goldwyn Productions
Distributed byRKO Radio Pictures
Release date
  • November 21, 1946 (1946-11-21) (United States)
Running time
172 minutes
CountryUnited States
LanguageEnglish
Budget$2.1 million or $3 million
Box office$23.7 million
Standing, L-R: Fredric March, Myrna Loy, Dana Andrews, Teresa Wright; seated at piano: Hoagy Carmichael

The Best Years of Our Lives won seven Academy Awards in 1946, including Best Picture, Best Director (William Wyler), Best Actor (Fredric March), Best Supporting Actor (Harold Russell), Best Film Editing (Daniel Mandell), Best Adapted Screenplay (Robert E. Sherwood), and Best Original Score (Hugo Friedhofer). In addition to its critical success, the film quickly became a great commercial success upon release. It became the highest-grossing film and most attended film in both the United States and UK since the release of Gone with the Wind, selling approximately 55 million tickets in the United States which equaled a gross of $23,650,000. It remains the sixth most-attended film of all time in the UK, with over 20 million tickets sold and ticket sales exceeding US$20.4 million.

Screenplay

After World War II, returning veterans Fred Derry, Homer Parrish, and Al Stephenson meet while flying home to Boone City. Fred is returning from Europe as a decorated captain and bombardier from the Eighth Air Force. Homer was a petty officer in the Seventh Fleet when he lost both hands from burns suffered when his ship was sunk, and now uses mechanical hook prostheses. Al served with the 25th Infantry as a platoon sergeant in the Pacific. All three have trouble adjusting to civilian life.

Al is a banker with a comfortable home and a loving family: wife Milly, adult daughter Peggy, and high school student son Rob. He is promoted to Vice President in charge of small loans, as the president views his military experience as valuable in dealing with other returning servicemen. When Al approves an unsecured loan to a young Navy veteran, the president advises him against making a habit of it. Later, at a banquet in his honor, a slightly inebriated Al expounds that the bank (and America) must stand with the vets and give them every chance to rebuild their lives.

Fred, once an unskilled drugstore soda jerk, wants something better, but the tight postwar job market forces him to return to his old job. Fred had met Marie while in flight training and married her shortly afterward, before shipping out less than a month later. She became a nightclub waitress while Fred was overseas. Marie makes it clear she does not enjoy being married to a lowly soda jerk.

Homer was a college football quarterback and became engaged to his next door neighbor, Wilma, before joining the Navy. Homer and his parents now have trouble dealing with his disability. He does not want to burden Wilma with his handicap so he eventually pushes her away, although she still wants to marry him.

Peggy meets Fred when picking up her father home from a bar where the three men had reunited. They are attracted to each other. Peggy dislikes Marie, and informs her parents she intends to end Fred's marriage, but they tell her that their own marriage overcame similar problems. Concerned, Al demands that Fred stop seeing his daughter. Fred agrees, but the friendship between the two men is strained.

When an obnoxious customer, who claims that the war was fought against the wrong enemies, gets into a fight with Homer, Fred intervenes and knocks the man down – costing him his job. Fred encourages Homer to put his misgivings behind him and marry Wilma, offering to be his best man.

Wilma visits Homer and tells him that her parents want her to leave Boone City for an extended period to try to forget him. Homer bluntly demonstrates to her how hard life with him would be. When Wilma is undaunted, Homer reconsiders.

Fred discovers his wife with another veteran. After complaining to Fred that she has "given up the best years of my life," Marie tells him that she is getting a divorce. Fred decides to leave town, and gives his father his medals and citations, including his Distinguished Flying Cross, with a citation written by General Doolittle. At the airport, Fred books space on the first outbound aircraft, without regard for the destination. While waiting, he wanders into a vast aircraft boneyard. Inside the nose of a B-17, he relives the intense memories of combat. The boss of a work crew rouses him from his flashback. Fred persuades the man to hire him.

People have gathered for the wedding of Homer and Wilma. Fred, now divorced, is Homer's best man. While the vows are exchanged, Fred and Peggy glance across at one another. At the conclusion everyone gathers around the newlyweds. Still gazing over at Peggy, Fred walks across the room, takes her in his arms and kisses her. He asks if she understands how things will be for them, that it could take years before they can get a life established. All the while Peggy smiles fondly at Fred, and then kisses him again.

  • Myrna Loy as Milly Stephenson
  • Fredric March as Platoon Sergeant Al Stephenson
  • Dana Andrews as Captain Fred Derry
  • Teresa Wright as Peggy Stephenson
  • Virginia Mayo as Marie Derry
  • Cathy O'Donnell as Wilma Cameron
  • Hoagy Carmichael as Uncle Butch Engle
  • Harold Russell as Petty Officer 2nd Class Homer Parrish
  • Gladys George as Hortense Derry
  • Roman Bohnen as Pat Derry
  • Ray Collins as Mr. Milton
  • Minna Gombell as Mrs. Parrish
  • Walter Baldwin as Mr. Parrish
  • Steve Cochran as Cliff
  • Dorothy Adams as Mrs. Cameron
  • Don Beddoe as Mr. Cameron
  • Marlene Aames as Luella Parrish
  • Charles Halton as Prew
  • Ray Teal as Mr. Mollett
  • Howland Chamberlain as Thorpe
  • Dean White as Novak
  • Erskine Sanford as Bullard
  • Michael Hall as Rob Stephenson

Casting brought together established stars as well as character actors and relative unknowns. The jazz drummer Gene Krupa was seen in archival footage, while Tennessee Ernie Ford, later a television star, appeared as an uncredited "hillbilly singer" (in the first of his only three film appearances). Blake Edwards, later a film producer and director, appeared fleetingly as an uncredited "Corporal". Wyler's daughters, Catherine and Judy, were cast as uncredited customers seen in the department store where Fred Derry works. Sean Penn's father, Leo, played the uncredited part of the soldier working as the scheduling clerk at the beginning of the film.

Teresa Wright was only thirteen years younger than her on-screen mother, played by Myrna Loy. Michael Hall, with his role as Fredric Marsh's on-screen son, is absent after the first one-third of the film.

Director Wyler had flown combat missions over Europe in filming Memphis Belle (1944) and worked hard to get accurate depictions of the combat veterans he had encountered. Wyler changed the original casting that had featured a veteran suffering from posttraumatic stress disorder and sought out Harold Russell, a non-actor to take on the exacting role of Homer Parrish.

For The Best Years of Our Lives, he asked the principal actors to purchase their own clothes, in order to connect with daily life and produce an authentic feeling. Other Wyler touches included constructing life-size sets, which went against the standard larger sets that were more suited to camera positions. The impact for the audience was immediate, as each scene played out in a realistic, natural way.

Recounting the interrelated story of three veterans right after the end of World War II, The Best Years of Our Lives began filming just over seven months after the war's end, starting on April 15, 1946 at a variety of locations, including the Los Angeles County Arboretum and Botanic Garden, Ontario International Airport in Ontario, California, Raleigh Studios in Hollywood, and the Samuel Goldwyn/Warner Hollywood Studios. In The Best Years of Our Lives cinematographer Gregg Toland used deep focus photography, in which objects both close to and distant from the camera are in sharp focus. For the passage of Fred Derry's reliving a combat mission while sitting in the remains of a former bomber, Wyler used "zoom" effects to simulate Derry's subjective state.

The fictional Boone City was patterned after Cincinnati, Ohio. The "Jackson High" football stadium seen early in aerial footage of the bomber flying over the Boone City, is Corcoran Stadium located at Xavier University in Cincinnati. A few seconds later Walnut Hills High School with its dome and football field can be seen along with the downtown Cincinnati skyline (Carew Tower and PNC Tower) in the background.

After the war, the combat aircraft featured in the film were being destroyed and disassembled for reuse as scrap material. The scene of Derry's walking among aircraft ruins was filmed at the Ontario Army Air Field in Ontario, California. The former training facility had been converted into a scrap yard, housing nearly 2,000 former combat aircraft in various states of disassembly and reclamation.

Critical response

Upon its release, The Best Years of Our Lives received extremely positive reviews from critics. Shortly after its premiere at the Astor Theater, New York, Bosley Crowther, film critic for The New York Times, hailed the film as a masterpiece. He wrote,

It is seldom that there comes a motion picture which can be wholly and enthusiastically endorsed not only as superlative entertainment but as food for quiet and humanizing thought... In working out their solutions Mr. Sherwood and Mr. Wyler have achieved some of the most beautiful and inspiring demonstrations of human fortitude that we have had in films." He also said the ensemble casting gave the "'best' performance in this best film this year from Hollywood."

Several decades later, film critic David Thomson offered tempered praise: "I would concede that Best Years is decent and humane... acutely observed, despite being so meticulous a package. It would have taken uncommon genius and daring at that time to sneak a view of an untidy or unresolved America past Goldwyn or the public."

The Best Years of Our Lives has a 98% "Fresh" rating at Rotten Tomatoes, based on 37 reviews. Chicago Sun Times film critic Roger Ebert put the film on his "Great Movies" list in 2007, calling it "...modern, lean, and honest."

Popular response

The Best Years of Our Lives was a massive commercial success, earning an estimated $11.5 million at the North American box office during its initial theatrical run. When box office prices are adjusted for inflation, it remains one of the top 100 grossing films in U.S. history.

Among films released before 1950, only Gone With the Wind, The Bells of St. Mary's, The Big Parade and four Disney titles have done more total business, in part due to later re-relea

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