The Battleship Potemkin full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

The film is set in June 1905; the protagonists of the film are the members of the crew of the Potemkin, a battleship of the Imperial Russian Navy's Black Sea Fleet. Eisenstein divided the plot into five acts, each with its own title:

Act I: Men and Maggots

The scene begins with two sailors, Matyushenko and Vakulinchuk, discussing the need for the crew of the Potemkin to support the revolution taking place within Russia. While the Potemkin is anchored off the island of Tendra, off-duty sailors are sleeping in their bunks. As an officer inspects the quarters, he stumbles and takes out his aggression on a sleeping sailor. The ruckus causes Vakulinchuk to awake, and he gives a speech to the men as they come to. Vakulinchuk says, "Comrades! The time has come when we too must speak out. Why wait? All of Russia has risen! Are we to be the last?" The scene cuts to morning above deck, where sailors are remarking on the poor quality of the meat for the crew. The meat appears to be rotten and covered in worms, and the sailors say that "even a dog wouldn't eat this!" The ship's doctor, Smirnov, is called over to inspect the meat by the captain. Rather than worms, the doctor says that the insects are maggots, and they can be washed off before cooking. The sailors further complain about the poor quality of the rations, but the doctor declares the meat edible and ends the discussion. Senior officer Giliarovsky forces the sailors still looking over the rotten meat to leave the area, and the cook begins to prepare borscht although he too questions the quality of the meat. The crew refuses to eat the borscht, instead choosing bread and water, and canned goods. While cleaning dishes, one of the sailors sees an inscription on a plate which reads "give us this day our daily bread." After considering the meaning of this phrase, the sailor smashes the plate and the scene ends.

Act II: Drama on the Deck

All those who refuse the meat are judged guilty of insubordination and are brought to the fore-deck where they receive religious last rites. The sailors are obliged to kneel and a canvas cover is thrown over them as a firing squad marches onto the deck. The First Officer gives the order to fire, but in response to Vakulinchuk's pleas the sailors in the firing squad lower their rifles and the uprising begins. The sailors overwhelm the outnumbered officers and take control of the ship. The officers are thrown overboard, the ship's priest is dragged out of hiding, and finally the doctor is thrown into the ocean as 'food for the worms'. The mutiny is successful but Vakulinchuk, the charismatic leader of the rebels, is killed.

Act III: A Dead Man Calls for Justice

The Potemkin arrives at the port of Odessa. Vakulinchuk's body is taken ashore and displayed publicly by his companions in a tent with a sign on his chest that says "For a spoonful of borscht" (???-?? ????? ?????). The citizens of Odessa, saddened yet empowered by Vakulinchuk's sacrifice, are soon whipped into a frenzy against the Tsar and his government by sympathizers. A man allied with the government tries to turn the citizens' fury against the Jews, but he is quickly shouted down and beaten by the people. The sailors gather to make a final farewell and praise Vakulinchuk as a hero. The people of Odessa welcome the sailors, but they attract the police as they mobilize against the government.

Act IV: The Odessa Steps

The best-known sequence of the film is set on the Odessa steps, connecting the waterfront with the central city. The citizenry of Odessa take to their ships and boats, sailing out to the Potemkin to show their support to the sailors and donate supplies, while a crowd of others gathers at the Odessa steps to witness the happenings and cheer on the rebels. Suddenly a detachment of dismounted Cossacks form battle lines at the top of the steps and march towards a crowd of unarmed civilians including women and children, and begin firing and advancing with fixed bayonets. Every now and again, the soldiers halt to fire a volley into the crowd before continuing their impersonal, machine-like assault down the stairs, ignoring the people's pleas for humanity and understanding. Meanwhile, government cavalry attack the fleeing crowd at the bottom of the steps as well, cutting down many of those who survived the dismounted assault. Brief sequences show individuals amongst the people fleeing or falling, a baby carriage rolling down the steps, a woman shot in the face, broken glasses, and the high boots of the soldiers moving in unison.

In retaliation the sailors of the Potemkin decide to use the guns of the battleship to fire on the city opera house, where Tsarist military leaders are convening a meeting. Meanwhile, there is news that a squadron of loyal warships is coming to quell the revolt of Potemkin.

Act V: One Against All

The sailors of the Potemkin decide to take the battleship out from the port of Odessa to face the fleet of the Tsar. Just when battle seems inevitable, the sailors of the Tsarist squadron refuse to open fire, cheering and shouting to show solidarity with the mutineers and allowing the Potemkin, flying the red flag, to pass between their ships.

• Aleksandr Antonov as Grigory Vakulinchuk (Bolshevik sailor)
• Vladimir Barsky as Commander Golikov
• Grigori Aleksandrov as Chief Officer Giliarovsky
• I. Bobrov as Young sailor flogged while sleeping
• Mikhail Gomorov as Militant sailor
• Aleksandr Levshin as Petty Officer
• N. Poltavseva as Woman with pince-nez
• Lyrkean Makeon as the Masked Man
• Konstantin Feldman as Student agitator
• Beatrice Vitoldi as Woman with the baby carriage

On the 20th anniversary of the first Russian revolution, commemorative Commission of the Central Executive Committee decided to stage a number of performances dedicated to the revolutionary events of 1905. In addition, as part of the celebrations was suggested a "grand film shown in a special program, with an oratory introduction, musical (solo and orchestral) and a dramatic accompaniment based on a specially written text". Nina Agadzhanova was asked to write the script and direction of the picture was assigned to 27-year-old Sergei Eisenstein.

In the original script the film was to highlight a number of episodes of the 1905 revolution: Russo-Japanese War, massacre of the Armenians, revolutionary events in St. Petersburg, Moscow uprising. Filming was supposed to be conducted in a number of cities of the USSR.

Eisenstein hired many non-professional actors for the film; he sought people of specific types instead of famous stars.

Shooting began on March 31, 1925. Sergei began with filming in Leningrad and had time to shoot the railway strike episode, horsecar, city at night and the strike crackdown on Sadovaya Street. Further shooting was prevented by deteriorating weather with fog setting in. At the same time the director faced tight time constraints: the film needed to be finished by the end of the year, although the script was approved only on 4 June. Objectively assessing the situation, Sergei Eisenstein decided to give up the original script, consisting of eight episodes, to focus only on