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The Animatrix (????????, Animatorikkusu) is a 2003 American–Japanese animated science fiction anthology film produced by the Wachowskis. It is a compilation of nine animated short films based on The Matrix trilogy, which was written and directed by the Wachowskis. Four of the shorts were also written by the Wachowskis. The film details the backstory of the Matrix universe, including the original war between man and machines which led to the creation of the titular Matrix.

The Animatrix
Home video release poster
Directed by
  • K?ji Morimoto
  • Shinichiro Watanabe
  • Mahiro Maeda
  • Peter Chung
  • Andy Jones
  • Yoshiaki Kawajiri
  • Takeshi Koike
Produced by
  • Larry Wachowski
  • Andy Wachowski
  • Michael Arias
  • Hiroaki Takeuchi
  • Eiko Tanaka
  • Spencer Lamm
Written by
  • Larry Wachowski
  • Andy Wachowski
  • Koji Morimoto
  • Shinichiro Watanabe
  • Mahiro Maeda
  • Peter Chung
  • Yoshiaki Kawajiri
Starring
  • Hedy Burress
  • James Arnold Taylor
  • Clayton Watson
  • Julia Fletcher
  • Kevin Michael Richardson
  • Pamela Adlon
  • Keanu Reeves
  • Carrie-Anne Moss
Narrated byJulia Fletcher
Music by
  • Don Davis
  • Machine Head
  • Photek
Edited byChristopher S. Capp
Production
company
  • Village Roadshow Pictures
  • Square Pictures
  • Studio 4°C
  • Madhouse
  • DNA
Distributed byWarner Home Video
Release date
  • June 3, 2003 (2003-06-03)
Running time
101 minutes
Country
  • United States
  • Japan
Language
  • English
  • Japanese

Screenplay

"Final Flight of the Osiris"

"Final Flight of the Osiris" was written by The Wachowskis and directed by Andy Jones, with CG-animation production and design by Square Pictures, this segment is rated PG-13 by the MPAA for "Sci-Fi Violence, Sensuality and Language". The short is a direct prequel leading into the events of The Matrix Reloaded.

Captain Thadeus (Kevin Michael Richardson) and Jue (Pamela Adlon) engage in a blindfolded sword fight in a virtual-reality dojo. With each slice of their swords, they remove another part of each other's clothing. Immediately after cutting the other down to their underwear, they lift their blindfolds to peek at the other. As the two are about to kiss, they are interrupted by an alarm and the simulation ends.

In the next scene, the hovercraft Osiris is headed for Junction 21 when Robbie (Tom Kenny), the operator, picks up an army of Sentinels on his HR scans. The ship flees into an uncharted tunnel, where it encounters a smaller group of Sentinels patrolling the area. The crew members man the onboard guns and destroy the patrol. The ship then emerges on the surface, four kilometers directly above Zion and close to the Sentinel army. There, the crew members see that the Machines are using gigantic drills to tunnel their way down to Zion. The Sentinel army soon detects the Osiris and pursues the ship.

Thadeus decides Zion must be warned, and his shipmate Jue volunteers to broadcast herself into the Matrix to deliver the warning while the ship is doggedly pursued. Knowing that they are not going to make it, Jue and Thadeus admit to peeking at each other in the VR simulation before kissing farewell. Entering the Matrix on a high rooftop, Jue jumps off and acrobatically makes her way down through power poles between two buildings. When she lands in the alley below, a ripple effect is created by her impact. She drops off a package into a mail box; the package sets the prologue for the video game Enter the Matrix. She attempts to contact Thadeus via a cell phone as the Osiris is overrun by Sentinels and crashes. The Sentinels tear their way into the ship. At the time of the call, Thadeus is making a last stand to hold off the Sentinels. Shortly after Jue says "Thadeus" over her cell phone, the Osiris explodes, destroying many of the pursuing Sentinels and the crew. In the Matrix, Jue falls to the ground, dead, her body having been destroyed on the ship.

"The Second Renaissance Part I"

"The Second Renaissance" is a two-part film directed by Mahiro Maeda. He used Bits and Pieces of Information written by The Wachowskis as a prequel to the series as a base for the first part. The production is made by the Studio 4°C.

In the early-to-mid twenty-first century, humanity successfully develops Artificial intelligence, and soon builds an entire race of sentient AI robots to serve them. Many of these robots are domestic servants meant to interact with humans, so they are built in "man's own image" (a humanoid form). With increasing numbers of people released from all labor, much of the human population has become lazy, arrogant, and corrupt. Despite this, the machines were content with serving humanity and, as the narrator states, "for a time, it was good". This phrase is a reference to one of the most famous phrases of Genesis, consistent with the Biblical references seen throughout the original Matrix films, and is one of numerous references to Genesis in particular present in "Second Renaissance".

The relationship between humans and machines changes in the year 2090, when a domestic android is threatened by its owner. The android, named B1-66ER (a reference to Bigger Thomas), then kills the owner, his pets, and a mechanic instructed to deactivate the robot. This murder is the first incident of an artificially intelligent machine killing a human. B1-66ER is arrested and put on trial, but justifies the crime as self-defense, stating that it "simply did not want to die". During the trial scene, there is a voice-over of Clarence Drummond (the defense attorney; whose name is a dual reference to Clarence Darrow and Henry Drummond, the Darrow analogue from Inherit the Wind) quoting a famous line from the Dred Scott v. Sandford case in 1856 in his closing statement, which implicitly ruled that African Americans were not entitled to citizenship under United States law. Using this as a precedent, the prosecution argues that machines are not entitled to the same rights as human beings, and specifically that human beings have a right to destroy their property, while the defense urges the listener not to repeat history, and to judge B1-66ER as a human and not a machine (a longer version of Drummond's closing statement can be read in the comic Bits and Pieces of Information from The Matrix Comics Volume 1).

We think they are not, and were not intended to be included, under the word 'citizens' in the Constitution, and can therefore claim none of the rights and privileges which that instrument provides for and secures to citizens of the United States. On the contrary, they were at that time considered as a subordinate and inferior class of beings...

B1-66ER loses the court case and is destroyed. Across the industrialized world, mass civil disturbances erupt when robots along with their human supporters and sympathizers all rise in protest. Rioting and protests such as The Million Machine March unfold across the United States and the authorities start to use deadly force against the machines and their human supporters. World leaders fear a robot rebellion as well as a schism with humanity, and governments across the world initiate a major program to destroy all humanoid machines. Some robots escape destruction, however, because humans still want or need them to produce things. The surviving robots leave in a mass exodus with the aid of their human allies and build their own new nation together in the Mesopotamia (according to the narration, "the cradle of civilization"). They name their new nation Zero One (or "01", the numerals used in binary notation). Zero One prospers, and the machines begin to produce efficient, highly advanced artificial intelligence that finds itself in all facets of global consumer products, which further bolsters the fledgling nation's economy, while the economies of high class human nations suffer severely.

The United Nations Security Council calls an emergency economic summit at UN headquarters in New York City, resulting in UN delegates approving of a global economic blockade of Zero One. Zero One sends two ambassadors to the U.N. (which, at that time, has become the unified world government) to request the admission of their state to the United Nations, to peacefully solve the crisis, but their application is rejected. However, it is narrated, this would not be the last time the machines would take the floor there. World nations, their power waning, agree to start an economic blockade of Zero One.

"The Second Renaissance Part II"

United Nations aircraft unleash a massive nuclear bombardment on Zero One, devastating the nation; but failing to wipe out the robotic race as the machines, unlike their former masters, were much less harmed by the radiation and heat. The Zero One leaders retaliate by declaring war on the rest of the world, and their armies advance in all directions. The enemy human nations are hampered by the fact that so much of their industrial base had already become so heavily reliant upon Zero One, and one by one, the rest of mankind surrendered each of its territories.

As the machines advance into Eastern Europe, the desperate human rulers seek a final solution, codenamed: "Operation Dark Storm", which will cover the sky in a shroud of nanites, blocking out the Sun to deprive the machines of their primary energy source. To coincide with the deployment of Dark Storm, the enemy human armies simultaneously launch a ground offensive against the robots. Heavy losses are suffered by both sides during the ensuing struggle, but the machines gradually gain the upper hand. The original robots are destroyed early on in the conflict, being armed with human weapons rather than the powerful weapons of the different, more sinister types to follow.

Legions of new models of machines, no longer in humanoid form and appearing more like the insectoid or cephalopod-like Sentinels and others of the Matrix films, overrun the enemy human armies. This coincides with the destruction of original man-made robots at the hands of the enemy human forces and, as a result, the further dehumanization of the rapidly emerging machine collective. Seeing the machines as their only hope of surviving and winning the war, the human allies offer themselves to their machine protectors as an alternative power source. Knowing there is no other choice, the machines accept this as both their only chance and a symbol of their eternal union.

As the machine armies, now armed with their new power source via their new symbiotic union with their human allies, swarm across the enemy human defenses; the United Nations, in desperation, has numerous nuclear warheads fired directly at the approaching armies, vaporizing their own troops in the process. The machine-human armies eventually unleash lethal biological weapons which further ravage the rest of humanity who, by then, have grown weary, tired, and incapable of continuing the war and promptly surrender despite the United Nations' demands for the war to continue. Mankind's rulers surrenders at the United Nations headquarters, with the representative of Zero One stating "Your flesh is a relic, a mere vessel. Hand over your flesh, and a new world awaits you. We demand it." After the terms of surrender are signed, Zero One's representative detonates a hidden hydrogen bomb within itself, destroying the UN headquarters and New York City. The machines, having won a Pyrrhic victory, turn to the defeated humans, and begin utilizing the bio-electric, chemical and kinetic energy of the human body. While the machines were more than capable of generating power from alternative power sources, the collective sedation of humankind was a final act of mercy to keep the humans down without outright destroying them.

To keep their prisoners sedated, the machines create the computer-generated virtual reality of the Matrix, by feeding the virtual world into the prisoners' brains, starting with the first prototype Matrix and presumably erasing the memories of their former lives.

"Kid's Story"

"Kid's Story" was written and directed by Shinichiro Watanabe (based on a story by The Wachowskis), with animations by Shinya Ohira and Shinji Hashimoto production design by Studio 4°C, Tokyo. It is the only one of the animated shorts contained in The Animatrix in which Neo appears. The scene takes place during the six-month gap between The Matrix and The Matrix: Reloaded, during which time Neo has joined the crew of the Nebuchadnezzar and is helping the rebels to free other humans from the Matrix. Kid (Clayton Watson) is a disaffected teenager who feels there is something wrong with the world, frequenting hacker chat rooms on the internet and wondering if he is alone and questioning about reality. In school, he absent-mindedly scribbles "Neo lives" and other references to Morpheus and Trinity in his notebook. That day, he receives a call from his turned-off cell phone, warning him that a band of Agents is coming for him and is chased through his high school, before ultimately being cornered on the roof. He asserts his faith in Neo, and throws himself from the roof, whereupon the other characters are shown holding his funeral. The scene fades up from black as the Kid awakens in the real world to see Neo and Trinity watching over him. They remark that he has achieved "self substantiation" (removing oneself from the Matrix without external aid), which was considered impossible. In both the scene itself and The Matrix Reloaded, however, the Kid seems to believe it was Neo's actions, not his own, that saved him.

The Animatrix

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