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The Abyss is a 1989 American science fiction film written and directed by Canadian director James Cameron, starring Ed Harris, Mary Elizabeth Mastrantonio, and Michael Biehn. When an American submarine sinks in the Caribbean, the U.S. search and recovery team works with an oil platform crew, racing against Russian vessels to recover the boat. Deep in the ocean, they encounter something unexpected. The film was released on August 9, 1989, and grossed $90 million. It won the Academy Award for Best Visual Effects and was nominated for three more Academy awards.

The Abyss
Theatrical release poster
Directed byJames Cameron
Produced byGale Anne Hurd
Written byJames Cameron
Starring
  • Ed Harris
  • Mary Elizabeth Mastrantonio
  • Michael Biehn
Music byAlan Silvestri
CinematographyMikael Salomon
Edited by
  • Conrad Buff IV
  • Joel Goodman
  • Howard E. Smith
Production
company
20th Century Fox
Distributed by20th Century Fox
Release date
  • August 9, 1989 (1989-08-09)
Running time
140 minutes
CountryUnited States
LanguageEnglish
Budget$43–47 million
Box office$90 million

Screenplay

In 1988, the U.S. Ohio-class submarine USS Montana has an encounter with an unidentified submerged object and sinks near the Cayman Trough. With Soviet ships moving in to try to salvage the sub and a hurricane moving over the area, the U.S. government sends a SEAL team to Deep Core, a privately owned experimental underwater drilling platform near the Cayman Trough to use as a base of operations. The platform's designer, Dr. Lindsey Brigman, insists on going along with the SEAL team, despite her estranged husband Virgil "Bud" Brigman being the current foreman.

During initial investigation of the Montana, a power outage in the team's submersibles leads to Lindsey seeing a strange light circling the sub, which she later calls a "non-terrestrial intelligence" or "NTI". Lt. Coffey, the SEAL team leader, is ordered to accelerate their mission and takes one of the mini-subs without Deep Core's permission to recover a Trident missile warhead from the Montana just as the storm hits above. The Benthic Explorer, to which Deep Core is tethered, is rocked by the storm, and the cable crane is torn from the ship. The crane falls into the trench and, without the mini-sub to disconnect the cable, Deep Core is dragged toward the trench, stopping just short of it. The rig is partially flooded, killing several crew members and damaging its power systems. Coffey shows little remorse when he and his SEALs return to the damaged base.

The crew wait out the storm so they can restore communications and be rescued. As they struggle against the cold, they find the NTIs have formed an animated column of water that is exploring the rig. Though they treat it with curiosity, Coffey is agitated by it and cuts it in half by closing a pressure bulkhead on it, causing it to retreat. Realizing that Coffey is suffering paranoia from high-pressure nervous syndrome, the crew spies on him through a remote operated vehicle, finding him and another SEAL arming the warhead to attack the NTIs. To try and stop him, Bud fights Coffey but Coffey escapes in a mini-sub with the primed warhead; Bud and Lindsey give chase in the other sub, damaging both. Coffey is able to launch the warhead into the trench, but his sub drifts over the edge, crushing him when it implodes. Bud's mini-sub is inoperable and taking on water; with only one functional diving suit, Lindsey opts to enter deep hypothermia when the ocean's cold water engulfs her. Bud swims back to the platform with her body; there, he and the crew administer CPR and revive her, and Bud and Lindsey reaffirm their lost love.

One SEAL, unaware of Coffey's plan at the time, helps to locate the warhead, stopped on a ledge several thousand feet down the trench. Bud volunteers to use an experimental diving suit equipped with a liquid breathing apparatus to survive to that depth, though he will only be able to communicate through a keypad on the suit. Bud begins his dive, assisted by Lindsey's voice to keep him coherent against the effects of the mounting pressure, and reaches the warhead. The SEAL guides him in successfully disarming it. With little oxygen left in the system, Bud explains he knew it was a one-way trip, and tells Lindsey he loves her. As he waits for death, an NTI approaches Bud, takes his hand, and guides him to an alien ship deep in the trench. Inside the ship, the NTIs create an atmospheric pocket for Bud, allowing him to breathe normally. The NTIs then play back Bud's message to his wife and they look at each other with understanding.

On Deep Core the crew is waiting for rescue when they see a message from Bud that he met some friends and warns them to hold on. The base shakes and lights from the trench bring the arrival of the alien ship. It rises to the ocean's surface, with Deep Core and several of the surface ships run aground on its hull. The crew of Deep Core exit the platform, surprised they are not suffering from decompression sickness. They see Bud walking out of the alien ship and Lindsey races to hug him.

Special Edition

In the extended version, the events in the film are played against a backdrop of conflict between the United States and the Soviet Union, with the potential for all-out war; the sinking of the Montana additionally fuels the aggression. There is more conflict between Bud and Lindsey in regards to their former relationship. The primary addition is the ending: when Bud is taken to the alien ship, they start by showing him images of war and aggression from news sources around the globe. The aliens then create massive megatsunamis that threaten the world's coasts, but stop them short before they hit. They then show Bud his message to Lindsey, and let the megatsunamis disperse without damage, as a warning to humanity.

  • Ed Harris as Virgil "Bud" Brigman, Deep Core's foreman and Lindsey's estranged husband.
  • Mary Elizabeth Mastrantonio as Dr. Lindsey Brigman, designer of the rig and Bud's estranged wife.
  • Michael Biehn as US Navy SEAL Lieutenant Hiram Coffey, the commander of the Navy SEAL team.
  • J.C. Quinn as Arliss "Sonny" Dawson
  • Leo Burmester as Catfish De Vries, a worker on the rig and a Vietnam veteran Marine who is skeptical of the SEALs.
  • Kimberly Scott as Lisa "One Night" Standing
  • Todd Graff as Alan "Hippy" Carnes, a conspiracy theorist who believes that the NTIs have been covered up by the CIA. He carries a pet rat on his shoulder.
  • John Bedford Lloyd as Jammer Willis
  • Chris Elliott as Bendix
  • Kidd Brewer Jr. as Lew Finler
  • George Robert Klek as Wilhite, a US Navy SEAL
  • Christopher Murphy as Schoenick, a US Navy SEAL
  • Adam Nelson as Ensign Monk, a US Navy SEAL
  • Richard Warlock as Dwight Perry
  • Jimmie Ray Weeks as Leland McBride
  • J. Kenneth Campbell as DeMarco
  • William Wisher, Jr. as Bill Tyler, a reporter
  • Ken Jenkins as Gerard Kirkhill

H. G. Wells was the first to introduce the notion of a sea alien in his 1897 short story "In the Abyss". The idea for The Abyss came to James Cameron when, at age 17 and in high school, he attended a science lecture about deep sea diving by a man, Francis J. Falejczyk, who was the first human to breathe fluid through his lungs in experiments conducted by Johannes A. Kylstra. He subsequently wrote a short story that focused on a group of scientists in a laboratory at the bottom of the ocean. The basic idea did not change, but many of the details evolved over the years. Once Cameron arrived in Hollywood, he quickly realized that a group of scientists was not that commercial and changed it to a group of blue-collar workers. While making Aliens, Cameron saw a National Geographic film about remote operated vehicles operating deep in the North Atlantic Ocean. These images reminded him of his short story. He and producer Gale Anne Hurd decided that The Abyss would be their next film. Cameron wrote a treatment combined with elements of a shooting script, which generated a lot of interest in Hollywood. He then wrote the script, basing the character of Lindsey on Hurd and finished it by the end of 1987. Cameron and Hurd were married before The Abyss, separated during pre-production, and divorced in February 1989, two months after principal photography.

Pre-production

The cast and crew trained for underwater diving for one week in the Cayman Islands. This was necessary because 40% of all live-action principal photography took place underwater. Furthermore, Cameron's production company had to design and build experimental equipment and develop a state-of-the-art communications system that allowed the director to talk underwater to the actors and dialogue to be recorded directly onto tape for the first time.

Cameron had originally planned to shoot on location in the Bahamas where the story was set but quickly realized that he needed to have a completely controlled environment because of the stunts and special visual effects involved. He considered shooting the film in Malta, which had the largest unfiltered tank of water, but it was not adequate for Cameron's needs. Underwater sequences for the film were shot at a unit of the Gaffney Studios, situated south of Cherokee Falls, outside Gaffney, South Carolina, which had been abandoned by Duke Power officials after previously spending $700 million constructing the Cherokee Nuclear Power Plant, along Owensby Street, Gaffney, South Carolina.

Two specially constructed tanks were used. The first one, based on the abandoned plant's primary reactor containment vessel, held 7.5 million US gallons (28,000 m3) of water, was 55 feet (18 m) deep and 209 feet (70 m) across. At the time, it was the largest fresh-water filtered tank in the world. Additional scenes were shot in the second tank, an unused turbine pit, which held 2.5 million US gallons (9,500 m3) of water. As the production crew rushed to finish painting the main tank, millions of gallons of water poured in and took five days to fill. The Deepcore rig was anchored to a 90-ton concrete column at the bottom of the large tank. It consisted of six partial and complete modules that took over half a year to plan and build from scratch.

Can-Dive Services Ltd., a Canadian commercial diving company that specialized in saturation diving systems and underwater technology, specially manufactured the two working craft (Flatbed and Cab One) for the film. Two million dollars was spent on set construction.

Filming was also done at the largest underground lake in the world—a mine in Bonne Terre, Missouri, which was the background for several underwater shots.

Principal photography

The main tank was not ready in time for the first day of principal photography. Cameron delayed filming for a week and pushed the smaller tank's schedule forward, demanding that it be ready weeks ahead of schedule. Filming eventually began on August 15, 1988, but there were still problems. On the first day of shooting in the main water tank, it sprang a leak and 150,000 US gallons (570 m3) of water a minute rushed out. The studio brought in dam-repair experts to seal it. In addition, enormous pipes with elbow fittings had been improperly installed. There was so much water pressure in them that the elbows blew off.

Cameron's choice of cinematographer on the movie was Mikael Salomon—a US-based Danish national who would go on to work on other blockbusters such as Backdraft and Arachnophobia before moving into the director's slot on a myriad of films and TV shows including two editions of the acclaimed HBO WW2 series Band of Brothers. Salomon used three cameras in watertight housings that were specially designed. Another special housing was designed for scenes that went from above-water dialogue to below-water dialogue. The filmmakers had to figure out how to keep the water clear enough to shoot and dark enough to look realistic at 2,000 feet (700 m), which was achieved by floating a thick layer of plastic beads in the water and covering the top of the tank with an enormous tarpaulin. Cameron wanted to see the actors' faces and hear their dialogue, and thus hired Western Space and Marine to engineer helmets which would remain optically clear underwater and installed state-of-the-art aircraft quality microphones into each helmet. Safety conditions were also a major factor with the installation of a decompression chamber on site, along with a diving bell and a safety diver for each actor.

The breathing fluid used in the film actually exists but has only been thoroughly investigated in animals. Over the previous 20 years it had been tested on several animals, who survived. The rat shown in the film was actually breathing fluid and survived unharmed.

Ed Harris did not actually breathe the fluid. He held his breath inside a helmet full of liquid while being towed 30 feet (10 m) below the surface of the large tank. He recalled that the worst moments were being towed with fluid rushing up his nose and his eyes swellin

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