The %27burbs full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

The 'Burbs
	Theatrical release poster
Directed by	Joe Dante
Produced by	Larry Brezner; Michael Finnell; Ron Howard; Dana Olsen;
Written by	Dana Olsen
Starring	Tom Hanks; Bruce Dern; Carrie Fisher; Rick Ducommun; Corey Feldman;
Music by	Jerry Goldsmith
Cinematography	Robert M. Stevens
Edited by	Marshall Harvey
Production; company	Imagine Entertainment
Distributed by	Universal Pictures
Release date	February 17, 1989; ; ; ; ;
Running time	101 minutes
Country	United States
Language	English
Budget	$18 million
Box office	$49.1 million

The 'Burbs is a 1989 American comedy thriller film directed by Joe Dante, starring Tom Hanks, Bruce Dern, Carrie Fisher, Rick Ducommun, Corey Feldman, Wendy Schaal and Henry Gibson, and co-starring Gale Gordon. The film was written by Dana Olsen, who also has a cameo in the movie. The film pokes fun at suburban environments and their sometimes eccentric dwellers.

Screenplay

On Mayfield Place, a cul-de-sac in the southern section of the fictional suburban town of Hinkley Hills, Ray Peterson is on vacation from work for a week and is trying to learn more about his mysterious, new next-door neighbors, the Klopeks, after hearing strange noises emanating from their basement late one night. Art Weingartner, the Petersons' other next-door neighbor, believes the Klopeks are murderers.

While snooping around one evening, Ray, Art and military veteran, Lt. Mark Rumsfield, watch Hans Klopek drive his car from the garage to the curb, then carry a large garbage bag from the trunk to the garbage can and bang it with a hoe. During the night, Ray watches the Klopeks digging in their back yard with pick-axes during a rainstorm. The following morning, Art checks the contents of a garbage truck, as workers collect the Klopeks' trash can. He is joined by Rumsfield and Ray, but they find no human remains, suspecting that's what the contents of their garbage contained.

Bonnie Rumsfield finds a dog running loose and realizes it belongs to another neighbor of theirs, an elderly man named Walter, and wonders if Walter went away – it being unlike him to leave his dog running loose. Ray, Art, Bonnie, and Ricky Butler, the curious (and quite amused by all his neighbor's doings) kid who lives next door to the Rumsfields, go to Walter's house and find his toupee in the kitchen, believing this to be a clue to Walter's sudden disappearance. Ray collects the dog and leaves a note for Walter, explaining the situation. The following night, Ray and Art have a meeting in the Petersons' basement and theorize about Walter's mysterious disappearance.

Carol, Ray's wife, grows tired of her husband and his buddies snooping around the Klopeks' home and she requests that she, Ray, and the Rumsfields pay the Klopeks a visit, there meeting Hans, Reuben, and Werner while Art snoops around in the backyard. Later that evening, Ray reveals to Art and Rumsfield that, he found Walter's toupee in the Klopeks' basement, which he had previously slipped through Walter's mailslot after the group found it inside his house a couple of days earlier. Deducing that the Klopeks must have entered Walter's house in order to retrieve the toupee, Ray and the others are convinced the Klopeks have murdered Walter, and the trio agree to investigate the Klopeks' backyard the next day, knowing the Klopeks would be gone for the day.

In the morning, Ray sends Carol and son Dave to go to visit Carol's sister, leaving Ray free to explore the Klopeks' place with his buddies. After Art disables the Klopeks' security system, he and Ray enter the backyard and begin digging for Walter's remains, while "commando" Rumsfield stands guard on his roof. After hours of digging and finding nothing incriminating, Ray and Art enter the house, where they discover what they believe to be a crematorium. Ray then begins to dig into the loose soil that constitutes the basement floor, believing they must have incinerated Walter's body, then buried his bones in the soil.

That evening, the Klopeks come back, only to drive back out when they see lights on in their basement. Rumsfield, Art, and Ricky are shocked to see that Walter has returned home. When the Klopeks return with the police, Art goes into the Klopeks' home to rescue Ray, who, after thinking he had discovered a crypt that contains Walter's remains, realizes it's a gas line, which he struck with his pick-axe. He yells for Art to flee, right before the house explodes into flames, with Ray still inside. A disheveled, and scorched, Ray emerges from the flames just as his wife returns.

Art speaks to an officer, who tells him that Walter had a medical emergency and that his family had taken him to the hospital, thus explaining his mysterious and sudden disappearance. While away, Walter had made arrangements for the Klopeks to pick up his mail for him. When Ray had slipped the toupee through the mail slot, it was picked up, mistakenly, along with the mail. Ray snaps at Art and declares that they were wrong about the Klopeks, before lunging at Art and then throwing himself into an ambulance on a gurney.

Joining Ray in the ambulance, Werner Klopek, thinking that Ray must have seen a skull that he kept in the furnace, confesses that they murdered the previous owners of the house and that the skull belongs to one of them, thus revealing that they had been right about the Klopeks, after all. Werner attempts to murder Ray with a lethal injection and collect his skull, as Hans assumes the role of the ambulance driver, but crashes into the Weingartners' house during the struggle. The gurney, with Ray and Werner still struggling on, rolls out of the ambulance and down the street. Ray makes a citizen's arrest on his would-be murderer as Ricky uncovers a large collection of human skeletal remains in the Klopeks' trunk. The Klopeks are arrested and the charges against Ray are dropped. Ray tells Ricky that he and his family are going away for a while and that he needs him to keep an eye on the neighborhood.

Tom Hanks as Ray Peterson
Bruce Dern as Lt. Mark Rumsfield
Carrie Fisher as Carol Peterson
Rick Ducommun as Art Weingartner
Corey Feldman as Ricky Butler
Wendy Schaal as Bonnie Rumsfield
Henry Gibson as Dr. Werner Klopek
Brother Theodore as Uncle Reuben Klopek
Courtney Gains as Hans Klopek
Gale Gordon as Walter Seznick
Dick Miller as Vic (Garbageman)
Robert Picardo as Joe (Garbageman)
Cory Danziger as Dave Peterson
Franklyn Ajaye as Detective #1
Rance Howard as Detective #2
Heather Haase as Ricky's Girlfriend
Nick Katt as Steve Kuntz
Bill Stevenson as Ricky's Friend
Gary Hays as Ricky's Friend
Carey Scott as Ricky's Friend
Kevin Gage as Cop
Dana Olsen as Cop
Brenda Benner as Walter's Daughter
Patrika Darbo as Suzette Weingartner

Screenwriter Dana Olsen based the script, under the working title Life in the 'Burbs, on experiences from his own childhood: "I had an ultranormal middle-class upbringing, but our town had its share of psychos. There was a legendary hatchet murder in the thirties, and every once in a while, you'd pick up the local paper and read something like 'LIBRARIAN KILLS FAMILY, SELF'. As a kid, it was fascinating to think that Mr. Flanagan down the street could turn out to be Jack the Ripper. And where there's fear, there's comedy. So I approached The 'Burbs as Ozzie and Harriet Meet Charles Manson."

Olsen's script attracted producer Larry Brezner, who brought it to Imagine Films. It was greeted with a warm reception from Brian Grazer. "I liked the concept of a regular guy taking a vacation in his own neighborhood, plus it was funny and well written. It suddenly dawned on me that Joe Dante would be fantastic because it's a mixture of comedy, horror, and reality."

Dante, the director of Gremlins and Innerspace, and his partner, Michael Finnell, were immediately impressed by the concept of the movie. Dante, who specializes in offbeat subject matters, was intrigued by the blending of real-life situations with elements of the supernatural. "When I tell people about the story, a remarkable number say, 'On my grandmother's block, there were people like that. They never mowed their lawn, and they never came out, and they let their mail stack up, and nobody knew who they were'. And I must confess that in my own neighborhood there's a house like that, falling to wrack and ruin. I think this is perhaps a more common event than most people are aware of."

Dante, Brezner and Finnell agreed that Tom Hanks would be the most suitable actor to portray the harried Ray Peterson, a conservative man who tries to introduce excitement into his life by investigating the activities of his strange neighbors. Dante referred to Hanks as "the reigning everyman, a guy that everybody can identify with", comparing Hanks with James Stewart. Brezner echoed the sentiments, saying, "Hanks is an actor capable of acting funny rather than funny acting. He also has no problem with transition from comedy to Pathos, as he showed in Nothing in Common, and he's now proving himself as one of the country's most versatile actors."

Hanks accepted the role of Ray with enthusiasm. "What's so bizarrely interesting about this black psychocomedy is that the stuff that goes on in real life in a regular neighborhood will make your hair stand up on the back of your neck." He was also intrigued by his character with distinctive personality traits. "Sometimes there's more of an opportunity to create than others. Here's a guy with a great life – a nice house, a wife, a beautiful tree, a nice neighborhood – and he's happy. Next day, he hates it all. I thought something must've happened to him offstage. And that's the challenge for me of the part: to communicate Ray's offscreen dilemma. One of the reasons Ray doesn't go away on vacation is because it's another extension of the normalcy he's fallen into. So he thinks he'll try a more Bohemian thing, which is to just hang around the house. With a week's worth of free time on his hands, Ray is drawn into the pre-occupations of his neighbors, who always seem to be at home. But what I did is just back-story embellishment that any actor will do. Perhaps from my repertory experience. I don't ask a director for motivation. If he says, 'Go over to the window', I find the reason myself."

Hanks found admiration for Dante's directorial style, saying "Joe has a stylized, visionary way of looking at the entire movie. It's pure film-making – the story is told from the camera's point of view, and that's a type of movie I haven't made." Dante, in turn, praised his star. "The most impressive thing about Tom Hanks as a comic actor is how effortless he makes it seem. He actually is very diligent about his acting, but his comic sense of what is going to work – and what isn't – is really unparalleled."

The ten-week shoot took place during the summer of 1988, with Dante directing Hanks and the high-profile supporting cast. Dante's laid-back, casual style encouraged improvisation among the actors. He noted, "Tom doesn't like to do scenes the way they're always done. He goes out of his way to put a different spin on everything and his being good as he is and as open as he is encouraged the other actors to do the same. It set a tone for the movie that made it a lot of fun to make."

The set

Filmed entirely at Universal Studios, The 'Burbs presented technical and logistical problems for Dante and the crew. "I can't think of many pictures since Lifeboat that all take place in the same area," Dante said as production got under way. "There was a lot of temptation to broaden it and go outside the neighborhood, but it seemed to violate the spirit of the piece. It's almost the kind of thing that could be a stage play except that you could never do on-stage what we've done in this movie."

Dante used the Colonial Street set on the back lot for the Mayfield Place cul-de-sac. The set had once been used in 1987's Dragnet, also starring Tom Hanks. (Coincidentally, the structure used as the Peterson home in The 'Burbs was used as the home of the character of "the virgin Connie Swail" in Dragnet.) At the time The 'Burbs began production the Colonial Street set was being used as the location for the Still the Beaver television series – the 1980s follow-up to Leave It to Beaver, so the entire area 'reeked' of normalcy. Dante said, "I asked James Spencer, a veteran of Poltergeist and Gremlins if he thought he could turn that street into the neighborhood we needed in that period of time. Spencer rose to the challenge, and within a few days they began work on sketching out the proposed designs for the sets. Spencer observed, "We had to be on the spot. Due to the lack of time, it would have been ludicrous to do our drawing elsewhere."

The sacred Beaver household had to be carted away to make room for the dilapidated Klopek home. By the time Spencer was through, the entire street had been reconfigured.

The Klopeks' house was not completely destroyed, and remained almost intact as it appeared in The 'Burbs for a number of years, albeit without the tower. The whole building can be clearly seen in a season-two episode of Quantum Leap. The house no longer exists in an easily recognizable form (the Van de Kamp house in Desperate Housewives) but the right façade does still have some features of the original style. The original Klopek garage sits alongside the house, in much the same style as in The 'Burbs.

The other houses (many of which are just façades) have been used in countless television shows, movies and music videos through the years. Perhaps the most notable is The Munsters' house, which is home to the Butler family in The 'Burbs. Due to its recognizability, the house's facade is never completely shown in the film. Two new houses, which were built specifically for the movie, were Walter Seznick's (which is still there to this day, see Desperate Housewives) and the Klopeks'.

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Screenplay

The set

The residents of Mayfield Place