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Super Mario Bros. is a 1993 American fantasy adventure film based on the Japanese video game series of the same name and the game Super Mario Bros. by Nintendo. It was directed by Rocky Morton and Annabel Jankel, written by Parker Bennett, Terry Runté and Ed Solomon, and distributed by Walt Disney Studios through Hollywood Pictures.

Super Mario Bros.
Theatrical release poster
Directed by
  • Rocky Morton
  • Annabel Jankel
Produced by
  • Jake Eberts
  • Roland Joffé
Written by
  • Parker Bennett
  • Terry Runté
  • Ed Solomon
Based onMario
by Shigeru Miyamoto
Starring
  • Bob Hoskins
  • John Leguizamo
  • Dennis Hopper
  • Samantha Mathis
  • Fisher Stevens
  • Fiona Shaw
  • Richard Edson
Narrated byDan Castellaneta
Music byAlan Silvestri
CinematographyDean Semler
Edited byMark Goldblatt
Production
company
  • Hollywood Pictures
  • Lightmotive
  • Allied Filmmakers
  • Cinergi Pictures
Distributed byBuena Vista Pictures Distribution
Release date
  • May 28, 1993 (1993-05-28)
Running time
104 minutes
CountryUnited States
LanguageEnglish
Budget$48 million
Box office$20.9 million

It stars Bob Hoskins, John Leguizamo, Dennis Hopper, Samantha Mathis, Fisher Stevens, Fiona Shaw and Richard Edson. The film follows the Mario brothers (Hoskins and Leguizamo), who rescue Princess Daisy (Mathis) from a parallel universe ruled by the ruthless President Koopa (Hopper).

Super Mario Bros. was shot in both New York City and North Carolina on a budget of $48 million. It was released on May 28, 1993 and was a critical and commercial failure. Reviewers praised the film's innovative special effects, creative artistic direction, and the performances of its actors, but criticized the confusing narrative and inconsistent tone.

Screenplay

About 65 million years ago, a meteorite crashes into the Earth, killing the dinosaurs and splitting the universe into two parallel dimensions. The surviving dinosaurs cross into this new dimension and evolve into a humanoid race.

In the present, Italian American plumbers Mario and Luigi live in Brooklyn, New York. They are being driven out of business by the mafia-operated Scapelli Construction Company led by Anthony Scapelli. Luigi falls in love with orphaned NYU student Daisy, who is digging under the Brooklyn Bridge for dinosaur bones. After a date, Daisy takes Luigi back to the bridge only to witness two of Scapelli's men sabotaging it by leaving the water pipes open. Unable to fix the flooding, Luigi and Daisy rush back to his apartment where they inform Mario about the incident. The trio returns to the flooding where the Mario Bros. manage to fix it but are knocked unconscious by Iggy and Spike, who proceed to capture Daisy.

Moments later, Mario and Luigi awaken and head deeper into the caves following Daisy's screams and discover an interdimensional portal allowing the Mario Bros. to follow Daisy. It turns out that Iggy and Spike are henchmen (and cousins) of the other world's germophobic and obsessive–compulsive dictator, King Koopa, who descended from the Tyrannosaurus Rex. Iggy and Spike realize they didn't bring Daisy's rock, a meteorite fragment which Koopa is trying to get in order to merge his world with the human world. It is then revealed that Daisy is the long-lost Princess of the other dimension. When Koopa overthrew Daisy's father (and devolved him into fungus), her mother took her to Brooklyn using the interdimensional portal. The portal was then closed, with Daisy's mother killed in the process, but Scapelli's men inadvertently reopened the portal when they blasted the cave. Upon hearing this, Koopa sends Spike and Iggy to find both Daisy and the rock to merge the dimensions and make him dictator of both worlds. However, after Koopa subjects them to one of his experiments to make them more intelligent, Spike and Iggy realize Koopa's evil intentions and side with the Mario Bros. in the desert. Daisy is taken to Koopa-Tower, where she meets a young Yoshi. Koopa informs Daisy that she descended from the dinosaurs, believing only Daisy can merge the worlds because of her royal heritage. Eventually, the Mario Bros. rescue Daisy with the help of Toad, a good-natured guitarist who was punished by Koopa for performing music that protests his reign (for which he is devolved into a Goomba).

Eventually, the two worlds merge and Koopa devolves Scapelli into a chimpanzee before going after Mario, but Luigi and Daisy manage to remove the fragment from the meteorite and the worlds separate again. In Dinohattan, Mario confronts Koopa and eventually defeats him when he and Luigi fire their devolution guns at Koopa and blast him with a Bob-omb. Koopa, now transformed into a ferocious, semi-humanoid Tyrannosaurus, attempts to kill the Mario Bros., but they destroy him once and for all by transforming him into an actual T. rex, which is too intense for him to live through and instead turns him into primeval slime. With Daisy's father restored after Koopa's defeat, he reclaims control over the kingdom. The citizens celebrate and immediately destroy anything under Koopa's influence. Luigi professes his love for Daisy and wants her to come to Brooklyn with him, but Daisy cannot come until the damage caused by Koopa is repaired and thus, she wants to spend more time with her father. Heartbroken, Luigi kisses Daisy goodbye as he and Mario return home to Brooklyn, with Daisy watching them leave. Three weeks later, the Mario Bros. are getting ready for dinner when their story comes on the news and the anchorman says they should be called the "Super Mario Bros." Daisy then arrives and asks the Mario Bros. to help her and says, "You're never gonna believe this!"

In a post-credits scene, two Japanese business executives propose making a video game based on Iggy and Spike, now trapped on Earth, who decide on the title The Super Koopa Cousins.

  • Bob Hoskins as Mario Mario
  • John Leguizamo as Luigi Mario
  • Dennis Hopper as King Koopa
  • Samantha Mathis as Daisy
  • Fisher Stevens as Iggy
  • Richard Edson as Spike
  • Fiona Shaw as Lena
  • Mojo Nixon as Toad
  • Dana Kaminski as Daniella
  • Francesca Roberts as Big Bertha
  • Gianni Russo as Anthony Scapelli
  • Don Lake as Sgt. Simon
  • Lance Henriksen as The Fungus King, or King Reznor
  • Frank Welker as Creature Voices
  • Dan Castellaneta as Narrator

Development

The suggestion for a film based on the Super Mario Bros. was first put forward by Roland Joffé during a script meeting at his production company Lightmotive. Joffé met the Nintendo of America president and Hiroshi Yamauchi's son-in law Minoru Arakawa. He presented Arakawa with an initial draft of the script. One month after their meeting, Joffé went to Nintendo's corporate headquarters in Kyoto spending 10 days waiting to meet Hiroshi Yamauchi. After some time, Joffé received a phone call summoning him to Yamauchi's office. He pitched to Yamauchi the storyline which led to Nintendo receiving interest in the project. Joffé left with a $2 million contract giving the temporary control of the character of Mario over to Joffé. Nintendo retained merchandising rights for the film through a "creative partnership" with Lightmotive.

When Yamauchi asked Joffé why Nintendo should sell the rights to Lightmotive over a major company Joffé assured that Nintendo would have more control over the film. However, Nintendo had no interest in creative control and believed the Mario brand was strong enough to allow an American experiment. "I think they looked at the movie as some sort of strange creature that was kind of rather intriguing to see if we could walk or not," said Joffé.

"How do we catch this wonderful mixture of images and inputs and strangeness?", Joffé wondered. The first screenplay was written by Oscar-winning screenwriter Barry Morrow. His story followed brothers Mario and Luigi on an existential road trip so similar to Morrow's prior Rain Man that production titled the script "Drain Man". Morrow described his screenplay as "a study in contrast, like Laurel and Hardy or Abbot and Costello," that would have "an odyssey and a quest" like the game itself. Co-producer Fred Caruso later said that Morrow's story was "more of a serious drama piece as opposed to a fun comedy."

Screenwriters Jim Jennewein and Tom S. Parker were brought on next to write a more traditional adaptation. "So right away we knew that the best way to do this is to essentially have a journey into this world, not unlike The Wizard of Oz," said Jennewein. His and Parker's take on the story was to subvert fairy tale clichés and satirize them, as well as focus on the relationship between Mario and Luigi. "Essentially what we did was what Shrek did," Jennewein argues. "And we knew the story had to be about the brothers and that the emotional through-line would be about the brothers."

Greg Beeman of License to Drive was attached to direct and development had already moved into pre-production, but the failure of Beeman's recent Mom and Dad Save the World led to his dismissal by nervous producers. Joffé then offered Harold Ramis the director's mantle, but Ramis declined the opportunity despite being a fan of the video game.

"We tried some various avenues that didn't work, that came up too medieval or somehow wasn't the right thing. I felt the project was taking a wrong turn," said Joffé. "And that's when I began thinking of Max Headroom." Joffé traveled to Rome to meet with creators Rocky Morton and Annabel Jankel. "We come from the Tim Burton school of filmmaking, because our background is in animation and comic books," said Morton. "So we started off basing everything in reality, and then tried to have fun and exaggerate it as much as possible."

Joffé, Morton and Jankel agreed their approach in adapting the video games should follow the darker tone popularized by the 1989 Batman and 1990 Teenage Mutant Ninja Turtles. "This wasn't Snow White and the Seven Dinosaurs," Joffé said. "The dino world was dark. We didn't want to hold back."

Morton described the film as a prequel to the video games that tells the "true story" behind Nintendo's inspiration. Joffé viewed the games as a "mixture of Japanese fairy tales and bits of modern America," and wanted to create a "slightly mythic vision of New York." Screenwriter Parker Bennett elaborated: "Our take on it was that Nintendo interpreted the events from our story and came up with the video game. We basically worked backwards."

The concept of a parallel universe inhabited by dinosaurs was inspired by Dinosaur Land from the recently released Super Mario World. Jankel envisioned the parallel dimension as " a whole world with a reptile point-of-view, dominated by aggressive, primordial behavior and basic instincts," while Morton considered the ecological and technological consequences of a dinosaur society that holds fossil fuels sacred. "It's a wonderful parody of New York and heavy industry," noted Joffé. "We call it the New Brutalism."

Screenwriters Parker Bennett and Terry Runté were tasked with balancing comedy with the darker tone: "Ghostbusters was the model," said Bennett. "We were aiming towards funny, but kind of weird and dark."

The intelligent Fungus was inspired by both the Mushroom Kingdom from the games and tabloid reports of a discovered gigantic fungus. Production Designer David Snyder recalled: "As each script developed the fungus was sort of a metaphor for the mushroom element in a Nintendo game."

"For me a screenplay is never finished," said Joffé. "You work a screenplay all the time. When you bring actors in a screenplay goes through another evolution. So you can say that rather like the fungus in the movie the screenplay constantly evolves."

Casting

After securing the rights to the film, Lightmotive went to work finding the casting for the characters. Danny DeVito was offered both the role of Mario and the director's mantle. Arnold Schwarzenegger and Michael Keaton were both approached to play Koopa. Tom Hanks was considered for Luigi, but a string of recent box-office failures dropped him from the running. Actors Bob Hoskins and John Leguizamo were ultimately cast as Mario and Luigi.

Initially Hoskins didn't like the script and didn't want to do another children's film: "I'd done Roger Rabbit. I'd done Hook. I didn't want to become like Dick Van Dyke." Hoskins wondered how he would prepare for the role, saying "I'm the right shape. I've got a mustache.

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