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Sullivan's Travels is a 1941 American comedy film written and directed by Preston Sturges. It is a satire about Hollywood's top director of comedies, played by Joel McCrea, who longs to make a socially relevant drama, but eventually learns that creating laughter is his greatest contribution to society. The film features one of Veronica Lake's first leading roles. The title is a reference to Gulliver's Travels, the famous novel by satirist Jonathan Swift about another journey of self-discovery.

Sullivan's Travels
Theatrical Poster
Directed byPreston Sturges
Produced byPaul Jones
Buddy DeSylva (uncredited)
Preston Sturges (uncredited)
Written byPreston Sturges
StarringJoel McCrea
Veronica Lake
Music byCharles Bradshaw
Leo Shuken
CinematographyJohn Seitz
Edited byStuart Gilmore
Distributed byParamount Pictures
Release date
  • December 5, 1941 (1941-12-05) (Portugal)
Running time
90 minutes
CountryUnited States
LanguageEnglish
Budget$676,687
Box office$1,150,000 (US rentals)

Sullivan's Travels received mixed critical reception, varying from the New York Times calling it "the most brilliant picture yet this year", praising Sturges's mix of escapist fun with underlying significance, and naming it as one of the ten best films of 1941 to The Hollywood Reporter claiming it lacked the "down to earth quality and sincerity which made other three pictures of 1941 – The Great McGinty, The Lady Eve, and Christmas in July – "a joy to behold".

Over time, the film's reputation has improved tremendously, being described by media historian Hal Erickson as a "classic", "one of the finest movies about movies ever made" and a "masterpiece". In 1990, it was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."

Screenplay

 
Veronica Lake and Joel McCrea in Sullivan's Travels

John L. Sullivan is a popular young Hollywood director of profitable but shallow comedies. Sullivan is dissatisfied despite his success and tells his studio boss, Mr. Lebrand, that he wants his next project to be a serious exploration of the plight of the downtrodden. He asks to make his next film an adaptation of O Brother, Where Art Thou?, a socially conscious novel. Lebrand wants him to direct another lucrative comedy instead, but the idealistic Sullivan refuses to give in. He wants to "know trouble" first hand, and plans to travel as a tramp so he can return and make a film that truly depicts the sorrows of humanity. His butler and valet openly question the wisdom of his plan.

Sullivan dresses as a hobo and takes to the road, followed by a fully staffed double-decker coach bus at Lebrand's request. Neither party is happy with the arrangement, and Sullivan eventually persuades his guardians to leave him alone and arranges to rendezvous with them in Las Vegas later. However, when he hitchhikes alone, he finds himself back in Los Angeles where he started.

There he meets a young failed actress, who is just about to quit the business and go home. She believes he is truly a tramp, and buys him a breakfast of eggs and ham. In return for her kindness, Sullivan retrieves his car from his estate and gives her a lift. He neglects to tell his servants that he has returned, so they report the "theft" of the car and Sullivan and the Girl are apprehended by the police. Upon their release, the Girl pushes him into his enormous swimming pool for deceiving her about his true identity. However, after considering her options, she becomes his traveling companion -- disguised as a boy.

This time Sullivan succeeds in living like a hobo. After eating in soup kitchens and sleeping in homeless shelters with the Girl, Sullivan finally decides he has had enough. His experiment is publicized by the studio as a huge success. The Girl wants to stay with him, but is stymied by his complicated living situation. On the advice of his business manager, Sullivan had gotten married to reduce his income tax. Ironically, he discovers that his wife cost him double what he saved in taxes.

Sullivan decides to thank the homeless by handing out $5 bills, but one man, who had previously stolen his shoes, ambushes Sullivan and steals the money. Sullivan is knocked unconscious and dragged into a boxcar leaving the city. The thief drops the loose cash on the rails and gets run over and killed by another train while picking it up. When the thief's body is found, they discover a special identification card sewn into his shoes identifying him as Sullivan.

Meanwhile, Sullivan wakes up in the rail yard of another city, with no memory of who he is or how he got there. A railway worker finds him and berates him for illegally entering the rail yard, shoving him; in his confused state, Sullivan hits the man in the head with a rock, for which he is sentenced to six years in a labor camp. He gradually regains his memory. In the camp, he attends a showing of Walt Disney's Playful Pluto cartoon. Looking at the joy in the other inmates' faces, Sullivan realizes that comedy can do more good for the poor than O Brother, Where Art Thou?.

But he has a problem – he cannot convince anybody that he is Sullivan or communicate with the outside world. Finally, he comes up with a solution: after seeing his unsolved "killing" on the front page of a newspaper, he confesses to being his own killer. When his picture makes the front page, the Girl recognizes him and he is released. His "widow" had already taken up with his crooked business manager, so he can now divorce her and be reunited with the Girl. A montage of happy, laughing faces ends the film.

 
Veronica Lake and Joel McCrea
  • Joel McCrea as John L. Sullivan
  • Veronica Lake as The Girl
  • Robert Warwick as Mr. Lebrand
  • William Demarest as Mr. Jonas
  • Franklin Pangborn as Mr. Casalsis
  • Porter Hall as Mr. Hadrian
  • Byron Foulger as Mr. Johnny Valdelle
  • Margaret Hayes as Secretary
  • Robert Greig as Burrows, Sullivan's butler
  • Eric Blore as Sullivan's valet
  • Torben Meyer as The doctor
  • Georges Renavent as Old tramp
  • Emory Parnell as Rail Yard Bull

Cast notes:

  • This was the sixth of ten films written by Preston Sturges in which William Demarest appeared.
  • Members of Sturges's unofficial "stock company" of character actors who appear in Sullivan's Travels include George Anderson, Al Bridge, Chester Conklin, Jimmy Conlin, William Demarest, Robert Dudley, Byron Foulger, Robert Greig, Harry Hayden, Esther Howard, Arthur Hoyt, J. Farrell MacDonald, Torben Meyer, Charles R. Moore, Frank Moran, Jack Norton, Franklin Pangborn, Emory Parnell, Victor Potel, Dewey Robinson, Harry Rosenthal, Julius Tannen and Robert Warwick. Eric Blore had appeared in The Lady Eve and Porter Hall would go on to appear in three other Sturges films: The Great Moment, The Miracle of Morgan's Creek and The Beautiful Blonde from Bashful Bend, Sturges's last American film.
  • Preston Sturges has a cameo appearance as the film director in the scene set in a film studio where The Girl sees Sullivan's picture in the paper and recognizes him. The man she almost runs into on the street outside the studio is Ray Milland.
  • Another member of the production staff appeared in the film as well: associate producer Paul Jones appeared as "Dear Joseph", the late husband of "Miz Zeffie", in a photograph in which the man's expression changes.

Paramount purchased Sturges's script for Sullivan's Travels for $6,000. He wrote the film as a response to the "preaching" he found in other comedies "which seemed to have abandoned the fun in favor of the message." Sturges may have been influenced by the stories of John Garfield, who lived the life of a hobo, riding freight trains and hitchhiking his way cross country for a short period in the 1930s. Sturges wrote the film with Joel McCrea in mind, but found the female lead through the casting process. Barbara Stanwyck was considered, as well as Frances Farmer.

The film as released opens with a dedication:

To the memory of those who made us laugh: the motley mountebanks, the clowns, the buffoons, in all times and in all nations, whose efforts have lightened our burden a little, this picture is affectionately dedicated.

This was originally intended to be spoken by Sullivan. Sturges wanted the film to begin with the prologue: "This is the story of a man who wanted to wash an elephant. The elephant darn near ruined him." Paramount contracted with the Schlesinger Corp., who made the Warner Bros. Looney Tunes and Merrie Melodies cartoons, to make an animated main title sequence, but this was not used in the film, if it was ever actually produced.

The censors at the Hays Office had objections to the script that the studio had submitted. They felt that the word "bum" would be rejected by British censors, and warned that there should be no "suggestion of sexual intimacy" between Sullivan and The Girl in the scenes in which they are sleeping together at the mission.

Sullivan's Travels went into production on May 12, 1941 and wrapped on July 22. Location shooting took place in Canoga Park, San Marino, Castaic and at Lockheed Air Terminal.

Veronica Lake was six months pregnant at the beginning of production, a fact she did not disclose to Sturges until filming began. Sturges was so furious that, according to Lake, he had to be physically restrained. Sturges consulted with Lake's doctor to see if she could perform the part, and hired former Tournament of Roses queen Cheryl Walker as Lake's double. Edith Head, Hollywood's most renowned costume designer, was tasked to find ways of concealing Lake's condition. Reportedly, Lake was disliked by some of her co-stars; McCrea refused to work with her again, turning down a lead role in I Married a Witch, and Fredric March, who got the part, didn't get along with her as well. However, McCrea got along famously with Sturges, and afterward presented him with a watch engraved "for the finest direction I've ever had." Sturges' assistant director, Anthony Mann, was also heavily influenced by the production.

There were some minor problems during filming. Sturges had wanted to use a clip from a Charlie Chaplin film for the church scene, but was turned down by Chaplin. Lake does parody Chaplin's "Little Tramp" character earlier in the film. Also, the poverty montage was scheduled to take three hours to film, but instead took seven hours. Incidents such as this may account for the film, which cost more than $689,000 to produce, going more than $86,000 over budget.

The film was first screened for critics on December 4, 1941, and for the public on January 15, 1942 in Detroit. Its Hollywood premiere occurred two weeks later on February 12, 1942, at the Los Angeles Paramount Theatre.

When the film was released, the U.S. Office of Censorship declined to approve it for export overseas during wartime, because of the "long sequence showing life in a prison chain gang which is most objectionable because of the brutality and inhumanity with which the prisoners are treated." This conformed with the office's standing policy of not exporting films that could be used for propaganda purposes by the enemy. The producers of the film declined to make suggested changes that could have altered the film's status.

Sullivan's Travels was released on video in the U.S. on March 16, 1989, and re-released on June 30, 1993. The film was re-released in the UK with a restored print on May 12, 2000. Criterion produced a Blu-ray version, which was released in the U.S. on April 14, 2015.

Sullivan's Travels was not as immediately successful at the box office as earlier Sturges films such as The Great McGinty and The Lady Eve, and received mixed critical reception. Although the review in the New York Times called the film "the most brilliant picture yet this year" and praised Sturges's mix of escapist fun with underlying significance, The Hollywood Reporter said that it lacked the "down to earth quality and sincerity which made other three pictures a joy to behold" and that "Sturges...fa

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