Steamboat Willie full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Mickey Mouse pilots a river steamboat, suggesting that he himself is the captain. He cheerfully whistles "Steamboat Bill" and sounds the boat's three whistles. Soon the real captain, Pete, appears and orders Mickey off the bridge. Mickey blows a raspberry at Pete, and then Pete attempts to kick him but Mickey rushes away in time and Pete kicks himself in the rear accidentally. Mickey rushes down the stairs, slips on a bar of soap on the boat's deck and lands in a bucket of water. A parrot laughs at him, and Mickey throws the bucket at it.

Pete, who has been watching the whole thing, pilots the steamboat himself. He bites off some chewing tobacco and spits into the wind. The spit flies backward and rings the boat's bell. Amused by this Pete spits again, but it hits himself in the face, making him fuss.

The steamboat makes a stop at "Podunk Landing" to pick up a cargo of various livestock. Just as they set off again, Minnie appears, running to catch the boat before it leaves. Mickey does not see her in time, but she runs after the boat along the shore and Mickey takes her on board by hooking the cargo crane to her underwear.

Landing on deck, Minnie accidentally drops a guitar and some sheet music for the song "Turkey in the Straw" which are eaten by a goat. The two mice use the goat's body as a phonograph which they play by turning its tail like a crank. Mickey uses various objects on the boat as percussion accompaniment and "plays" the animals like musical instruments. This ends with them using a cow's teeth to play the song as a xylophone.

Finally Captain Pete is unamused and puts Mickey to work peeling potatoes. In the potato bin, the same parrot that laughed at him earlier appears in the port hole and laughs at him again. The mouse throws a peeled potato at him, knocking him into the river below. The film ends with Mickey laughing.

According to Roy O. Disney, Walt Disney was inspired to create a sound cartoon after watching The Jazz Singer (1927). Disney had intended for Mickey Mouse to be the new star character to replace Oswald the Lucky Rabbit after he lost the rights to the character to Charles Mintz. However, the first two Mickey Mouse films produced, silent versions of Plane Crazy and The Gallopin' Gaucho, had failed to impress audiences and gain a distributor. Disney believed that adding sound to a cartoon would greatly increase its appeal. One theatre owner said to Walt, "Your stupid brain and your stupid mouse character can get out of my theatre."

Steamboat Willie was not the first cartoon with synchronized sound. Starting in May 1924 and continuing through September 1926, Dave and Max Fleischer's Inkwell Studios produced 19 sound cartoons, part of the Song Car-Tunes series, using the Phonofilm sound-on-film process. However, the Song Car-Tunes failed to keep the sound fully synchronized, while Steamboat Willie was produced using a click track to keep his musicians on the beat. As little as one month before Steamboat Willie was released, Paul Terry released Dinner Time which also used a soundtrack, but Dinner Time was not a financial success.

In June 1927, producer Pat Powers made an unsuccessful takeover bid for Lee DeForest's Phonofilm Corporation. In the aftermath, Powers hired a former DeForest technician, William Garrity, to produce a cloned version of the Phonofilm system, which Powers dubbed "Powers Cinephone". By then, DeForest was in too weak a financial position to mount a legal challenge against Powers for patent infringement. Powers convinced Disney to use Cinephone for Steamboat Willie; their business relationship lasted until 1930, when Powers and Disney had a falling-out over money and Powers hired away Disney's lead animator, Ub Iwerks.

The production of Steamboat Willie took place between July and September 1928 with an estimated budget of $4,986. There was initially some doubt among the animators that a sound cartoon would appear believable enough, so before a soundtrack was produced, Disney arranged for a screening of the film to a test audience with live sound to accompany it. This screening took place on July 29 with Steamboat Willie only partly finished. The audience sat in a room adjoining Walt's office. Roy placed the movie projector outdoors and the film was projected through a window so that the sound of the projector would not interfere with the live sound. Ub Iwerks set up a bedsheet behind the movie screen behind which he placed a microphone connected to speakers where the audience would sit. The live sound was produced from behind the bedsheet. Wilfred Jackson played the music on a mouth organ, Ub Iwerks banged on pots and pans for the percussion segment, and Johnny Cannon provided sound effects with various devices, including slide whistles and spittoons for bells. Walt himself provided what little dialogue there was to the film, mostly grunts, laughs, and squawks. After several practices, they were ready for the audience, which consisted of Disney employees and their wives.

The response of the audience was extremely positive, and it gave Walt the confidence to move forward and complete the film. He said later in recalling this first viewing, "The effect on our little audience was nothing less than electric. They responded almost instinctively to this union of sound and motion. I thought they were kidding me. So they put me in the audience and ran the action again. It was terrible, but it was wonderful! And it was something new!" Iwerks said, "I've never been so thrilled in my life. Nothing since has ever equaled it."

Walt traveled to New York City to hire a company to produce the sound system. He eventually settled on Pat Powers's Cinephone system, created by Powers using an updated version of Lee De Forest's Phonofilm system without giving De Forest any credit, a decision he would later regret.

The music in the final soundtrack was performed by the Green Brothers Novelty Band and was conducted by Carl Edouarde. The brothers Joe and Lew Green from the band also assisted in timing the music to the film. The first attempt to synchronize the recording with the film, done on September 15, 1928, was a disaster. Disney had to sell his Moon roadster in order to finance a second recording. This was a success with the addition of a filmed bouncing ball to keep the tempo.