Song Of The South full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast


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Song of the South is a 1946 American live-action/animated musical film produced by Walt Disney and released by RKO Radio Pictures. It is based on the collection of Uncle Remus stories as adapted by Joel Chandler Harris, and stars James Baskett as Uncle Remus. The film takes place in the southern United States during the Reconstruction Era, a period of American history shortly after the end of the American Civil War and the abolition of slavery. The story follows 7-year-old Johnny (Bobby Driscoll) who is visiting his grandmother's plantation for an extended stay. Johnny befriends Uncle Remus, one of the workers on the plantation, and takes joy in hearing his tales about the adventures of Br'er Rabbit, Br'er Fox, and Br'er Bear. Johnny learns from the stories how to cope with the challenges he is experiencing living on the plantation.

Song of the South
Original theatrical release poster
Directed by
  • Live action:
  • Harve Foster
  • Animation:
  • Wilfred Jackson
Produced byWalt Disney
Screenplay by
  • Live action:
  • Morton Grant
  • Maurice Rapf
  • Dalton S. Reymond
  • Animation:
  • Bill Peet
  • George Stallings
  • Ralph Wright
Based onUncle Remus by
Joel Chandler Harris
Starring
  • James Baskett
  • Bobby Driscoll
  • Luana Patten
  • Ruth Warrick
  • Lucile Watson
  • Hattie McDaniel
Music by
  • Daniele Amfitheatrof
  • Paul J. Smith
  • Charles Wolcott
CinematographyGregg Toland
Edited byWilliam M. Morgan
Production
company
Walt Disney Productions
Distributed byRKO Radio Pictures
Release date
  • November 12, 1946 (1946-11-12) (Premiere: Atlanta, Georgia)
  • November 20, 1946 (1946-11-20)
Running time
94 minutes
CountryUnited States
LanguageEnglish
BudgetUS$2.125 million
Box officeUS$65 million

Walt Disney had wanted to produce a film based on the Uncle Remus stories for some time. It was not until 1939 that he began negotiating with the Harris family for film rights, and later in 1944, filming for Song of the South finally began. The studio constructed a plantation set for the outdoor scenes in Phoenix, Arizona, and some other scenes were filmed in Hollywood. The film is mostly live action, but includes three animated segments, which were later released as stand-alone television features. Some scenes also feature a combination of live action with animation. Song of the South premiered in Atlanta in November 1946 and the remainder of its initial theater run was a financial success. The song "Zip-a-Dee-Doo-Dah" won the 1947 Academy Award for Best Original Song and Baskett received an Honorary Academy Award for his performance as Uncle Remus.

Since its release, Song of the South has remained a subject of controversy. Some critics have described the film's portrayal of African Americans as racist and offensive, pointing out the black vernacular and other qualities as stereotypes. In addition, the plantation setting is sometimes criticized as idyllic and glorified. Because of this controversy, Disney has yet to release Song of the South on any home video format in the United States. Some of the musical and animated sequences have been released through other means, and the full film has seen home video distribution in other countries around the world. The cartoon characters from the film have continued to remain popular for decades, being featured in a variety of books, comics, and other media. The Disney theme park ride Splash Mountain is also based on the film.

Screenplay

Setting

The film is set on a plantation in the southern United States, specifically in the state of Georgia, some distance from Atlanta. Although sometimes misinterpreted as taking place before the American Civil War while slavery was still legal in the region, the film takes place during the Reconstruction Era after slavery was abolished. Harris' original Uncle Remus stories were all set after the American Civil War and the abolition of slavery. Harris himself, born in 1848, was a racial reconciliation activist writer and journalist of the Reconstruction Era. The film makes several indirect references to the Reconstruction Era: clothing is in the newer late-Victorian style; Uncle Remus is free to leave the plantation at will; black field hands are sharecroppers, etc.

Plot

Seven-year-old Johnny (Bobby Driscoll) is excited about what he believes to be a vacation at his grandmother's Georgia plantation with his parents, John Sr. (Erik Rolf) and Sally (Ruth Warrick). When they arrive at the plantation, he discovers that his parents will be living apart for a while, and he is to live at the plantation with his mother and grandmother (Lucile Watson) while his father returns to Atlanta to continue his controversial editorship in the city's newspaper. Johnny, distraught because of his father's departure, secretly sets off that night for Atlanta with only a bindle.

As Johnny sneaks away from the plantation, he is attracted by the voice of Uncle Remus (James Baskett) telling tales of a character named Br'er Rabbit. By this time, word had gotten out that Johnny was missing, and some plantation residents are looking for him. Johnny evades being discovered, but Uncle Remus catches up with him. They befriend each other and Uncle Remus offers him some food for his journey, taking him back to his cabin. Back at the cabin, Uncle Remus tells Johnny the traditional African-American folktale, "Br'er Rabbit Earns a Dollar a Minute". In the story, Br'er Rabbit (Johnny Lee) attempts to run away from home only to change his mind after an encounter with Br'er Fox and Br'er Bear (James Baskett and Nick Stewart). Johnny takes the advice and changes his mind about leaving the plantation, letting Uncle Remus take him back to his mother.

Johnny makes friends with Toby (Glenn Leedy), a young black boy who lives on the plantation, and Ginny Favers (Luana Patten), a poor white girl. Ginny gives Johnny a puppy after her two older brothers, Joe (Gene Holland) and Jake (George Nokes), threaten to drown it. Johnny's mother refuses to let him take care of the puppy, so he takes the dog to Uncle Remus. Uncle Remus takes the dog in and delights Johnny and his friends with the fable of Br'er Rabbit and the Tar-Baby, stressing that people shouldn't get involved with something they have no business with in the first place. Johnny heeds the advice of how Br'er Rabbit used reverse psychology on Br'er Fox and begs the Favers Brothers not to tell their mother (Mary Field) about the dog. The reverse psychology works, and the boys go to speak with their mother. After being spanked, they realize that Johnny had fooled them. In an act of revenge, they tell Sally about the dog. She becomes upset that Johnny and Uncle Remus kept the dog despite her order (which was unknown to Uncle Remus). She instructs Uncle Remus not to tell any more stories to her son.

Johnny's birthday arrives and Johnny picks up Ginny to take her to his party. On the way there, Joe and Jake push Ginny into a mud puddle. With her dress ruined, Ginny is unable to go to the party and runs off crying. Johnny begins fighting with the boys, but their fight is broken up by Uncle Remus. Johnny runs off to comfort Ginny. He explains that he does not want to go either, especially since his father will not be there. Uncle Remus discovers both dejected children and cheers them up by telling the story of Br'er Rabbit and his "Laughing Place". When the three return to the plantation, Sally becomes angry at Johnny for missing his own birthday party, and tells Uncle Remus not to spend any more time with him. Saddened by the misunderstanding of his good intentions, Uncle Remus packs his bags and leaves for Atlanta. Johnny rushes to intercept him, but is attacked by a bull and seriously injured after taking a shortcut through a pasture. While Johnny hovers between life and death, his father returns. Johnny calls for Uncle Remus, who is then escorted in by his grandmother. Uncle Remus begins telling a tale of Br'er Rabbit and the Laughing Place, and the boy miraculously survives.

Johnny, Ginny, and Toby are next seen skipping along and singing while Johnny's returned puppy runs alongside them. Uncle Remus is also in the vicinity and he is shocked when Br'er Rabbit and several of the other characters from his stories appear in front of them and interact with the children. Uncle Remus rushes to join the group, and they all skip away singing.

 
Clockwise from left: Ginny (Luana Patten), Uncle Remus (James Baskett), Johnny (Bobby Driscoll) and Toby (Glenn Leedy)
  • James Baskett as Uncle Remus
  • Bobby Driscoll as Johnny
  • Luana Patten as Ginny Favers
  • Glenn Leedy as Toby
  • Ruth Warrick as Sally
  • Lucile Watson as Grandmother
  • Hattie McDaniel as Aunt Tempy
  • Erik Rolf as John
  • Olivier Urbain as Mr. Favers (uncredited)
  • Mary Field as Mrs. Favers
  • Anita Brown as Maid
  • George Nokes as Jake Favers
  • Gene Holland as Joe Favers

Voices

  • Johnny Lee as Br'er Rabbit
  • James Baskett as Br'er Fox
  • Nick Stewart as Br'er Bear
  • Roy Glenn as Br'er Frog (uncredited)
  • Clarence Nash as Bluebird (uncredited)
  • Helen Crozier as Mother Possum (uncredited)

Background

Walt Disney had long wanted to produce a film based on the Uncle Remus storybook, but it was not until the mid-1940s that he had found a way to give the stories an adequate film equivalent in scope and fidelity. "I always felt that Uncle Remus should be played by a living person", Disney commented, "as should also the young boy to whom Harris' old Negro philosopher relates his vivid stories of the Briar Patch. Several tests in previous pictures, especially in The Three Caballeros, were encouraging in the way living action and animation could be dovetailed. Finally, months ago, we 'took our foot in hand,' in the words of Uncle Remus, and jumped into our most venturesome but also more pleasurable undertaking."

Disney first began to negotiate with Harris' family for the rights in 1939, and by late summer of that year he already had one of his storyboard artists summarize the more promising tales and draw up four boards' worth of story sketches. In November 1940, Disney visited the Harris' home in Atlanta. He told Variety that he wanted to "get an authentic feeling of Uncle Remus country so we can do as faithful a job as possible to these stories." Roy Oliver Disney had misgivings about the project, doubting that it was "big enough in caliber and natural draft" to warrant a budget over $1 million and more than twenty-five minutes of animation, but in June 1944, Disney hired Southern-born writer Dalton Reymond to write the screenplay, and he met frequently with King Vidor, whom he was trying to interest in directing the live-action sequences.

Dalton Reymond wrote a treatment for the film. Because Reymond was not a professional screenwriter, Maurice Rapf, who had been writing live-action features at the time, was asked by Walt Disney Productions to work with Reymond and co-writer Callum Webb to turn the treatment into a shootable screenplay. According to Neal Gabler, one of the reasons Disney had hired Rapf to work with Reymond was to temper what Disney feared would be Reymond's "white Southern slant".

Rapf was a minority, a Jew, and an outspoken left-winger, and he himself feared that the film would inevitably be Uncle Tomish. "That's exactly why I want you to work on it," Walt told him, "because I know that you don't think I should make the movie. You're against Uncle Tomism, and you're a radical."

Rapf initially hesitated, but when he found out that most of the film would be live-action and that he could make extensive changes, he accepted the offer. Rapf worked on Uncle Remus for about seven weeks. When he got into a personal dispute with Reymond, Rapf was taken off the project. According to Rapf, Walt Disney "ended every conference by saying 'Well, I think we've really licked it now.' Then he'd call you the next morning and say, 'I've got a new idea.' And he'd have one. Sometimes the ideas were good, sometimes they were terrible, but you could never really satisfy him." Morton Grant was assigned to the project. Disney sent out the script for comment both within the studio and outside the studio.

Casting

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